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literary research paper for flannery o'connor
analysis of flannery o'connor's writings
flannery o'connor, character analysis
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Mary Flannery O’Connor was a Southern American writer and essayist who grew up in Georgia during the 1900’s. Her faith as a Roman Catholic influenced most of her writings, as she wrote a lot about morality, faith, and ethics. O’Connor’s style of writing is mostly Southern Gothic fiction, although she didn’t like that label and preferred to her writings as “Catholic Realism.” The characters in her stories are depicted as being grotesque. This can be seen in her story, “A Good Man is Hard to Find.” Her purpose of writing this story is to convey to the reader that certain moments in a person’s life can cause a transformation in their personality, demeanor, and beliefs. O’Connor narrates to the reader through the use of symbolism, diction, and tone the irony and meaning of “A Good Man is Hard to Find.” This leaves the question whether or not a good man or woman is hard to find.
To begin with, the story “A Good Man is Hard to Find” takes place in Georgia. It’s about a father, mother, and two children who are planning a vacation to Florida. The grandmother who lives with the family doesn’t want to go to Florida. She wants to go to Tennessee instead and uses manipulation as a means to try and get her way. “Now look here Bailey . . . Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida . . . I wouldn’t take my children in any direction with a criminal like that aloose in it” (O’Connor 134). This quote establishes a sense of darkness, fair warning, and uncertainty. As well as, the grandmother trying to manipulate her son’s decision of going to Florida by using scare tactics on him. Manipulation is one theme brought out in this story. The story is told in the third person, limited omnisci...
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...ch O’Connor speaks about. At that moment the grandmother’s character seems to miraculously change from being selfish and superficial to loving and christian-like. That is when The Misfit shoots her. Armond Boudreaux an Assistant Professor of English at East Georgia College, states that “O’Connor’s stories follow the same basic plot: a proud main character, often bigoted and usually a woman, finds redemption when an act of violence is committed against her” (paragraph 1). The grandmother is indeed a proud main character who found redemption at the moment before her death.
Finally, the story concludes with The Misfit saying, “She would have been a good woman . . . if it had been somebody there to shoot her every minute of her life” (O’Connor 146). The Misfit realized that when faced with death the grandmother had the ability to be a good woman. Her son and his entire
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
In "A Good Man Is Hard to Find," Flannery O'Connor represents her style of writing very accurately. She includes her "themes and methods - comedy, violence, theological concern - and thus makes them quickly and unmistakably available" (Asals 177). In the beginning of the story O'Connor represents the theme of comedy by describing the typical grandmother. Then O'Connor moves on to include the violent aspect by bringing the Misfit into the story. At the end of the story the theme changes to theological concern as the attention is directed towards the grandmother's witnessing. As the themes change throughout the story, the reader's perception of the grandmother also changes.
Flannery O’Connor’s A Good Man Is Hard to Find is one of the most well-known short stories in American history. A Good Man Is Hard to Find is a disturbing short story that exemplifies grace in extremity as well as the threat of an intruder. The story tells of an elderly grandmother and her family who embark on a road trip to Florida. The grandmother is a stubborn old woman with a low sense of morality. While on the trip, the grandmother convinces her son to take a detour which results in a broken down car and an encounter with a convicted fugitive, The Misfit. Although the grandmother pleads for mercy, The Misfit kills off the rest of her family. Through the grace she finds in her extreme circumstance, the grandmother calls The Misfit her own and implores him to spare her life. The Misfit does not oblige her and states after her death, “She would have been a good woman if it had been someone to shoot her every day of her life.” Through Flannery O’Connor’s disturbing and shocking display of the grandmother’s demise, she gives the reader a sense of the threatening power of an intruder and the idea of extreme situations bringing about a state of grace. The reason for such a powerful work may have resulted from Flannery O’Connor’s religious upbringing as well as the state of the nation at the time.
Often times you find yourself in deep thought, reminiscing about the past. The good, the bad, and even a few memories you wished to forget and never return. In Flannery O’ Connor’s “A Good Man is Hard to Find”, you are taken along on a journey. Why yes, Flannery writes about the journey the family takes together on their way to Florida, but she does a job well done figuratively joining the forces of the past and present, as well as what lies in the middle.
