As a character that is dead for the majority of the book, As I Lay Dying, Faulkner has to rely on the other characters to allow his readers to find out more about Addie, the mother of the dysfunctional Bundren family. For the short time that she is alive in the beginning of the book, all the reader is really able to gather is that she is the mother of the main characters, Anse, Cash, Darl, Jewel, Dewey Dell and Vardaman, and that she is, well, dying. However, faulkner has made her a full character, you just have to reader deeper into the book to realize it.
We as readers later find out many key details about the woman whom the book is really centered around. One, rather large one is that one of her sons does not belong to her husband, Anse. In a chapter from Whitfield’s perspective one realizes that Addie has been unfaithful, and has done so with Whitfield. He hopes to clear his conscience of the event and so, turns to God. god says to him, “repair to that home in which you have put a living lie… It is for them, for that deceived husband, to forgive you: not I.” (Faulkner 177) Jewel, Addies third child, is the living lie He speaks of, and Anse the deceived husband. From this one can probably assume that Addie was good looking, or had a few attractive qualities at the least, as well as that she may have had weak morals in that she didn’t value her commitment to Anse. However, Faulkner didn’t leave all of the readers analysis of Addie to other characters, he wrote one chapter from her view. In this chapter we find out that despite her weak morals, she still has them; we see that she is not a bad person. “I gave Anse Dewey Dell to negative Jewel. Then I gave him Vardaman to replace the child I had robbed him off.” (Faulkner 176) In...
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...ld “look forward to the times when they faulted, so [she] could whip them.” (Faulkner 170) throughout the school day. How could this woman be a good mother? It seems clear she couldn’t. But what of her as a wife? Well, one can easily question if she ever even loved her husband. She certainly didn’t pick him out of love, he had a good farm and was single, “And so I took Anse.” (Faulkner 170) She didn’t fall in love with him, she took him, just so she’d be married and could get away from her work --filled with children she hated-- and live on a large farm.
Faulkner doesn’t have to give his audience too much direct information for them to still arrive at his concepts. Through the actions, shoulds, and voices of the other characters he is able paint of a picture of the woman who is dead for most of the book. He is able to show that Addie Bundren was a horrible person.
Faulkner first tells that shortly after her father’s death Miss Emily’s sweetheart left her. Everybody in the town thought that Emily and this sweetheart of hers were going to be married. After her sweetheart left her the people of the town saw her very little. Faulkner then tells what might be viewed as the climax of the story next. He explains that one day Miss Emily went into town and bought rat poison. By revealing this so early on in the story it challenges the reader to use their imagination. The readers’ view of Miss Emily could now possibly be changed. It has changed from feeling sorry for this woman to thinking she is going to murder someone.
In association with his writing style, Faulkner uses Moseley to provide the reader a much-needed outside view of the Bundrens. Up to this point in the novel, the reader has remained mostly with the Bundren family and begins to become accustomed to their peculiarity concerning their actions, conversations, and beliefs. Although minor characters such as Cora, Vernon, and Tull have narrated various parts of the novel, it is not until a complete stranger, such as Moseley, narrates that the dysfunction of the Bundren family becomes evident. While these other characters have all been previously introduced to the reader, frequently making an appearance on the last page of the chapter before the one they narrate, Moseley had no pr...
Jewel, Addie's second favorite next to Cash, seems to be cursed by his callous mother.
The southern culture places much value on community, courtesy, and the standard of morality: the Bible. But under this facade of civility lie slanderous gossip, impure motives, and hidden iniquity. Faulkner’s character, Cora Tull, is a prime example of this. Though she openly admits that she has no right to pass judgment on Addie Bundren because, “It is the Lord’s place to judge,” Cora Tull later hypocritically states, “I realized out of the vanity of her heart she (Addie) had spoken sacrilege.” Cora’s desire for Addie’s repentance blinds her from seeing her own sin. On the other hand, Mrs. Turpin, a character in O’Connor’s “Revelation,” struggles with this same sin but in a different manner. Mrs. Turpin appears to politely encounter strangers with kindness but, alas, her kindness is corrupted. Though Mrs. Turpin’s sincere smiles and courteous small talk make her appear to truly care about others around h...
During his journey to the burial site of his wife, he always was worrying about his well being before the family’s well being. The only reason that he decided to carry out Addie’s wish was that he wanted to improve his image by getting false teeth. He did care for his wife, but this caring was overshadowed by his love to improve himself.
He shows no meaningful emotion about his mother’s death or the fact that she compared him to such a high being. Jewel’s segment is quick and does not provide the audience with too much insight or lie detector analysis. This correctly portrays Jewel’s mysterious sense because Faulkner also chooses to have most of Jewel’s character development narrated through another character’s point of view. The sense of mystery surrounds Jewel because it is left for the reader to determine if he is a Christ figure like Addie as claims “he is my cross and he will be my salvation. He will save me from the water and from the fire. Even though I have laid down my life, he will save me,” (Faulkner, 168). Ironically, in death, Jewel is Addie’s savior in both the ways she predicted. When the family is crossing the river after the flood, Jewel helps retrieve the coffin from the water. When Darl sets the barn on fire, Jewel runs in to the fire to save the coffin. Addie’s greatest sin ends up being her savior after she has laid down her life. However, parallel to this, North claims that Faulkner intends for Jewel to be an inverted Christ figure, he believes “instead of a divine birth, Jewel is born illegitimate. He is also, ironically, born of a “holy” father. He is by far the angriest character in the book, and his
If it had not been for the foreshadowing so well placed in the story we would have no clues as to who lie in the bed. No indication as to what might have led to his murder and for him to be left in the upstairs bedroom. Although Faulkner did not answer such questions for the reader, he gives enough information in the foreshadowing for conclusions to be drawn.
