Chaos Comes Together In the poem, “Dover Beach” by Matthew Arnold, the speaker begins the poem enjoying the sight of the ocean from the cliffs at Dover Beach. While admiring the view the speaker analyzes humanity and the world. Through this analysis we see a crisis of faith happen as the speaker realizes that within life there is no certainty or guarantee of happiness as chaos reigns supreme. Throughout the entirety of the poem, “Dover Beach” alliteration is used extensively. In the first stanza, the speaker says, “Gleams and is gone;” (4). Alliteration is also used a little farther down in the same stanza when the speaker says, “Hath really neither joy, nor love, nor light,” (32). The use of alliteration within the poem adds to the overall …show more content…
An element that aids the imagery, making it more vivid and clear is the use of figurative language. The use of the metaphor at the beginning of stanza three strikes a powerful visual image, “The Sea of Faith / Was once, too, at the full, and round earth’s shore,” (21-22). The comparison of the sea, and faith both of which were found at varying corners of the world gives the reader a sense of the sheer depth of emotions the speaker is experiencing. In the middle of the final stanza, Arnold uses a combination of rhyming, a simile and alliteration to work towards the poems conclusion. The speaker says, “To one another! for the world, which seems / To lie before us like a land of dreams” (30-31). These poetic elements combined not only create a dynamic element of imagery, as well as bringing about emotion, but it reinforces the lyrical tone the poem possesses. “Dover Beach” is a dramatic monologue, written in an open form, yet it contains interesting elements of form within the poem itself. Each of the four stanza’s are composed of different lengths. The first stanza contains qualities of an English sonnet; although it has no pattern of rhyme, it does have fourteen lines and posses a turn within the emotion and tone the poem has in the final two lines of the
The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men and then the speaker’s juxtaposition of vanity with “the
Despite the beauty described in the first few stanzas of the poem, it was the feeling of doubt and pondering that approached at the end of the poem that truly was the most thought provoking. Instead of just writing of beauty, Poets must realize that they may be leading people to false ideals, and in doing so that they may actually be causing individuals to believe in something that is nothing more than a dream. This realization makes the image of the questioning poet by far the most important in the piece.
Behind this form of allusion there is also examples of vivid image that make the poems come to live. Right away, in the first sentences I can picture the speaker performing
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
The poem completes all of these aspects within just four stanzas which is quite impressive. All three of these aspects truly help readers understand the morals and details that the poem is trying to portray, and poets such as Roethke try to keep their audiences’ minds wondering why such and such occurs. The deeper meaning of poetry acts as if it is a mystery to be solved by the reader which keeps me interested and more aware of why certain things may make sense while I am reading. Any type of poetry with understandable diction, style, and imagery will absolutely help reveal the theme and keep the reader yearning to discover why the theme is the way it
There is also a sense of acuteness as the words in this stanza are short and sharp, and the lines clash and seem to contrast greatly. " Whispering by the shore" shows that water is a symbol of continuity as it occurs in a natural cycle, but the whispering could also be the sound of the sea as it travels up the shore. The end of this section makes me feel as if he is trying to preserve something with the "river mud" and "glazing the baked clay floor. " The fourth section, which includes four stanzas of three lines, whereas the third section included four-line stanzas and the second section included two-line stanzas, shows continuity once again, as if it's portraying the water's movement. "Moyola" is once again repeated, and "music" is also present, with "its own score and consort" being musical terms and giving the effect of harmony.
Why did Ray Bradbury choose the poem “Dover Beach” by Matthew Arnold? Ray Bradbury chose the poem “Dover Beach” by Matthew Arnold, because at the time when Guy Montag reads it, he is questioning his faith similarly to Matthew Arnold. Also, the poem “Dover Beach” expresses Fahrenheit 451 Guy Montag’s sadness and unhappiness with the world. Lastly, this poem represents the loss of love, and hopelessness that Montag feels.
Alliteration is a key aspect to how the reader experiences the poem; it especially gives interest toward alliteration of the letter T. This alliteration begins in the very first line “Tell all the Truth but tell it slant-” (1.1). The alliteration on the T is used three times within the first line; however, it does not stop there. Dickinson uses the “T” sound to continually draw back to the theme of truth. Dickinson, through the use of two stanzas, four lines each, uses quite a distinct rhyme scheme to organize her poem. The second and fourth lines of each stanza are clearly examples of end rhyme, by using words such as “lies” (1.2) and “surprise” (1.4). However, every single line is not an example of end rhyme. The first and third lines rhyme words such as “slant” (1.1) and “delight” (1.3); which can be described as near rhymes for they give a small sensation of rhyming. This rhyming pattern continues for the second stanza as well. The sequence of rhyming is not arbitrarily put into practice, rather, it also adds on to the truth theme. The near rhymes Dickinson stresses to not tell the truth in its entirety, but rather, convey a little bit of truth. This is being directly compared to the almost rhyming sensatio...
Stanzas one and two of the poem are full of imagery. The first stanza sets the scene for the poem “in a kingdom by the sea” (Poe 609) which makes you feel as if the story is going to have a “romantic” (Overview) feel to it. Then Annabel Lee comes into the story with “no other thought than to love and be loved by me” (Poe 609); This sentence is full of imagery in the sense that it makes you feel the immense capacity of love Annabel Lee had for the speaker if that was her only thought. In the second stanza the imagery takes a turn that shifts from loving and inviting to pain; The love between Annabel and the speaker was so strong that
Along with the imagery we get from the title, there is a lot of imagery within this poem. Let us start with the first three lines:
Dickinson begins the first line of her poem by writing in iambic tetrameter. In the second line she switches to iambic trimeter and proceeds to alternate between the two. This rhyme scheme proves to be particularly effective in complimenting the subject of the poem-- the ocean. When a reader looks at the poem it is easy to see the lines lengthening then shortening, almost in the same fashion that the tide of the ocean flows and ebbs.
End rhymes are depicted on lines two and four of the last two stanzas. Internal rhyme can also be seen in line 11 and 14. Anaphora is indicated where the words “we passed the…” are used (Cummings, 2011).
The theme is portrayed through very unique imagery with the extremely exhilarating word choice this poet carefully chose to make this whole poem flow like a brook in mid-summer with an unbelievable number of trout in the glistening blue water. When he introduces us to this Clod of Clay that is living a horrible, but in it all he finds a silver lining through it all. This little Clod of Clay lives under cattle’s feet and gets stomped on all the time and although he is getting trampled on ninety percent of his life he finds what the silver lining through it all is. He says, “
Stanza three explains what life was like at the farm he lived on, as the previous stanzas have. Line twenty describes the landscape and how beautiful it is. It describes it as Fields high as the house, the tunes from the chimneys, it was air,” (20). Lines twenty one through twenty three use more imagery to describe the landscape. They use words such as “lovely and watery” (21) to show how pleasant it was to gaze upon the land. The word “And” is also repeated in the beginning of each of these lines which creates suspense. They also show repetition by repeating words such as “green” and it brings up the starry night again. Line twenty four talks about owls and how they are starting to come out. The day is starting to end and there is still beauty in everything. Now night has begun and all the things that made the day happy and carefree are starting to disappear. Lines twenty five through twenty seven use imagery to show that the moon is appearing and the horses and everything else is disappearing into the night. This begins to show that the youth the speaker is experiencing is starting to
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.