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Character analysis of torvald
Character traits of Torvald
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In Henrik Ibsen’s A Doll’s House, many characters perform actions that end up costing them literal money, morals, and even friendships. One of these characters is Torvald, whose dislike for anything “ugly,” cost him relationships with many other characters in the play. It is hinted throughout the play that Torvald never wants to be around anything ugly, and it is clear that the other characters know about this fetish for beauty. The first place where this impartiality towards ugliness is present is where Krogstad tells Nora that he plans on telling Torvald about their contract if she doesn’t get him his job back, and Nora explains her feelings about this. “To think of his learning my secret, which has been my joy and pride, in such an ugly, …show more content…
Rank tells Nora about how he is dying of consumption of the spine, he also says to her, “Helmer's refined nature gives him an unconquerable disgust at everything that is ugly; I won't have him in my sick-room.” [38] Dr. Rank does not want Torvald near him as he is on his deathbed, despite Dr. Rank being Torvald’s closest friend. There are a few logical reasons why Dr. Rank might not want people around while he is dying; perhaps because it would be too sad and he wanted his last moments to be pleasant ones. However, the fact that Rank doesn’t want Torvald in his sick-room because he knows of Torvald’s disgust with ugliness, brings back up the friendships that this repulsion towards ugly things costs him. It would be expected for one to want to be with their dearest friend during the last moments of that friend’s life, but because Torvald is so opposed to unattractiveness, Rank thinks it would be best if he stayed away, even though it costed Torvald the time he could have spent with his dying friend. Finally, Torvald’s opposition towards ugliness is brought up again after Torvald receives the cards from Dr. Rank announcing his death, and he is processing this information. “NORA: With the thought of your friend's
Torvalds wife Nora Helmer is a typical women for her time; She is a housewife. She allows Torvald to be controlling of her; molding who she is. She is not allowed to freely think and behave as she wants. Torvald confronts Nora, suspecting her of eating macaroons and asks if “little Miss Sweet Tooth been breaking rules in town today?” (I.142-I.143) This confrontation shows the debasing affiliation that these two have. This proves he sees her nothing more than a “doll wife”. Torvald using the word “little” followed by the pet name “sweet tooth” when referring to Nora is proof she is portraying the role of a “doll wife” which she willingly fulfills. Torvald is a typical husband during a time when the opinion of society meant everything to a man. His eagerness for social acceptance essentially causes the demise of their marriage. When Torvald finds out about the forgery and the loan which is the big secret Nora withholds from him, he berates her for it even though her actions saved his life. His acceptance by society is ruined in his eyes. Torvald is furious and tells Nora she took away his “happiness” and she has ruined his “whole future.” (III.464-III.465) His narcissistic side is exposed in this encounter. Torvald selfishly reacts to the secret that saved his life when he was very ill. Torvald’s selfish behavior causes Nora ...
Dr. Rank’s death can be seen as a symbol for Nora and Torvald’s marriage, since he dies around the same time as when Torvald reads Krogstad’s
In “A Doll’s House”, when Torvald learns of her secret affairs concerning Nora forging her father’s signature to get a loan to save Torvald’s life, he began to treat her horribly, insulting her in every way that is possible. In that moment, Nora realized that she could no longer live a life as Torvald’s wife anymore. He wanted to live a life in which no one in the society would know what had happened. They would act like they were a happily married couple in public, but in private they would act as though they were brother and sisters. Torvald cared about his image rather than
In the play A Doll’s House, Henrik Ibsen seems to show very little of who Nora really is in the beginning. At first Nora seems to be selfish and silly, but then we come to find that she is hiding something and is that way because she has made sacrifices to save her husband's life and pay back a secret loan. By the end of the play, Nora is a changed woman and shows her true strength and becomes an independent woman. Torvald, Nora’s husband for all his mistakes, appears to be an affectionate, dedicated and bighearted husband. But we later come to see that he is a shallow man that cares solely about his reputation. The Helmer marriage appears loving, but turns out to be based on lies, play-acting and an unfit relationship.
