Analysis Of A Woman's Dilemma

934 Words2 Pages

Rosemarie Zagarri argues in, A Woman’s Dilemma: Mercy Otis Warren and the American Revolution, that Mercy Otis is an extraordinary woman who deserves recognition just like Abigail Adams, Betsy Ross, and any male figure receives. Through the most important parts of Revolutionary America, Zagarri can convey just how important Mercy really is. Expanding from her knowledge of politics to her ability to write, Mercy creates magnificent poems and plays. She is able to stretch away from the idea of women not belonging in politics and not having the same intelligence of men.
Zagarri does something really interesting with her citations by creating a bibliographical essay instead of doing footnotes. This is great because she is able to go more into depth …show more content…

Women were seen by the public as wives who stay at home and take care of their husband and children. This indeed is what Mercy did, but it is not all that she did. Mercy had quite a bit of different personas. She was multifaced, so she could be more than just a woman, but also a political writer. Her first persona will be obviously a mother and a wife. Mercy was a very compassionate woman who mourned at the death of her children. She cared deeply for her children and wanted them to prosper but one son by the name of Winslow, arguably her favorite, was not interested in the family ways and did not attend Harvard. Instead he failed at becoming an entrepreneur and was thrown into jail for debts. He was later appointed a second lieutenant in the US Army. On November 4, 1791 he was killed by a Native American raid and Mercy was just shocked. “For months afterward she could not write; she could not think; she could not sleep. She could only weep and mourn her lost son.” Mercy can be a very emotional person and after her son’s death she attacked Washington’s Indian policy. Her next persona that of a high-class woman. Mercy had her portrait painted in 1763. In the portrait, she was dressed as she belonged to the highest class, covered in wealth and confidence. Zagarri states that the portrait portrayed Mercy as a moving figure, giving the

Open Document