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Themes in William Blake poetry songs of innocence and experience
Themes in William Blake poetry songs of innocence and experience
Critical analysis of william blake
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The poetry of William Blake focuses on the concepts of God and Christianity. The speaker often ponders the origins of creation by observing the creation itself and relating it to its creator. Blake’s poetry, particularly The Lamb and The Tyger, was written to make the audience reevaluate their perception of God. It was not written to undo a person’s faith, but rather the increase his or her’s understanding of faith through the observation of nature.
Blake begins the poem with the question, “Little Lamb, who made thee?” (reprinted in Holt McDougal, British Literature, [Indianapolis: Houghton Mifflin Harcourt, 2010] 770). This seemingly simple question is not the speaker questioning the lamb, but himself. “Who made thee?” shows the speaker questioning the origins of creation. Later on, the speaker answers his own question by stating, “He is callèd by thy name/For he calls Himself a Lamb” (Lines 13-14). The Lamb refers to Jesus; the authors of the Bible call Jesus “The Lamb of God,” in more than one occasion (NIV, The Holy Bible, [Colorado Springs: Biblica Inc, 2011] John 1:29, 36). Th...
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and jealousy Satan wants humans to feel to lure them to Hell. The poems of experience reflect those feelings. This is illustrated by comparing and contrasting A Divine Image to a portion of The Divine Image.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
Blake, William. The. “The Lamb.” Poetry Foundation. Web.
In the poem, "The Lamb," from Songs of Innocence, William Blake asks the little lamb, "Little Lamb, who made thee? Dost thou know who made thee?" (1351). It is here where the author purposely questions the reader and leaves the reader, wandering for an answer to that precise question. The author then continues by leading the reader to an indirect possible answer to his question by saying "Little Lamb I'll tell thee! / He is called by thy name, / For he calls himself a Lamb" and proceeds a line later with "He became a little child; / I a child & thou a lamb." It is apparent that he doesn't exactly give a direct answer. He mentions in an roundabout way that the lamb's creator calls himself a Lamb and that he became a little child. This vague background provides an idea who the creator actually is, but not enough to somehow match the creator with God from the biblical texts. And, since the information is vague, the reader really can't come to a narrowed conclusion because the answer itself depends on the reader's beliefs and experiences and so therefore leaves the true answer to the question still unanswered.
However, keep in mind that this poem was published in 1794. A renowned movement in history had just taken place a few years before this poem was published. That movement was The First Great Awakening. Christine Heyrman of The Univeristy of Delaware describes the First Great Awakening as “a revitalization of religious piety that swept through the American colonies between the 1730s and the 1770s.” (Heyrnman 1). This means that just before Blake published his poem, a revamping of Christian culture was being taken place in The United States. This is essential information to keep in mind because Blake, less than thirty years later, questions Christianity in its entirety through a poem called “The
During the British Romantic period, some writers used material from the Bible or imitated the Bible in style of writing or content. William Blake, a Romantic writer, engraver, and painter, believed that “the Bible was the greatest work of poetry ever written” (Barker 2004). The Bible influenced him throughout this life, specifically influencing both his writing and his art. There are many references to Biblical themes within his writing, and there are also many references to specific passages of Scripture (Barker 2004).
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
In the second stanza the speaker restates the question, then proudly the speaker declares, “Little Lamb I’ll tell thee,/ Little Lamb I’ll tell thee!/” (Blake lines 11-12). Allusions to Christianity blossom in the poem at this point as the speaker states that the creator of this lamb is called by the same name. In Christianity, Jesus Christ is referred to as the Lamb of God and/or the Sheppard, His followers are also referred to as His flock. The speaker then proceeds to state that he and the lamb are one and the same, ending the poem with “Little Lamb God bless thee./ Little Lamb God bless thee./(Blake lines 19-20).
In conclusion these two poems by William Blake are both deep and have hidden meanings, they both use imagery, repetition, alliteration and ryming couplets as well as biblical references to create a vivid pictures in the readers head. But these poems do differ in many ways such as the structure, theme and way it is written. The Tyger appeals to me most as it has more hidden meanings than the Lamb and the Lamb is boring and as if written by a child (for effect). In this essay I have analysed, contrasted and compared the two poems The Tyger and The Lamb to the best of my ability detailing the poetic devices used and the underlying meanings.
William Blake, a romantic poet in the late 1700s, wrote a collection of biblical poems, called The Songs of Innocence and Experience. In this collection, Blake wrote a six-stanza poem consisting almost entirely of questions, titled “The Tyger”. Blake addresses this “Tyger” throughout the entire poem, beginning by asking who or what immortal creature made the Tyger. Blake then describes the Tyger as a fearsome and evil creature and tries to understand how the person who made the Tyger could have continued the process once it’s horrible “heart began to beat” (Blake 11). He compares the creator of the animal to a blacksmith, asking if the creator used an anvil and hammer to create the creature or other tools. Towards the end of the poem, Blake
living we enjoy in the United States is a result of the fact that we,
In William Blake’s poem “The Tyger” seems to focus on having one 's reasons overwhelmed by the beauty and horror of the natural world, but it also includes religion and creation. In the beginning the tyger is being questioned about his creation, and who created him, “What immortal hand or eye / Could frame thy fearful symmetry (line 3-4). This quote is more or less asking, “who created you and why did they create you?”. A vital contrast is made throughout the poem of good and evil; beauty and horror, the tyger is said to possess both
In “The Lamb,” the speaker asks the lamb about how it was made, the clothing of its wool and its “tender voice.” The speaker then answers its own question and bestows the blessing of the lamb. The Lamb can symbolize a child, innocence, meek, or vulnerability. Also, it can be perceived as Jesus. “The lamb is also a metaphor for the child speaker, who belongs to Christ's ‘flock.’ In Christianity, Jesus is compared both to a lamb going to the sacrifice and to a shepherd who protects his flock of lambs and sheep” (Shmoop). At the beginning of this poem, it starts out with the question of “Little Lamb, who made thee… I a child and thou a lamb” (Line 1, 17). It refers to the saying in the Bible, “…in the beginning when god created the heavens and the earth. God made the wild animals of the earth of every kind” (Mazur). The narrator only calls himself a child because we are all “children of god” as many say. In line 18, “We are called by his name,” reinforces the idea that the lamb...
The repeated use of the word “dare” to replace the “could” of the first stanza introduces a dimension of aspiration and willfulness into the sheer might of the creative act. The Tyger is full of words that seem more advanced than the elementary vocabulary in The Lamb and that carry unpleasant connotations such as “distant deeps” or “dreadful terror”. “These words not only enforce the idea that not all of creation is good but also add a sense of fear to this side of it by voicing the speakers own fear of it and stirring up negative emotions within the audience. Blake creates this alarm to bring home his personal doubt about some of God’s creation.