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Grendel story essay
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The presence of a bull prompts a shift in Grendel’s purpose in life from remaining obedient to his mother as a young child to being the creator of the world as he transitions into adulthood. As a young monster, Grendel motive’s coincide with his mother since she is the only person who Grendel is able to communicate with. He feels “Of all the creatures I knew, only my mother really looked at me...We were one thing, like the wall and the rock growing out from it… ‘Please, Mama!’ I sobbed as if heartbroken” (Gardner 17-19). His emotions demonstrate that as a child, he doesn’t consider himself as an individual but rather as embodying the same identity as his mother, which is further emphasized by the use of the simile. Additionally, Grendel’s use …show more content…
As a result of not receiving help when the bull was attacking him, Grendel develops a new theory: “I alone exist. All the rest, I saw, is merely what pushes me, or what I push against, blindly—as blindly as all that is not myself pushes back. I create the universe, blink by blink” (Gardner 21-22). Grendel’s questioning of his way of living marks a transformation of Grendel into a mature character who gains knowledge from his experience with the bull, concluding that the world revolves only around him. The utilization of ‘I’ portrays that his growing isolation from the absence of his mother during the bull attack is what permits him to believe that he is superior to everyone else and the only worthy creature to exist. This foreshadows his ultimate purpose in life which is to kill mankind. Grendel, as the creator of the world, holds the ultimate power to decide who will live, lacking the perspective that there is a higher force other than himself. In other words, the experience Grendel acquires from the bull attack enables him to mature and obtain insight on the truth of his …show more content…
His contemplation results in the ADD TRANSITION. As Grendel acquires knowledge of the story of Cain and Abel, he discovers himself in a new light: as a dark evil creature. The Shaper explains “an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was on the dark side...terrible race God cursed. I believed him. Such was the power of the Shaper’s harp” (Gardner 51). The ‘power’ of the Shaper’s songs, full of creatively crafted words, emphasizes that the Shaper possesses the ultimate power to convince Grendel that he is created from darkness. The ‘darkness’ referred to in this statement represents the evil of humanity such as violence which serves as the primary reason for Grendel’s purpose to kill. Although Grendel is categorized into this evil since he’s a descendant of Cain, at this point, his actions do not embody qualities of evil. Grendel’s realization of the darkness within himself alters his perspective of his purpose in life as the creator of the world into a monster cursed by God into isolation. Grendel is easily convinced by the new knowledge provided by the Shaper due his lack of full maturity. In accordance to maturing teens, Grendel also has not completely transformed into an adult so is more facile to
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Towards the end of the novel, Grendel finally becomes ‘himself’. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in at the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident.
In John Gardner’s Grendel, the Shaper is an important contributing character that carries the plot in a historical sense. During the first encounter between the monster and the humans, Grendel hears of the stories and tales the Shaper is singing about in Hrothgar’s mead-hall. Throughout the story the Shaper tells about Danish history and the creation of man’s existence and Grendel is fascinated by this. After listening to the Shaper’s stories, Grendel starts to realize that what he is saying is not true, “I too crept away, my mind aswim in ringing phrases, magnificent, golden, and all of them, incredibly, lies,” and starts to question what is true and what is not (Gardner 43). The Shaper’s eloquent tales had a large effect on Grendel, “He told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side...I believed him! Such was the power of the Shaper's harp!” (Gardner 52). Gardner’s writing of Grendel sheds light on a whole new side of Grendel, as opposed to the monstrous being in Beowulf; so much so that we can see a divide in G...
