I decided to create a watercolor painting based off the style of Caspar David Friedrich’s oil painting, Abbey in an Oak Forest, 1809-1810. Friedrich’s painting depicts a funeral procession through the ruins of a Gothic styled abbey, the landscape is snow covered and barren trees surround the remains of the abbey indicating a winter scene. The twilight sky is painted in muddy shades of orange and yellow before meeting the black obscured horizon. My painting depicts a similar scene of vaguely Gothic chapel amidst a snow-covered forest though rather than barren trees mine is filled with evergreen trees. Composition wise my piece is meant to be unbalanced, shifted mostly to the right and from a partially aerial view above a patch of the woods. …show more content…
Hence, why a (somewhat) Gothic looking chapel is in my piece as well. The idea of an abandoned church seemed haunting to me, but I also included it because Gothic architecture symbolized both German nationalism and the Romantic ideal of intuition over calculation. Motifs that were largely represented through the iconography in Friedrich’s work1. I also included a graveyard which I had appear in ruins (some graves and crosses are falling apart while others are buried, the wall around has been reduced to rubble) while the church instead, though abandoned, is still standing. It shows only little signs of neglect (small cracks and moss growing on the right side) in comparison, which indicate it has been deserted more
In conclusion, I admire the work ethic of the individuals who built this cathedral because it shows work ethic, precise with mathematics, and a strong religious faith. During this Gothic time frame in history majority of their art resembled images that the Holy Bible describes. Religion during this time period was represented very well even experts are still amazed as to how this cathedral were built so tall and high. Even though this cathedral has been exposed to stress, with the assistant with the flying buttress, ribbed ceiling, and metal this cathedral will be an ongoing restorative process so that it will be around for generation here to come to admire its beauty.
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
A cathedral, besides being a grand and aesthetically pleasing architectural work, carries a very meaningful and symbolic connotation to it that has been building up for thousands of years. It is a place where one can find truth and strive for eternal happiness. The cathedral symbolizes equality and answers to all that humans seek out to find in the non-material world. Because of this benevolent and mystical connotation, drawing a cathedral had a profound effect on the narrator in terms of his wisdom and spirituality.
I am sitting in the passenger side as my dad is driving, and we are on our way to my grandpa's land which is located about 25 minutes east of Dubuque. First thing we do when we get there is to finish putting on our coats, and then to grab our bows out of the back, then I close my door softly. Walking through the open field I have dead weeds and tall grass crunching under my boots, and at the end of the field we reach a barbed wire fence that we crawl under. Then we cross under a bunch of pine trees and go about 30 yards into the woods to where my tree stand sits. Then my dad tells me good luck and he heads down into the gully where his stand is located. So I then climb the 12 foot ladder and sit on the seat and put on my safety belt and get my arrow ready on the bow string. I survey the land and look for any movement, so I look to the left where there is another set of pine trees, then I look in front of me into the first set of pine trees don't see anything yet. Then I hear a sound of crunching leaves and immediately look to my right and sure enough there is a big doe getting ready to cross the fence 15 yards away.
Print. The. Mike. The Evolution of Gothic Architecture. Aquinas Multimedia.
Flannery O'Connor is a very complex writer in terms of her use of symbolism in addition to the elements of the grotesque and blackly humorous. O'Connor’s story, "A View of the Woods," is symbolically complicated. The story focuses on the relationship of Mary Fortune Pitts, a little girl, and her grandfather, Mr Fortune. The story is one of conflict that mounts to tragedy in the end. The conflict is basically between Mary Fortune and her grandfather over the sale of some ground that Mary Fortune finds important for her father's grazing of his cattle and for the view of the woods. You might look carefully at the woods in this story because they assume a symbolic significance similar to the woods in "Greenleaf."
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
The structural and technical features of the story point towards a religious epiphany. The title of the story, as well as its eventual subject, that of cathedrals, points inevitably towards divinity. Upon first approaching the story, without reading the first word of the first paragraph, one is already forced into thinking about a religious image. In addition, four of the story’s eleven pages (that amounts to one third of the tale) surround the subject of cathedrals.
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
Kathy Prendergast, further contends, that it is this convergence of the Gothic art style and Romantic genre which was quintessential of the nineteenth century era. Both collided to spotlight terror, valuelessness emotion and vulnerability. Both collided to perpetrate a sense of wonderment in the reader/viewer, a sense of helplessness in the face of some superior force. The Gothic architecture with its peculiarity, mystery and imperilment; the Gothic architecture with its a...
Overall the artist does make a unified scene in this composition. Birch used these principals of design to make his composition more effective like balance, movement, repetition and unity. The composition seems balanced because most of the subjects in the painting are all equally distributed and proportioned.
Le Fanu uses gothic elements to intrigue and shock readers. This is clearly represented through vivid descriptions of isolated castles, abandoned churches, and mysterious woods. “… In the thick of the forest, overlooks the silent ruins of the town” (Le Faun Chapter I), “The castle is a ruin; the very village is deserted…” (Le Faun Chapter X). Le Faun uses this to create an eerie atmosphere. Through this, he manages to build suspense, forcing the readers to always be suspicious something is going to happen, but unable to determine how and when. This keeps the readers captivated. Similarly, by exploring the literature typified by ruin and mystery, Stoker explicitly exposes gothic tropes from Harker’s very first impression of the dilapidated castle. “The closed gates are of heavy old oak and iron, all eaten with rust” (Stoker Chapter II). As a result of this, Stoker is able to effectively convey the feelings of gloom, mystery and suspense. These are presented through the castle as it holds a lot of history, thus allowing Stoker to build up a haunting and ghostly atmosphere. This atmosphere is exaggerated through a sense of decaying which adds to the gothic convention in this context. “Hinges had fallen somewhat”, “wealth of dust’ and “dusty with age”, all indicating that the place is old, rusty and rather run-down (Stoker Chapter
One day, there was a man, walking through the woods to get back home. The man had quite a way to go to get back home but, it was getting late, and all he had was a flashlight, a small knife, and a video recorder. The man was hearing weirder and weirder noises as he was walking, he was also starting to see weird shapes in the distance, almost as if it was a tall thin man looking at him with tentacle like things coming out of his back, and spreading in the air.
It was a calm, overcast day, and I found myself resting at the side of a large oak tree, admiring the beauty of the woods that surrounded me.