The American science fiction film ‘Avatar’, directed by James Cameron is about Jake Sully, a paralysed former marine who becomes an avatar to take his place on a mission on the distant world of Pandora. There, he meets the Na’vi people and gets attached to living in harmony with nature, where he must save their land when being attacked by humans. The story line of Avatar follows closely with ‘The Hero’s Journey’ which focuses on how the main character is experiencing a change from his ordinary world, turning into an avatar to explore a new world. Primarily, Avatar captures a call to adventure to begin the hero’s journey. The film also explores a new approach with crossing the first threshold of the hero’s joinery which is conveyed through a range of cinematic techniques. Furthermore, Sully experiences a major ordeal followed by a reward shown in a variety of dramatic shots.
Avatar captures a call to adventure to begin the hero’s journey. As shown in the beginning of the movie, Jake’s twin brother, Tom died and as Jake had identical DNA to Tom, he had the ability to drive his avatar. Therefore, Jake takes his place on the field in the Avatar program, which is a real adventure for Jake. The audience can clearly see Jake’s
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As Jake finds his way from his ordinary world into a new world packed with adventure, the film captures his journey and throughout the film, there are links to the hero’s journey. Essentially, Jake’s new familiar world becomes Pandora as he reaches a point of acceptance from the Na’vi people. Cameron has created a film packed with action and adventure but there are also many emotions between the avatars. Overall, the shots, sound and lighting all played a major role to distinctively indicate the emotions and action within the film and capture ‘The Hero’s
To conclude, there are clearly many ways in which the events of chapter 12 and the movie “Avatar” resemble each other. Not only are there numerous examples of similarities, but there are also numerous examples of differences as well. For instance, the whites tried to remove the Native Americans from their homelands, and the humans tried to remove the Na’vi from their homelands. Although, the whites succeeded, whereas the humans did not. In addition, many people died in both cases, however, in different ways.
In the Hero’s journey, The Odyssey, the main protagonist, Odysseus, changes in a way which helps him gain self-knowledge. Odysseus ' experiences transformed his personality from how he was in the beginning to the end, by leading him through a heroic journey, also known as a quest. The real reason for a quest never involves the stated reason, and this is no different with Odysseus. As the story developed, many of Odysseus’ sides were exposed through the challenges he faced. Out of the countless dangers and obstacles every step back home, him and his crew have only acquired minimal character changes. Even though they are minimal, they are those which take many decades to achieve.
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
Joseph Campbell made himself one of the chief authorities on how mythology works when he published his book The Hero with a Thousand Faces. In this book, Campbell describes what he believes to be the monomyth, known as “The Hero’s Journey.” Campbell wrote that this monomyth, the basic structure of all heroic myth, has three basic stages, which in turn have subcategories themselves. The heroic story of Katniss Everdeen, told in the movie Hunger Games, follows Campbell’s monomyth outline quite well.
Avatar the motion picture throws you into a rich world, with diverse characters who clash over cultural and socio-economic issues. At the heart of the story is a former Marine named Jake Sully, who falls in love while on an alien planet with a woman from a race of people called the Na’vi. The character whom he falls in love with is an alien for which he sacrifices his whole way of life to be with. By way of his experiences with the Na’vi, he begins to adopt a new worldview, which can only be described as Pantheism.
Na’vi and they worship the deity Eywa, Eywa keeps the Ecosystem balanced. Avatar focuses around Jake Sully who has taken the place of his brother, in the Avatar program, which is lead by Scientist who explore Pangora by using a body of a hybrid of a Na’vi and Human as if it were his or her own, this helps them to carry
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
“The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, and the spiritual quest of the ancients with the modern search for identity always the one, shape-shifting yet marvelously constant story that we find.” (Phil Cousineau) The Hero's Journey has been engaged in stories for an immemorial amount of time. These stories target typical connections that help us relate to ourselves as well as the “real world”.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself ” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind. While fulfilling their journey, a hero must undergo a psychological change that involves experiencing a transformation from immaturity into independence and sophistication.Campbell states that these events are what ultimately guides a hero into completing
There are many stories that follow Joseph Campbell's Hero's Journey, and tells the tale of a Heroic character. These fables introduces us to heroes that begin their journey in an ordinary place, then receive a call to enter an unknown world full of bizarre powers and peculiar events. These heroes often display great traits, such as bravery or intelligence, that defines their character. One of these heroic's tales is Haroun and the Sea of Stories, telling the adventures of a young man named Haroun. This essay will prove that Haroun from Haroun and the Sea of Stories by Salman Rushdie is a hero, because he possess heroic qualities. Haroun shows his heroic qualities by overcoming obstacles, helping his friends, and having good intentions.
It would be an understatement to say that James Cameron’s 2009 epic science fiction film, Avatar, was a blockbuster. Not only did it end up making the most money at the box office than any movie ever made in the history of film, but it also pushed new boundaries for film technology, especially with being a 3d film, which in turn caused it tone of the most discussed films of the year. It really reflected the true essence of what a blockbuster is, based on its approach towards the special effects of the movie, the themes it presented, the narrative structure it conveyed, and the legacy it was able to leave behind. As a film that contained innovations for cinema, it ultimately left an impact that was able to transcend just mere entertainment, and showed that movies could be art forms once again.
Campbell’s third stage is Refusal of the Call. The hero feels the fear of the unknown and tries to turn away from the adventure. Although the Hero may be eager to accept the quest, at this stage he or she will have fears that need overcoming. Second thoughts or even deep personal doubts as to whether or not he or she is up to the challenge. The problem he or she faces may seem too much to handle and the comfort of home is desired. As Susanna lives her new life in McLean, she refuses her psychosis and ignores the help she receives from Nurse Valerie and the other doctors, “[...]because the contrast between their language and my language was interesting [...] I didn't have their kind of clinical detachment and particular prejudices and thoughts” (Daniel). Susanna see’s her life in McLean and compares it to her old world. She knows that the people are different in both sides of the world. She faces internal dilemmas of where to fit. Campbell convey’s this as, “[... of the whole world make clear that the refusal is essentially a refusal to give up what one takes to be one’s own interest” (Campbell 49). Since, in both worlds she does not feel accepted. The world with her parents she would not be accepted and her life in McLean where she
Set on the planet Pandora, Avatar is a science-fiction story of a money-hungry corporation’s attempt to conquer and excavate the land of humanoids known as Na’Vi. Jake Sully is a paraplegic, who is sent to space to complete his deceased brother’s mission because they share the same genome, which is necessary to navigate the expensive avatar that had already been cloned. We learn that the avatar is basically a mind-transporter used to be a part of and learn about the Na’Vi community. During his first expedition in the land of the Na’Vi, Jake gets lost and encounters one of the main female members of the tribe who ends up taking him under her wing and teaches him the ways of a Omaticaya. From here, the movie continues to tell the story of Jake’s dilemma between the mission he started with his people and the allegiance he slowly pledged to the Omaticaya clan. After watching Avatar the day it came out in theaters, I easily decided that it was one of the most extraordinary movies I had ever seen. My opinion may seem invalid coming from an uncultured fourteen-year-old, but even after having recently re-watched the film, I feel this movie and its social commentary are remarkable. There were many aspects to this movie, some controversial, that made the movie exceptional: its new-aged cinematography, disputable portrayal of the indigenous peoples, oddly familiar plotline, and mostly its critique on colonization and civilization. After having watched Avatar for the sixth time, I have come to the conclusion that this film much more intricate than its critics and supporters acknowledge. There are multiple parallels between imperialism and...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.