In the poem “I Saw in Louisiana a Live-Oak Growing”, Walt Whitman ponders upon the significance of a live-oak tree standing alone in an open space. The poem emphasizes that nature is rooted deep in independence and does not need intimate relationships to thrive. Whitman’s comparison of the live-oak and himself brings the reader to notice the parallel between Whitman and nature while still accrediting their differences in that Whitman needs a companion to live a happy life. The “rude, unbending, lusty” look of the live-oak points out the similarities between the tree and Whitman. Each of these characteristics highlights the sameness of the tree and Whitman, but soon he realizes that he and the tree are not of the same nature. Whitman is lusty like the tree, but notices that his lust and shared personality of the tree depend on a companion. How the tree stood “without any companion” astonishes Whitman, for he knew that he could not possess these qualities and thrive without a friend. …show more content…
In this particular moment, Whitman realizes that the tree’s prosperity is independent of a companion. Its ability to utter “joyous leaves all its life without a friend a lover near” amazes Whitman. Whitman wonders how the live-oak prospers while in solitude because although they are alike in their stature, he cannot fathom how the tree has successfully lived alone. The tree’s ability to thrive in solitude helps Whitman to understand that he and the tree are not of the same nature; the tree is planted in independence while Whitman’s heart can only beat to the rhythm of a
In the second stanza the poet describes the tree as thin, dry and insecure. Insecurity is a human nature that has been used to describe a
The poem commences with a debate between the mother and daughter about what they should do with the black walnut tree. Lines 1-15 are written in straightforward, easy to comprehend language. In these lines the speaker addresses why they should sell the tree. The two women give reasons by stating that the tree is growing weak, and given the tree’s proximity to the house, a storm will cause it to collapse into their house and pose a threat to their lives. In addition, the speaker claims that “roots in the cellar drains,” meaning the roots of the tree are getting bigger and spreading into the foundation of the house, thereby producing another danger to the well-being of the family. Moreover, the tree is getting older (“the leaves are getting heavier”), and the walnuts produced by the tree are becoming to gather. The tone of the mother and daughter shows their need for money but also a reluctance to selling the tree; they are desperately in need of money, but they don’t seem to be in favor of selling the tree. Although the reasons provided by the family are credible, they are not wholehearted. This is because the women “talk slowly…...
Walt Whitman is one of America’s most popular and most influential poets. The first edition of Whitman’s well-known Leaves of Grass first appeared in July of the poet’s thirty-sixth year. A subsequent edition of Leaves of Grass (of which there were many) incorporated a collection of Whitman’s poems that had been offered readers in 1865. The sequence added for the 1867 edition was Drum-Taps, which poetically recounts the author’s experiences of the American Civil War.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
...in Louisiana a Live-oak Growing and #1510, but also between the lonely lifestyles Whitman and Dickinson led. However one characteristic does shine through in both poems. That being the attempt by both writers to hide the loneliness of their lives by saying that they are happy and have fought through the loneliness. These two works are great parallels of the writer's lives even though they may not have intended to directly relate the poems to themselves.
“Not I, nor anyone else can travel that road for you. You must travel it by yourself. It is not far. It is within reach. Perhaps you have been on it since you were born, and did not know. Perhaps it is everywhere” (Whitman 33) is Walt Whitman’s first and one of his most popular works, Leaves of Grass. It was and still is very inspirational to many people including Ralph Waldo and many others after him. He had a major influence on modern free verse. Following a hard childhood in and around New York, Walter Whitman was well known and received in his time for Leaves of Grass which did not use the universal theme, which he became known for in the eighteenth century as well as his way of seeing the world in a view that very few could comprehend in his time.
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).
He thought he kept the universe alone,” to most people the thoughts of being alone are very frightening. It is human nature to search for companionship. In the poem “The Most of It,” Robert Frost uses a wealth of strong imagery to tell a story of a person who has lost his loved one to death and has to suffer the feeling of loneliness and emptiness created by it. Frost uses the setting of a lake surrounded by a forest to convey a feeling of peace and of being alone to the reader. A man is sitting on the edge of the lake, crying out for someone, his echo being his only company. After time, a buck swam across the lake and appeared on the shore and abruptly runs into the brush, away from sight. Although the man only caught a glimpse of the deer for a short moment, it was long enough for him to feel that he was no longer alone, but had something there, even though it was not tangible. The clues given to the reader that someone has passed on are the words “wake” and three lines down, the word “morning.” A wake can be many things; one is that it is a vigil that is held in honor of a person who has recently died.
The homosexual themes displayed in Walt Whitman’s works, especially in his most famous collection of poems Leaves of Grass, raise the question of his own sexuality. Many of his poems depicted affection and sexuality in a simple, personal manner, causing nineteenth century Americans to view them as pornographic and obscene. Based on this poetry, Whitman is usually assumed to be homosexual, or at least bisexual. However, this assumption does not account for major influences of his writing such as the shift from transcendentalism to realism and the American Civil War. After considering these factors, it can be concluded that Whitman’s poems were not intended to set apart a few homosexual men, but to bring all men and women together. Walt Whitman’s poems of spiritual love and physical togetherness of both genders emphasized exalted friendships and are indicative of his omnisexuality, or lack of a complete sexual preference, rather than his alleged homosexuality.
(A critique of Walt Whitman’s themes and ideas in Song of Myself 6, 46, 47)
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.
"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
He crossed the boundaries of the poetry literature and gave a poetry worth of our democracy that contributed to an immense variety of people, nationalities, races. Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson (Poetry Foundation). He always believed in everyone being treated equally and bringing an end to slavery and racism. Through his poetry, Whitman tried to bring every people in America together by showing them what happiness, love, unison, and real knowledge looked. His poetry and its revolution changed the world of American literature
Walt Whitman used free verse in “Song of Myself” in order to connect with the common man and his American readers. In this first person narrative, Whitman deconstructs the “self” into many different sections that all are a part of the celebration of the individual. Some of the topics he breaks the “self” into are self- identity, and human exploration (including the human body and sexuality). In the poem, Whitman uses a speaker to exclaim that for individuals to grow they must discover themselves spiritually, physically, and mentally. The speaker in the poem
Whitman's Poem "Out of the Cradle, Endlessly Rocking," is not, at first glance, an obvious love poem. Most readers would probably consider this a tragic poem about death and love lost. In spite of the fact that the poem is about intrinsically sorrowful events, or perhaps because of it, Whitman is able to capture a very unique and poignant portrayal of love. There are three major perspectives to examine how Whitman develops the theme of love in Out of the Cradle, and by examining each reoccurring theme in the poem separately, we can come to a more complete understanding of how they work together to communicate Whitman's message about love.