We see his a very controlling and almost derivative man. Nora is seen by him as an object, a possession like being that is just another piece of the puzzle that makes up his life. We realise that Nora is only in Torvalds’s life, not because he loves her, but because it was strict tradition to do so in this time. He rejects Nora and pushes her away from him with his sarcastic and derogatory comments such as pet
The problem in "A Doll's House" does not lie with Torvald alone. Though he does not help the situation, he is a product of his society. In his society, females were confined in every way imaginable.
Selfishness appears commonly in today's day and age. As William E. Gladstone, the Prime Minister of Great Britain says, “Selfishness is the greatest curse of the human race.” In the play A Doll's House by Henrik Ibsen, each character represents a role in society. The protagonist in the story, Nora Helmer is married to a man by the name of Torvald. Torvald shows positive traits such as his caring personality. As Torvald says, “Nora, do you know that I’ve often wished you were facing some terrible dangers that I could risk life and limb, risk everything for your sake?” (57) He also shows negative traits and flaws. Torvald is a self centered man that only cares about his role and position in the society. Torvalds mistreatment of Nora displays
In the play A Doll House, by Henrik Ibsen, Nora and Torvald’s marriage seems to have been torn apart by Krogstad’s extortion plot, but in reality their marriage would have ended even without the events in the play. Torvald’s obsession with his public appearance will eventually cause him to break the marriage. Nora’s need for an identity will ultimately cause her to leave Torvald, even without Krogstad’s plot. Lastly, the amount of deception and dishonesty between Torvald and Nora would have resulted in the same conclusion sooner or later. In this essay, I will argue that Nora and Torvald’s relationship would have ended even without Krogstad’s extortion plot.
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
throughout the majority of A Doll House. Torvald see’s himself as. above Nora, he is a controlling and dominating person, he constantly uses imperative language and interrogatives to overrule the conversation. Then there is the. He uses sarcastic language such as “Do I have to tell you” you”.
Nora’s husband, Torvald Helmer, considers her not as a person, but as a toy, a "doll". For eight years of living together, Torvald never spoke with Nora seriously. Torvald’s attitude towards his wife is also revealed when he took Nora away from the masquerade as soon as tarantella was finished to "save effect" created by her. Such Torvald’s behaviour depicts the general position of the woman in that society, which consider that the main task of the women is to take care of the children and husband, but not to become a real person. The role of the woman in this play is to show how the world is in wrong order where women cannot be equal to the man.
The inferior role of Nora is extremely important to her character. Nora is oppressed by a variety of "tyrannical social conventions." Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize their role in society. Nora is oppressed by the manipulation from Torvald. Torvald has a very typical relationship with society. He is a smug bank manager. With his job arrive many responsibilities. He often treats his wife as if she is one of these responsibilities. Torvald is very authoritative and puts his appearance, both social and physical, ahead of his wife that he supposedly loves. Torvald is a man that is worried about his reputation, and cares little about his wife's feelings.
Nora is the main doll in the house, but she also refers to the children as dolls. Nora states that Torvald treats her as her own father did. Caring for her but never taking her serious. They treat her as a doll kept for her looks. Although the children aren’t the main idea of the doll in “A Doll House,” Nora sees them as dolls herself.
In A Doll House by Henrik Ibsen, the main character Nora is being objectified by her husband Torvald. He treats her like a doll that can’t do anything without him. He orders her around, tells her what to wear, and how to dance the way he wants her to. She comes to realize this objectification through her interactions with Christine, Dr. Rank, and Krogstad.
We see a woman who is making a bold action against gender inequality and the position society and culture has given her. As for Nora, we see in this first conversation that she seems entirely dependent on Torvald for her money, her food, and her shelter, despite the fact that she is keeping a secret. This secret is the kernel of her individuality and her escape from the doll’s house. While it is easy to paint Helmer as a tyrant and Nora as the naïve wife who suffers under his control, one must not forget that torvald is not aware of any damage he is causing. His greatest sin is perhaps his ignorance. The shock he shows at Nora’s revelation shows that he has no awareness that there is anything wrong with the status balance in his