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
The character Grendel portrays the fallen self, which will assert itself violently if neglected, and must be overcome throughout life. The monster Grendel mirrors the part of our fallen state. Grendel's ancestry leads to the biblical figure Cain, to which all evil can be attributed. Grendel represents the hidden evil of Beowulf. Rollo May describes this in his metaphor "the dragon or the Sphinx in me will often be clamoring and will sometimes be expressed"(174). Grendel represents Beowulf's Sphinx, that lashes out on others.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
There are many characters that are involved in the novel, Grendel by John Gardner, which have meaning and we can identify ourselves with them. For example, Grendel is the main character. I will be writing about Grendel because I think he is the most important character of this novel. I like Grendel because he seems like if he was human but, is really an intelligent monster who eats people. What I dislike about Grendel is that he observes people. I don’t like the fact that Grendel basically spies humans. Since, the author identifies the three stages in his live being: childhood, adulthood, and his battle with Beowulf. Grendel is characterized as innocence but, in the other hand as a monster. Grendel was big in size, and had the strength of many. But he was not brave at all. He is described as a large figure with the strength to pick up the weight of a grown man and consume him whole. 1 But, Grendel is shown as somewhat of a
Various people know that “curiosity killed the cat” but that is not the initial statement. In 1598, during Every Man in His Humour by English playwright Ben Jonson, the expression was first known as “care’ll kill a cat” (1). This phrase doesn’t implicate care as to nurture or tend to, but rather worry or sorrow. The remark “curiosity killed the cat” is commonly used when one wants another to stop asking nonessential questions. Much like the cat in the play, the 1971 novel Grendel by John Gardner, also holds a beast curious about his life and surroundings. In the novel, Grendel is portrayed as a child with a lack of understanding and a need to adventure throughout the world. Although he is scared to venture too far from his
In the story Grendel, one learns that this monster that seems atrocious and insensitive holds a dark outlook on the world. He often ponders the meaning of life, which seems to plague him. This stems from his painful childhood: “I understood that the world was nothing: a mechanical
One of Grendel’s archenemies is the human. Humans refuse to look beyond Grendel’s unattractive exterior, and spend most of their days trying to kill Grendel. One night when Grendel is watching their mead hall, he sees them “treating their sword-blades with snake’s venom”(Gardner 29). Another conflict between humans and serpents develops when Grendel is watching the Shaper for the first time. As he listens, he “snatche[s] up a snake from beside [his] foot”(40), and holds it in his fist as he listens to the Shaper sing. The snake represents the deceptive weaving of history that the Shaper performs in Hrothgar’s mead hall. Grendel interacts with one of the priests, Ork, in the circle of Gods, by pretending to be the Great Destroyer. Ork predicts that the Great Destroyer will eventually fall, foreshadowing Grendel’s battle with Beowulf. Ork tells his fellow priests about his conversation with the Great Destroyer, but they just “look down at him as they would at a wounded snake”(118). In Grendel’s eyes, all humans are evil, because they refuse to take the time to understand him. Because of this, Grendel battles the humans throughout the novel until one of them finally takes his life.
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
A being cursed for evil goes through life looking for meaning. How can a monster of biblically banished descent be challenged with ideas of morality. In John Gardner’s postmodern novel Grendel, Grendel, explores and speculates on the meaning of life, humanity, and existence while being cursed to life as a monster. Due to his own bleak existence and the observations he has made of mean, Grendel views life as meaningless. Even though he is a descendent of Cain, the distinction between good and evil is blurred in Grendel’s perspective. How can a monster view morality when he is the wicked one yet he watches humans kill each other for bloodshed? Grendel is trying to make sense of an absurd world while the different theories shape his own identity.
In Grendel, nearly all of the characters are driven to shape the world to their ideas. Hrothgar spends his life crafting a government. Grendel's mother is described as loving her son "not for myself, my holy specialness, but for my son-ness, my displacement of air as visible proof of her power (138)." Both Grendel and the Shaper constantly seek the ability to reshape reality with words. While they have differing motives, all of these acts of creation give power and significance to the creator. As Baby Grendel desperately convinces himself, it is the act of observing and commenting on what is outside that makes one real: "I understood that, finally ...
"People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think that what we're seeking is an experience of being alive...." Joseph Campbell made this comment on the search for meaning common to every man's life. His statement implies that what we seem bent on finding is that higher spark for which we would all be willing to live or die; we look for some key equation through which we might tie all of the experiences of our life and feel the satisfaction of action toward a goal, rather than the emptiness which sometimes consumes the activities of our existence. He states, however, that we will never find some great pure meaning behind everything, because there is none. What there is to be found, however, is the life itself. We seek to find meaning so that emptiness will not pervade our every thought, our every deed, with the coldness of reality as the unemotional eye chooses to see it. Without color, without joy, without future, reality untouched by hope is an icy thing to view; we have no desire to see it that way. We forget, however, that the higher meaning might be found in existence itself. The joy of life and the experience of living are what make up true meaning, as the swirl of atoms guided by chaotic chance in which we find our existence has no meaning outside itself.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.