Addie Bundren of William Faulkner's As I Lay Dying has often been characterized as an unnatural, loveless, cold mother whose demands drive her family on a miserable trek to bury her body in Jefferson. For a feminist understanding of Addie, we have to move outside the traditional patriarchal definitions of "womanhood" or "motherhood" that demand selflessness from others, blame mothers for all familial dysfunction, and only lead to negative readings of Addie. She also has been characterized as yet another Faulkner character who is unable to express herself using language. This modernist view of the inexpressiblility of the creative spirit does not apply to Addie simply because she is not an artist; she is a woman and a mother, a person who feminist theorists would desribe as "traditionally mute." To characterize her using universalizing, humanist terms erases the way that her character is marked by her biological sex and by the gender roles she is forced to play. Addie is not a representative of humankind, or even of womankind, but an individual woman trapped in a partriarchal world that represses her desires and silences her; a woman who longs to find an identity of her own that is outside patriarchal constructions and not always definable in relation to the men and the children in her life. Most importantly, Addie is a character who is acutely aware of the linguistic and social oppression that traps her into a life she does not want.
...s story he writes about how earlier in Emily’s life she refuses to let the town’s people in her house even though there is a strong odor that is coming from her property. In this section her father has just passed away and was abandoned by a man who she wanted to marry. This section she becomes very depressed. In section three it talks about how Emily is starting to come down with an illness after all of the depressing events she had to endure. In sections four and five Faulkner describes how there is fear throughout the towns people is that of which Emily is going to possibly poison herself. A while later she then she passes away. In section five is when the truth is revealed to the public about her sickness. Faulkner uses the view point of an unnamed town member while he uses a third person perspective to show the general corrosion of the southern town’s people.
Mr. Anderson grew up on a farm near a plantation. He had twelve siblings but sadly one died at birth. While growing up he stayed with him mom, dad, seven siblings and one niece. During his childhood he played with friends, worked, and went school daily. He loved his childhood and refers to them as the “good ole days.” (Clucky) His fondest memory were of him playing baseball with his brothers and sisters. Mr. Anderson’s first unofficial job was to play with the child of a plantation owner that stayed close to them earning him $3.80 per hour. When he came of age he began work at Marty’s, changed to Reynolds Whittington soon after, and continued to work there, where he met his wife. They were then married in 1985 10 years later he would begin working at Fruit of the Loom after welcoming his two children, born in 1991 and 1992. Mr. Anderson claims that the woman’s role has changed tremendously over his lifetime. “They’re more independent now. Starting their own jobs and making their own money,” says Clucky, “it’s really admirable to see how far they’ve come.” “Back in the day when they were told to take care of the kids, the husband, and their house.” His views on how men’s role changed were completely the opposite. Clucky Anderson stated “Men have became lazy, they’re not looking for a wife anymore… they’re looking for a mother to take care of all their needs and work too.” He then went
Instead of functioning as an antidote to death, childbirth seems an introduction to it. For both Addie and Dewey Dell, giving birth is a phenomenon that kills the people closest to it, even if they are still physically alive. Birth becomes for Addie a final obligation, and she sees both Dewey Dell and Vardaman as reparations for the affair that led to Jewel’s conception, the last debts she must pay before preparing herself for death. Which is nature playing a big role of life and death. Dewey Dell’s feelings about pregnancy are no more positive, her condition becomes a constant concern, it causes her to view all men as potential sexual predators, and transforms her entire world, as she says in an early section, into a “tub full of guts.” Dewey Dell and Darl mentally communicated about their mothers death new her mother was going to die,” He said he knew without the words like he told me that ma is going to die without words, and I knew he knew because if he had said he knew with the words I would not have believed that he had been there and saw us”(Faulkner 96). Birth seems to spell out a prescribed death for women and, by proxy, the metaphorical deaths of their entire
First, why does Faulkner present the plot in the way that he does? There can be numerous answers to this question, but I have narrowed it down to one simple answer. He presented the story in this way in order to keep the reader guessing and to also provide some sort of suspense. By Faulkner telling the story in the way that he does, the reader has no way of knowing what might be coming up next in the story. The last thing that a reader wants to do is read a boring story that is easy to predict. Faulkner keeps the reader from knowing what might happen next by not placing the events in the actual order that they occurred. He goes back and forth throughout Miss Emily’s life. At the introduction and conclusion of the story, she is dead, while the body consists of the times when she was alive. The body of the story also jumps back and forth throughout Miss Emily’s life. Faulkner brilliantly divided the story into five key parts, all taking place at some key
William Faulkner used indirect characterization to portray Miss Emily as a stubborn, overly attached, and introverted women through the serious of events that happened throughout her lifetime. The author cleverly achieves this by mentioning her father’s death, Homer’s disappearance, the town’s taxes, and Emily’s reactions to all of these events. Emily’s reactions are what allowed the readers to portray her characteristics, as Faulkner would want her to be
Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie Bundren and Cora Tull. The first person narrative acts as an important literary technique because it allows the reader to experience the opposing views of Addie and Cora; they are both mothers who act as foils to each other because of their diverse opinions and outlooks on motherhood, religion and life.
Faulkner starts his story by showing the amount of respect that is shown at Emily’s funeral. It is said that the entire town attended this event, but also that some only showed up to see what the inside of her house looked like because no one had been inside in over ten years. “The men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant- a combined gardener and cook- had seen in at least ten years”(pg.542). He explains this to show the mysterious interest of Emily. By explaining the mystery in Emily, he carries a dark tone that mystifies the audience.