All The Light We Cannot See Theme

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Anthony Doerr’s award winning novel, All the Light We Cannot See allows the reader to see into the lives of Marie-Laure LeBlanc and Werner Pfennig. Despite their age and geographical distance, these two kids are insightful and curious about the world around them, and are discovering and learning how to handle situations beyond their control. The theme of sight and the lack there of is a key idea presented within the novel. The idea of sight and losing sight of insight, intertwines the lives of Werner and Marie-Laure, even though they have not met, because they share similar experiences as they face new challenges. Werner and Marie-Laure are able to see the good and bad of their surroundings through the use of their other senses. Doerr showcases …show more content…

As the professor on the radio advised, “Open your eyes….and see what you can with them before they close forever.” (Doerr, 49) Werner unknowingly has the words of the professor haunting him. “One more year. Then they’ll give him a helmet and a lamp and stuff him into a cage with the others.” (Doerr, 68) If Werner is sent into the mines, then he will become blind forever. He will no longer see the plucks of the strings in the orchestra, or the gears moving in a simple machine described by the professor on the radio. It will be devastating for a young, intelligent and inquisitive boy to be restricted by his sight, because he can no longer see anything but coal and the cruelty of the world. Miles away, Marie-Laure is being stripped away from her sight as well. Every year for her birthday, her father buys a Braille book. She is currently reading 20 Thousand Leagues Under the Sea, written by Jules Verne, a novel allowing her to see the depths of places she’s unfamiliar with. Books are her way of learning and seeing. When she read Around the World in 80 Days, she was able to “see” what Fogg saw on his adventures. Her ways of seeing are slowly being taken away from her. Daniel spent more hours at the museum, and now she is leaving behind an important contribution to her sight. “ My book—’ ‘Better to leave it. It’s too heavy.’ ‘Leave my book?.’” (Doerr, 76) Marie-Laure’s father tells Marie-Laure that she has to leave behind her old books—essentially, her old life in Paris and an essential way of seeing. This is a painful passage because Marie-Laure had worked so hard and accomplished so much in being able to see and live her life, and is now forced to leave it all behind because of situations beyond her control. Similar to Werner who is forced to go into the mines and told to abandon his ambitions and vision, Marie-Laure is forced to leave

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