Free Joseph Cotten Essays and Papers

Alfred Hitchcock manipulates the camera to draw the attention of the audience, in the 1960’s thriller, Psycho. The credits abruptly appear on the screen, as though the lines are stabbing at something. The words are white text against a plain black background. This symbolises the dark being the dominant colour, but still creates a visual binary opposition. The word ‘Psycho’ is contorted and indecipherable, having been displayed over more than one of the horizontal lines foreshadowing the confusion

Alfred Hitchcock's Film Psycho The film 'Psycho' was produced by Alfred Hitchcock (1899-1980), a British-born American motion-picture director. He was noted for his technically innovative and psychologically complex thrillers. The film 'Psycho' was produced in the year 1960 and screened in New York. It was a groundbreaking film as by the end of its first year 'Psycho' had earned $15 million-over fifteen times the amount it took to make the film. The film created a lot of tension and anticipation

Orson Welles in Citizen Kane Orson Welles produced, directed and starred in Citizen Kane, the classic masterpiece which communicates its original narrative through ground-breaking cinematography, lighting, music, setting, sound and performances. The film has underlying symbols in every single shot, and uses innumerable cinematic devices to convey meaning. One of the many implications Citizen Kane makes is strongly embodied in the sequence of Kane and his wife Susan at their palace, Xanadu

Tension In the Shower Scene in Hitchcock’s Film Psycho ‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15 scariest movies of all time. It was Alfred Hitchcock’s greatest work and contains one of film histories nastiest killers, the infamous Norman Bates, whom a lot of serial killers are now based upon. The film is at first glance a story about a woman, Marion, on the run with $40,000 of stolen money, but it soon develops into a heated thriller during which Marion is

Running water, a high-pitched scream, shrill violins, pierced flesh, a torn curtain, gurgling water: these were the sounds that gave a whole new meaning to the word "horror" in the year 1960. With enough close-ups and cuts to simulate the feeling of a heart attack, the notorious shower scene from Alfred Hitchcock's Psycho serves as the ultimate murder sequence in cinematic history. What makes the scene so frightening isn't so much the blood or the screams or the cross-dressing murderer: the true

Ambiguities Explored in Heart of Darkness Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story. One interpretation of Marlow's relationship to colonialism is that he does

Heart of Darkness as Social Protest Heart of Darkness, by Joseph Conrad, is an intriguing and extremely disturbing portrayal of man's surrender to his carnal nature when all external trappings of "civilization" are removed.  This novel excellently portrays the shameful ways in which the Europeans exploited the Africans: physically, socially, economically, and spiritually. Throughout the nineteenth century, Europeans treated their African counterparts savagely.  They were beaten, driven

Restraint in Lord of the Flies and Heart of Darkness Throughout Lord of the Flies and Heart of Darkness  the importance of restraint is greatly stressed.  This being the restraint to remain human and maintain sanity.  In Heart of Darkness, Marlow was able to remain his restriant despite how difficult it was for him. He was always surrounded by cannibals and constant chaos.  On the other hand, Kurtz was unable to keep his restriant, as a result he lost his humanity and sanity, and eventually

Similarities in Conrad's The Secret Sharer and Heart of Darkness Joseph Conrad's books, The Secret Sharer and Heart of Darkness, both deal with each of our "dark selves".  These books also have similarities which are overwhelming. In describing the true inner self of humans, Conrad used many symbols which have become apparent in many of his novels. Conrad uses the same or very similar objects in many of his works. Joseph Conrad wrote Heart of Darkness in 1899 to recount his voyages in

of our earliest civilizations. In more recent years, however, symbolism has taken on a new role, forming the skeleton upon which the storyteller builds the tales of his or hers thoughts and adventures. Knowing the power of this element, Joseph Conrad uses symbols to help the reader explore dark interiors of men. The symbols become a vehicle that carry the audience from stop to stop, the ride becoming an evaluation of the darkness contained inside the hearts of mankind. Through