Absolute in every child’s mind is the belief that they are right, despite all the evidence to the contrary. Until children grow up to raise children own their own, a parent’s disputation only inflates that desire to prove. Part and parcel to this, as one may find out through personal experience or by extension, cruelty towards parents is a reflection of a child’s own inadequacy (whether in large or small scale). In this sense, King Lear is a story of children with a desire to break past their hierarchal status. Whether it is the belief that a woman shall take a husband, and with that guard her inherited land, or what role bastards truly deserves in a society that preemptively condemns them. Cruelty at the hands of children accounts for almost
In King Lear by William Shakespeare, Shakespeare recounts the tragedy of King Lear as he fails to acknowledge his tragic flaw and thus falls into tragedy and unintentionally brings others with him. Throughout the play, tragedy befalls undeserving people and they suffer greatly even though they have not done anything to deserve their suffering. Although Gloucester, Edgar, and Cordelia all live happy lives at the beginning of the play, they experience great suffering despite their inner goodness, a fact that highlights Shakespeare’s belief about the blindness of a justice that does not necessarily strike only the wicked.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
Throughout the works of famous pieces of literature such as Dante Alighieri’s Inferno and William Shakespeare’s King Lear, the common theme of justice is prevalent throughout the works. Often resulting in physical pain, the concept of justice throughout these two works of literature reinforces the brute and cruel perspective that Dante and King Lear experience firsthand. The subsequent death of King Lear after Cordelia demonstrates the ultimate guilt in which King Lear experienced due to his arrogant and ignorant perception of the amount of love that Cordelia feels towards her father. Dante’s journey through the afterlife conveys the illumination of his transformation from a sinner who lost his path, to a spiritually righteous man.
King Lear, by William Shakespeare, is a tragic tale of filial conflict, personal transformation, and loss. The story revolves around the King who foolishly alienates his only truly devoted daughter and realizes too late the true nature of his other two daughters. A major subplot involves the illegitimate son of Gloucester, Edmund, who plans to discredit his brother Edgar and betray their father. With these and other major characters in the play, Shakespeare clearly asserts that human nature is either entirely good, or entirely evil. Some characters experience a transformative phase, where, by some trial or ordeal, their nature is profoundly changed. We shall examine Shakespeare's stand on human nature in King Lear by looking at specific characters in the play, Cordelia who is wholly good, Edmund who is wholly evil, and Lear whose nature is transformed by the realization of his folly and his descent into madness.
King Lear is often regarded as one of Shakespeare’s finest pieces of literature. One reason this is true is because Shakespeare singlehandedly shows the reader what the human condition looks like as the play unfolds. Shakespeare lets the reader watch this develop in Lear’s own decisions and search for the purpose of life while unable to escape his solitude and ultimately his own death. Examining the philosophies Shakespeare embeds into the language and actions of King Lear allows the reader a better understanding of the play and why the play is important to life today.
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
Consequences of Actions in Shakespeare's King Lear
King Lear is a perfect demonstration of the great consequences one man's actions can cause. While there are certainly religious Christian elements to the story, the story is not one of morality or hope. King Lear is a lesson, making an example of what can come of a single, foolish, egotistical action. King Lear's action is the surrendering of his throne to his daughters.
The element of Christianity enters here, because King is a God-appointed position, not to be given up.
King Lear and Illigetimacy
Shakespeare’s treatment of illegitimacy in the play King Lear can be interpreted in many ways depending on the audience. The situation of illegitimacy is portrayed through the relationships of the characters the Earl Of Gloucester and his two sons Edgar and Edmund. Edmund is the illegitimate son while Edgar was born within the law. We learn of Edmund’s illegitimacy in the opening scene in the first act where The Earl of Gloucester is holding a conversation with Kent while Edmund is nearby. Gloucester speaks flippantly and lightly of the way his illegitimate son came into the world while introducing him to Kent saying, “ Though this knave came something saucily into the world before he was sent for, yet his mother was fair, there was good sport at his making, and the whoreson must be acknowledged” (Act I, Scene I, Lines 19-24).