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David foster wallace good people literary analysis
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Every week, in the David Foster Wallace course, there was something that I could use to enhance my writing. Nevertheless, with the course often feeling more like a literature course than a writing course it did create some challenges. Even with Wallace’s essay about the porn industry, which was the most difficult for me, one take away was important. Wallace words, "Because porn films’ worlds are so sexualized, with everybody seemingly teetering right on the edge of coitus all the time and it taking only the slightest nudge or excuse— a stalled elevator, an unlocked door, a cocked eyebrow, a firm handshake— to send everyone tumbling into a tangled mass of limbs and orifices, there’s a bizarre unconscious expectation/ dread/ hope that this is what might happen in Max Hardcore’s hotel room. Yr. corresps. here find it impossible to overemphasize the fact that this is a delusion" (Wallace ch. 1), made me laugh. Wallace’s humor made me laugh, and allowed me the opportunity to how to use my sense of humor while writing. When people are laughing, it is easier to …show more content…
His own words stated, "I doubt I would ever attend a traditional fair or be interested in visiting Oregon, so this was interesting in providing a look at life in a lifestyle uniquely different from my own", which bear witness to the fact about how different we are. At the same time, his comments intrigued me. Regarding the style that I used it is clear he thought I should have taken a different approach. When he said, "I think you letting go and giving a little more caustic commentary could make this even better than it is", it demonstrated the tone he would have taken. The statement from Kelli Allen, where she said, "Randy. I am not sure there is enough gravity present to make the essay one calling for change or empathy", reinforces Gilmore’s words. Both of these statements made it clear I was too subtle for this
Wendy McElroy in “A Feminist Defense of Pornography” argues that degrading is subjective to each women and it’s up to them to define it. As much as that is true, does it mean that there shouldn’t be a standard to the word “degrading”? Take for example, pain is subjective, the same papercut can feel painful to me yet not to another person. There are even people who suffer from congenital analgesia (the inability to feel physical pain), But does this mean that it is right to inflict physical pain on those people? The law is the standard for defining physical pain and so the term “degrading” should also has its standard as it will cause harm to others.
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
One of the biggest determinants for the success of a writer is engaging and maintaining the interest of a variety of readers. While there are endless approaches to telling a story, as well as many writing styles, the most effective writings are the ones that successfully impress a diverse audience. The essays Eating Chili Peppers and Conforming to Stand Out: A Look at American Beauty are two different styles of essays that unveil a similar search for self-gratification. While the essays cover different topics and the authors use different writing styles and approaches to engage the reader, they both unveil a similar underlying message of a search for self-gratification.
Andrew Altman, in “The Right to Get Turned On: Pornography, Autonomy, and Equality” supports and defends rights to production, selling, and viewing of pornography, even hard-core pornography depicting sexual violence. He argues that sexual autonomy gives right to produce and access pornography, including the ones that contains sexual violence. However, his argument is too focus on the sexual autonomy right of an individual that he fails to give importance to issues such as the harm that violent pornography brings to the society.
Let’s Put Pornography Back in the Closet” is an persuasive essay written by Susan Brown Miller stating and giving her reasons on why she thinks pornography should be removed from all the shelves in America. She goes on to state what kind of influence porn has negatively on society, and how it’s no good in our society to persuade readers that pornography should be taken off of public shelves. In her article, she does state very valid points and substantial reasons why pornography should be removed from shelves. But also, she does sound a lot like a person who is very critical of something that she believes is wrong morals wise because that’s how she was raised perhaps. Some of the methods she uses are the analogy method, quantitative method, and some emotional appeal as well. She also has some unsupported generalizations that she had made up herself. Either way, there were a few instances to where I was completely against with Miller’s arguments, but they were outweighed by the instances where I did agree with Miller. In all, this essay persuades me to support her opinion on pornography being taken out the public shelves because of the valid reasons and points that she used to support her opinion.
Sexuality and gender have been taboo topics for as long as one can remember, and the approach to these topics have ranged from lightly treaded to head-on. A special characteristic of literature is that the messages can be camouflaged, left out in the open, or be left up to the interpretation of the reader. Science fiction has been known to harbor some incredible insights on society through its creation of an endless array of societies and universes and their respective alien norms and characteristics. The New Wave era of science fiction (1960s-70s), influenced by the progressivism following the Civil Rights movement and the introduction of counter culture, birthed many revolutionary works within the genre that refused to shy away from touchy topics, with one of the best known authors being Ursula K. Le Guin. Le Guin’s The Left Hand of Darkness the flexibility of science fiction to allow readers an insight into her sharp criticism of human sexuality and gender.