In the short story A Good Man Is Hard to Find, written by Flannery O’Connor, the theme that the definition of a ‘good man’ is mysterious and flawed is apparent. The reader must realize that it is difficult to universalize the definition of a good man because every person goes through different experiences. Thus, these experiences affect his or her viewpoint and in turn flaw ones view on a good man. O’Connor conveys this theme through her excellent use of diction, imagery, foreshadowing, and symbolism as well as through a creative use of repetition and an omniscient point of view.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
Over the years, many people have analyzed Flannery O'Connor’s story, “A Good Man Is Hard To Find,” in ways which they focus more on the history of O’Connor or the historical background and time period of the story. Such scholars that have done so include Sara Kelley (2008), James Nacua (2008), and even O’Connor herself (1963) one year before her death. These “authors have focused on her grotesque detail” (Kelley) such as violence her use of violence to depict salvation. Even though Sara and James’ analysis of the story is fairly recent, it closely follows O’Connor’s overall analysis of the story from 1963. No one has ever analyzed the story in any other way, but the “whole of idea of grace and salvation” (Nacua) and how it was depicted in throughout the story. How come no one ever does a psychoanalytical analysis of the story, because killing a whole family and then the old grandma last is just wrong. Someone would have to have some serious mental issues to write about something like that or they may have had a rough past. Either way, it in no way justifies writing about killing an entire family for no reason, whether it is about spirituality or not.
There are three phases of thought for the Grandmother. During the first phase, which is in the beginning, she is completely focused on herself in relation to how others think of her. The Second Phase occurs when she is speaking to The Misfit. In the story, The Misfit represents a quasi-final judgment. He does this by acting like a mirror. He lets whatever The Grandmother says bounce right off him. He never really agrees with her or disagrees, and in the end he is the one who kills her. His second to last line, "She would of been a good woman," The Misfit said, "if it had been somebody there to shoot her every minute of her life," (O'Conner 152). might be the way O'Conner felt about most of us alive, or how she felt that God must feel about us.
Firstly, there is verbal irony at the very beginning of the story. The grandmother is presented to us as someone who thinks very highly of herself and needs the rest of the world to think highly of her as well. She is controlling and speaks her mind and is clearly a pain to the rest of her family. As the family discusses their plans to go down to Florida, the grandmother says “I wouldn’t take my children in any direction with a criminal like that aloose in it. I couldn’t answer to my conscience if I did” (O’Connor, 1). This is verbal irony because it is actually what she ends up doing. Because of her need to be dressed like a lady and her need to bring a along Pitty Sing, and her insistence on visiting the old plantation, she actually lead her child and her grandchildren right into the hands of the Misfit. This irony adds a lot to the story. It helps us understand O’Connor’s Grandmother character better and allows us to wonder about this character more. It also allows the reader to uncover certain discrepancies about the truth, like the author is trying to hint something to the readers. Without verbal irony of this kind, the events that happen later in the story wouldn’t be as ironic and the story wouldn’t have as much meaning.
Though the grandmother dies in the end, O’Connor’s use of foreshadowing, characterization, and a distinct point of view lead me to believe this is the beginning of a different life for The Misfit. After he kills the grandmother The Misfit immediately starts cleaning his glasses, an indication that he sees the world in a different way. He had originally thought there was no pleasure in anything but cruelty, eventually the Misfit decides “It’s no real pleasure in life.” He had wanted to see Jesus raise the dead more than anything, and The Misfit ultimately got his wish; the grandmother had a last minute relief from her unbearable pomposity and then died, presumably redeemed. And the Misfit finds a glimpse of human empathy and compassion from the last woman we would have expected it from.
