In Albert Camus’ The Stranger and Franz Kafka’s The Metamorphosis, both feature protagonists in situations out of which arise existentialist values. Existentialism is a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. In The Metamorphosis Gregor Samsa is the protagonist, and realizes his existentialism attitude towards the end of the novel. Meursault, the protagonist in The Stranger, knows of his existentialism attitude, realizing his life's lack of meaning. Similar values are found in both novels. Each protagonist did not realize how they could create their own future, and that the behavior presented by both protagonists …show more content…
His association is merely sexual and not emotional as shown in this quote, “We ran and threw ourselves into the first little waves. We swam a few strokes and she reached out and held onto me. I felt her legs wrapped around mine and I wanted her” (Camus 51). Meursault uses Marie to help him pass his time. When questioned about love and marriage, Meursault's replies with a guarded exterior. Meursault is existentialist to the extent that he couldn't care less about the path his life takes, he simply moves through life as though he is hypnotized, with nothing better to do.
Gregor Samsa, the protagonist in The Metamorphosis, brought society against him when he questioned his life as a travelling salesperson. Social expectations had put him in his place, but he decided, that it was not the place for him. His wish to remove all social burdens from his shoulders, first show to him through his transformation into a `monstrous vermin. The Metamorphosis is narrated in third person where the reader receives an unbiased view of Gregor Samsa's attempts to become existentialist. Gregor Samsa wakes to a new set of ideas, and he sees himself torn of the external sign of a human with all the assumptions and presumptions of men. He must then choose some different assumptions, ultimately making his own choices and not being drawn down by the consequences of his actions. This way of thinking that Samsa resorts to leads to his feelings of existentialism,
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Metamorphosis, and the theme of change. Kafka's main character, Gregor. Samsa, undergoes many changes and his transformation evokes change in his family. I am a Several metamorphoses take place involving Gregor. First, a physical change occurs when Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous. vermin.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
When Meursault returns home he decides to take another day off and relax at the beach. On his way out he sees an old man beating his dog and cussing at it ruthlessly. Normally most people would be bothered by the fact of a man beating a small dog, but Muersault watches as if nothing bad were happening. When Meursault is at the beach he meets a girl, named Marie, which he finds very attractive. Meursault and Marie become very close. As the story progresses they begin taking part in sexual activities. Marie tells Muersault that she loves him and asks if he loves her back.
Throughout the text, Meursault uses Marie simply as a means to an end to satisfy his own ambitions, without very much regard to her own inner feelings and aspirations. “That evening Marie came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to. Then she wanted to know if I loved her. I answered the same way I had t...
Meursault in the book tries to overcome his emotional indifference within himself. One example shows Meursault emotional indifference against Marie. In this quote, “A minute later she asked me if I loved her”. I told her it didn’t mean anything but that I didn’t think so.” The quote explains how Meursault doesn’t really think about the consequences of other people’s emotions.
Franz Kafka illustrates in his book the struggle that most humans have throughout their life: ‘Who am I?’ He demonstrates this through his radical and exaggerated formation of The Metamorphosis, a man becoming a bug; or a bug always thinking he was a man, then realizing that he is and always has been a bug. This bug, Gregor Samsa, goes through an immense psychological realization at the beginning of the book; he had been deceived by his own mind from the beginning of his life. Throughout Gregor’s Metamorphosis, Gregor experiences the loss of his self actualization, recognition, belonging, security, and physiological needs. His situation had taken away all the basic psychological needs of any human as illustrated by Maslow’s Hierarchy of
...uses symbolism to convey his message about humanity. The underlying message of the Metamorphosis is that it unfolds the truth about human nature; the story tells us that humans have lost their humanity. He uses the vermin, food, Mr. Samsa’s uniform, apple, his autobiography, and violin as symbols in the Metamorphosis. The word transformation does not apply to Gregor but also to all the family members of Samsa family. Grete was one of the members of the family, who transformed. For the first few weeks, she took care of Gregor and leaves food for him but then she transforms and she starts to hate Gregor because the family members thought Gregor was a burden to them and was worthless. The family lost the sympathy for Gregor.
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.