Countering the Culture of Sex is an article by Ellen Goodman dealing with the entertainment industry’s plague upon society. With sex rooted deep in children’s minds it creates this idea of what life revolves around. Digging deeper, Goodman brings up the point of why one never sees the consequences of sex. If the media were to show the consequences of people’s actions, the industry could create a sense of fear into the public.
Suspend your imagination for a minute and ask yourself if the description formed in your mind a work of art or, instead, a photograph of softcore pornography, found in such magazines as Hustler or Playboy? Where this description is taken from will be disclosed later, but let us concern ourselves with a problem that this...
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
This unit's readings are about the body and how it has been treated and exploited in today’s culture. Annette Lynch's book, Porn Chic, focuses on the impact of modern day style on young women and young girls and what this means in terms of sexuality and gender construction. Focusing on Lynch's book we see how the actual term “porn chic” has become prevalent in the modern day. “Porn chic” refers to the fashions and related trend-based behaviors linked to the porn industry that have now become mainstreamed into the dress of women and girls today (Lynch, 3).
“Woman, what would you be like seen from the sky?” (20), Stephen Dobyns implicates through this aerial metaphor a striking sexual encounter, illustrating the theme for his poem “Roughhousing”. Indirectly, Dobyns uses multiple references to rouse the graphic nature of rough sex. With emphasis on “Rough”, the speaker provides visually appalling descriptions to eliminate a perception of deceit. Therefore, through the compound of contradicting diction, sexually severe allusions, and suggestive metaphors, Stephen Dobyns reveals perverted distractions to intensify and discredit the speaker’s attempt to conceal pseudo-sexual mutuality.
The most trending music genre gets a lot of listeners because of its the discrimination. As the songs and advertisements gain followers, it starts to become realized by the citizens. Pop culture artists sing about drugs, alcohol and women. The portrayal of women by these composers is dreadful because it degrades the significance and importance of their existence. Pop culture has always been a home for gender domination and discrimination. It is becoming increasingly “pornified.” As Valenti quotes, “After all, while billboards and magazines ads may feature a ripped guy from time to time, it’s mostly women who make up what sexy is supposed to be. And it’s not just sexy-it’s straight-up sex” (Valenti, 44). The pornography has been a part of the culture and has been accepted by younger women. Feminists have argued that this has increased the inculcation of “raunch culture” in the lives of younger women who fall into it as they feel it empowers them. However, it is a kind of faux empowerment. This illustrates that the media is promoting and utilizing pop culture to change the social norms in an attempt to instruct women on their role in the society. In essence, pop culture with its propaganda desires to change women’s view on nudity until it can become inherent in American culture, and thus eliminating opposition to benefit pop culture in the long run. Valenti persuades her readers by saying, “ the ‘show’ is everywhere. In magazines like Maxim and Playboy. And in the insanity of Girls Gone Wild, with teens putting on fake lesbian make-out sessions so guys will think they’re hot.” Levy also mentions a character, influenced by raunch culture and a reader of Playboy magazines, named Erin who is piqued her curiosity and provided her with inspiration because of this culture. Erin says, “There’s countless times in my life where I know I’ve turned people on just by showing off (by putting on a
In a decade where sex was so regularly silenced, Burroughs’ novel Naked Lunch could only be seen as a pornographic and invasive portrayal of an act that the people of the 1950’s believed should remain behind closed doors. Burroughs’ graphic descriptions of sexual acts...
Cultivation theory has endured some criticism for failing to initially acknowledge other genre-specific contexts outside of television (Arendt, 2010; Bilandzic & Buzzell, 2008; Good, 2008). According to cultivation theory, stories that disseminate recurrent or similar messages can alter a viewer’s perception about social reality, which is why the Narrative is considered to be one form of genre-specific context where stories are placed into categories where recurrent messages are shared that convey a common theme (Bilandzic & Buzzell, 2008). Therefore, considering porn as narrative content and internet as medium, cultivation theory can hypothesize regular exposure to a core message will overlap regardless of the content being viewed, thus causing the viewer to believe a particular message over time (Bilandzic & Buzzell, 2008). Moreover, the intensity of the narrative experience and the lack of adequate counterarguments heightens the effectiveness of the narrative by altering viewer attitudes and beliefs (Bilandzic & Buzzell, 2008).
Charles Bukowski was a renowned underground writer who explored the harsh reality of low class life in the latter half of the 20th century. His use of direct and vulgar language to explain the often violent and graphic situations he wrote about in his poems and stories lead many critics to view his work as shallow and purposely offensive, while others were fascinated by this “dirty realism”. (Cengage)