...d both of them do not quite understand what being saved actually means. In the end, “when she saw the man’s face twisted close to her own (367).” the grandmother realizes that she and The Misfit are both on the same level and she is no worse than the latter. Almost like taking a look into a mirror and pondering upon one’s own reflection. The story takes a quick pause, when the author writes the line, “His voice seemed to crack and the grandmother’s head cleared for an instance (367).” What were the thoughts that went through the grandmother’s head? What happened during the “instance” that changed the grandmother’s view on her beliefs? The sole purpose of the phrase drowns a reader with questions and uncertainty. The story makes a final closure with The Misfit’s remark on how his source of happiness by performing violent acts brings “no real pleasure in life.”
The grandmother says “I know you’re a good man. You don’t look a bit like you have common blood. I know you must come from nice people,” showing how she is trying to find a shred of hope in a murderer. O’Connor’s use of southern diction and religious banter develop the grandmother away from superficiality and towards genuineness. The grandmother says “’Listen,’…’you shouldn’t call yourself The Misfit because I know you’re a good man at heart. I can just look at you and tell.’” The Misfit replies “I pre-chate that, lady,’” by using the phonetic spelling instead of proper diction O’Connor is showing that the grandmother believes he is a fellow southerner. The grandmother is talking to The Misfit about salvation and she has an epiphany, O’Connor writes “His voice seemed to crack and the grandmother’s head cleared for an instant. She saw the man’s face twisted close to her own as if he were going to cry and she murmured, ‘Why you’re one of my babies. You’re one of my own children!’” After discussing religion and seeing his perspective the grandmother finally feels real sympathy for The Misfit; up until that point the grandmother had been trying to compliment and talk her way out of being killed along with the rest of her family. Unfortunately this is also when the struggle between good and evil ends with the grandmother being killed, “The Misfit sprang back as if a snake had bitten him and shot her three times through the chest.” The Misfit then says “‘She would of been a good woman’ … ‘if it had been somebody there to shoot her every minute of her life.’” He realized that her gesture at that moment was out of pure kindness and
In her well-known short story, “A Good Man Is Hard to Find,” Flannery O’Connor skillfully describes the difficulty of finding a morally upright human being, whether it is a man or a woman. No one is perfect, everyone has inadequacies and shortcomings, and she presents this cleverly in her story. She is able to support this view of mankind through her characters. They are self-centered, egotistical human beings who can be judged by their words and actions. This is especially true of the protagonist (the grandmother) and the antagonist (the Misfit). The grandmother tries to portray herself as a virtuous woman, but in the end O’Connor shows that her actions are always self-serving and that morally, she is not that different from the Misfit.
Never once as the Grandmother was begging for her life, did she stop and beg for the life of her family. Her tactic to save herself went from “You wouldn’t shoot a lady would you?” (O’Connor), to “You’ve got good blood! I know you come from nice people” (O’Connor), then lastly to “If you would pray, Jesus would help you” (O’Connor). Yet to every beg the Grandmother made, the Misfit was completely honest with her, admitting that he would hate to have to kill a lady, but he would do it, admitting that he did come from good people but that he is not good, and admitting that he does not want Jesus’ help, that he is perfectly fine alone. Because the Misfit was so honest and open about who he was and his flaws, the Grandmother realized that she is not a “Good Man”. That she has been lying to herself and the people around her. The Misfit allowed the Grandmother to come to terms with who she really is a person. The Misfit giving her this eye opening realization before taking her life gave her the redemption she needed so
Flannery O 'Connor utilizes multiple biblical references, such as Jesus raising the dead, to create a foundation for what the Grandmother and Misfit believe in terms of morality. The Grandmother references Christianity in a positive and redeeming sense while the Misfit claims that “Jesus was the only One that ever raised the dead, and He shouldn 't have done it. He shown everything off balance” (O’Connor 151). Her reality before the incident was the people such as the Misfit were evil, while those similar to her who grew up in the classic traditions of the south were better off. Although she was raised in a highly religious and proper setting, she does not realize the fault in her logic until she is staring down the barrel of a gun. The grandmother attempts to use this religion to save her life by telling the Misfit about prayer and salvation. By asking the Misfit "Do you ever pray?" and then repeatedly saying “pray, pray, pray”, she is attempting to show him the fact that he does not have to do evil acts because of his past (O’Connor 149). Because the Misfit does not view himself as evil, his reality is that his actions and beliefs are morally