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Art used as communication
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Author Jerry Frank explains how art not only captures a beautiful scene, but informs the public on what is considered beautiful. “In this light, the paintings of Thomas Cole, Frederick Church, Albert Bierstadt, and others during the nineteenth century provided more than exquisite examples of landscape art. They infused an idealized natural world with the spirit of God, thereby transforming a hectic and dark wilderness of the imagination into places of perceived beauty and reverence. To those fortunate enough to view the works of American masters, landscape painters of the nineteenth century were doing much more than entertaining viewers with striking scenery; they were teaching viewers how to appreciate nature and exactly what sorts of natural …show more content…
Albert Bierstadt’s work was considered “to capture successfully the wonder and excitement that the artist and other early trailblazers felt when they confronted the spectacular western scenery. His panoramic scenes of the Rockies therefore attracted universal attention in the 1860s…” With the painting that was created in his time at the Rocky Mountains his intentions were to show the public the beauty that rested in the mysterious wilderness. A few years after Bierstadt’s The Rocky Mountain was finished the actual Rocky Mountains were nicknamed the “Future Switzerland of America.” This could be because of the way Bierstadt portrayed the mountain range. The paintings Albert Bierstadt worked on were not the only influence that helped establish the mountain range as a national park; he himself was often sought after for his artistic eye. After finishing his painting of Longs Peak Earl of Dunraven asked Bierstadt to use his skill and trained eye to find a clearing for a hotel to build at Estes Park. Today I believe the hotel is called Dunraven Inn. It did not saying anything about their history, but mostly likely they take advantage of their fulfilling historic story. After the hotel was built very quickly Estes Park opened up the very next
Thomas would be in the category of romantic art for the theme of his artwork. He has based it on the beauty of nature and the fact that most of his major works were done in the period that romanticism took place, most of the 19th century and the beginning of the 20th century. Thomas Moran had attended the Hudson Valley River School, where many landscape artists had attended, too. He painted the Hudson Valley with the attraction, beauty, and scenery of the valley.(www.ency). He also was attracted to the awesomely romantic images of American wilderness and the open west, where he did most of his paintings. (www.art) Thomas was fascinated with Yellowstone and wanting to be associated with it painted the wilderness and scenery of it. (Vol.15) With the paintings he had done of Yellowstone Congress was fascinated with them, that they bought The Chasm and The Grand Canon of the Yellowstone Thomas had painted.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
The Appalachian Mountains in the nineteenth century landscapes are often depicted in a grand, glorious, and often spiritually uplifting form. The Hudson River School artists painting in the romantic style engages viewers to tell a story through naturally occurring images as well as interior knowledge of the times at hand.
In the era where Thomas Cole first established the Hudson River School, other artist that is not from the United State such as John Constable, has the same taste in nature and outdoors. John Constable who is from England, created many painting from the surrounding area from his backyard to the countryside. For Cole’s painting, his work of art has been throughout the Hudson River, therefore, his painting consist of vast amount of forest, river, and mountains. He also travels in many locations in America and even done some painting in Europe. Both painter love nature, for this example, landscape will be the primary focus.
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
By noon they had begun to climb toward the gap in the mountains. Riding up through the lavender or soapweed, under the Animas peaks. The shadow of an eagle that had set forth from the line of riders below and they looked up to mark it where it rode in that brittle blue and faultless void. In the evening they came out to upon a mesa that overlooked all the country to the north... The crumpled butcher paper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium. (168)
Hermann Ottomar Herzog was a prominent artist born in Bremen, Germany in 1832.He was primarly known for his magnificents landscapes. While living in Germany he entered the Düsseldorf Academy at the age of seventeen. Herzog, painted in several countries of the European Continent, until he came to America in 1869. His early commercial success in Europe granted him clients among the nobility in Europe, among his most famous clientele were Queen Victoria and Grand Duke Alexander of Russia. In 1860, Herzog settled permannently near Philadelphia, he painted across the western states, arriving in California in 1873. From this trip he painted one his masterpieces a series of oil canvas inspired in Yosemite Valley. It was “Sentinel Rock” this collection that got him an award at the in 1876 Philadelphia Centennial Exhibition. He is considered by many as part of the Hudson River School, although his art is more realistic and less dramatic than the artwork from his peers Frederick Edwin Church or Albert Bierstadt.
The canyon is a part of what is now the Yellowstone National Park in Wyoming, an area of land first acquired through the Louisiana Purchase. In this painting, the observer may notice many features which stand out. In the background, the image depicts a large, rocky ravine, occupied by a river and rows of trees. The river leads to a large orb of light, presumably stemming from a fire. In the foreground, two men are seen standing on a cliff above the ravine, presumably in awe at the wondrous land they have just discovered in the distance. Behind the men is an untraveled area of
The main theme in Rising from the Plains is the formation of the Rocky Mountains. “Topography grows, shrinks, compresses, spreads, disintegrates, and disappears” (McPhee 27). The physical features of the Earth are temporary and are always changing. The
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
Frederic Edwin Church was clearly an epic and defining figure among the Hudson River School painters, particularly in his collaborative efforts in developing a sense of national identity for America, but also in fostering tourism through landscape painting, political influence, and entrepreneurialism. By answering the national call for artists and writers to define American landscape, Church took the first steps towards becoming, not only one of America’s greatest painters, but also a successful entrepreneur when it came to selling his own work to make a living. Church was dedicated to preserving “scientific accuracy” in his interpretations of nature and beauty, which were stimulated by the scientific writings of geographer and explorer Alexander von Humboldt.1
Artists of the Modernist era responded to the relationship of body and landscape in many different ways. This essay will focus on the works of Georgia O’Keeffe (1887-1986) and Barbara Hepworth (1903-1975) and will explore two works by each artist. A desire of the Modernist artist was the pursuit of pure forms and removal of extraneous detail that would encumber their vision of what the world should, or in fact did look like to them. As Honour and Flemming (2009) propose, the thought of seeking original elucidations to the issues that surrounded the production of paintings and sculpture helped to propel the movement forward.
By placing this emphasis on beauty in the wilderness the American people expected to see a beautiful wilderness, although in reality these two are not mutually exclusive. Muir supported a form of natural improvement in which alterations to the natural world are made, but not with any economic value in mind. Interestingly, Muir suggests that our wildness is a commodity to which, we are glad to see how much of even the most destructible kind is still unspoiled”. (Muir) By the time the National Park Service was founded in 1916 the American people wanted to be entertained by, and in, nature
I was reading a novel and travelling to places I have never been. From the way he wrote people could see the beauty of nature and also his passion as an advocate for wilderness. Many call him as “Father of National Parks.” He strongly believed that lands should be protected and never turn into grazing pastures.as he mentioned, “The disappearance of the forests in the first place, it is claimed may be traced in most cases directly to mountain pasturage” ...