A Tale of Oppression and Reaction: Handmaid´s Tale by Margaret Atwood

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In Margaret Atwood’s Handmaid’s Tale, the character of Offred is restricted by the severe regulations of her society. The once democratic United States of America with equality for all has been turned into the theocratic and totalitarian Republic of Gilead. When Offred is affected by the strict standards of this society, she responds in audacious, yet furtive ways in order to not attract the attention of the omniscient Eyes who control the society and punish offenders
After the United States becomes Gilead, many aspects of society change. In a sense the society travels back in time, erasing the strides feminists had fought to obtain. Offred arrives to work as usual and is told that it is against the law for women to work. They now have to be dependent on their husbands to provide for them. Even her credit card does not work because the money she had earned is no longer useable; instead her husband, Luke, must transfer some of his money to her account. The government is sending the message that women are not able to provide for themselves; their husbands are superior to them, and their guidance is necessary. Women are forbidden to read. Instead, they must rely on pictorial signs for information. This decree further dehumanizes the women as it stunts their intelligence and self-esteem by preventing them from expanding their scholarly progress. In addition, no longer are citizens allowed to practice a religion of their choice. Baptist rebels are driven away, Catholic priests are hung on the Wall, and Jewish people are given the choice between converting and immigrating to Israel. The Wall is a public place for the bodies of convicted criminals. It serves as a blatant warning to anyone who dares to consider transgressing. Its siniste...

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...isky undertaking. She is able to find some happiness with Nick but it is tainted by the inevitability of failure. Her budding relationship with the Commander is her most effective response as it forces him to reconsider her position in society. Although she has not protested the rules out publicly, she has sparked a change in the thoughts of those in power.

Works Cited

Atwood, Margaret. The Handmaid’s Tale. New York: Anchor Books, 1986. Print.
Chopin, Kate. The Awakening. Chicago: Herbert S. Stone & Co., 1899. Print.
Porfert, Joseph. “Hell On Earth: The Feminist Dystopia of The Handmaid’s Tale.” Old Dominion University Department of English. Web. 8 December 2013.
Wagner-Lawlor, Jennifer A. "From Irony to Affiliation in Margaret Atwood's Handmaid's Tale." CRITIQUE: Studies in Contemporary Fiction 45.1 (2003): 83+. Literature Resource Center. Web. 9 Dec. 2013.

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