She will no longer work only to serve and please others. When Torvald accuses her of running out on her most sacred vows, which in his opinion are her duties to her husband and children, she responds by saying that her duties to herself are "equally sacred". The way the play ended incited public controversy because the idea of a woman deserting her husband and discarding traditional values the way Nora did was deemed totally outrageous and inappropriate for the time period and Ibsen was forced to change the ending on numerous occasions. Today, however, A Doll's House is hailed as a literary masterpiece, praised for its realistic portrayal of the lifestyle of women in the Nineteenth Century.
It is their inversion of such qualities that make them unique and interesting but also causes struggle. Many African and African American writers and film makers attempt to capture an aspect of this struggle in their works. Some address the struggle of love for black woman, as we see in the character of Janie in Zora Neale Hurston's Their Eyes Were Watching God. Others will focus on the maternal struggle faced by black woman in America as Sethe in Toni Morrison's Beloved embodies. The more traditional but equally valid perspective deals with racial tensions and how racism challenges the inner strength of black woman as seen in the character of Sofia in Alice Walker's The Color Purple.
A Doll House is widely considered to be one of the first and most poignant examples of realism in drama. Ibsen developed a definitive plot in A Doll House, but the play is primarily a social critique that examines the role of women in society. Nora frets endlessly about the effects of her betrayal but by the end of the play she becomes reflective and even a bit scornful of her husband and the role he has helped force her in to. Right before Nora is going to abandon her family, Torvald comments that, “no man would sacrifice his honor for the one he loves”. Nora’s caustic reply is that, “it is a thing hundreds of thousands of women have done” (3.
Their arrogance corrupts their relationships with family and friends, who in turn fall from grace as well. For example, Pete becomes so fed up with Larry’s mistreatment that he attempts to physically harm him by tampering with his tractor. Unfortunately, it is not Larry who uses the tractor but Harold Clark, who is permanently blinded after getting the ammonia solution sprayed into his eyes. Their debauched behaviors essentially are the chain reactions to the destruction of the farm or kingdom, as well as the relationships between siblings, spouses, and friends. Another difference between the two is how they develop after being sent out into the thunderstorm.
At the beginning Nora is a doll of society. She does everything that is expected of a woman during this time period. Her first instance realizing the corruption of society is when Krogstad, the man who gave her the loan, tells Nora how it is illegal for a woman to sign a loan. She foraged the loan because her husband, Torvald, was very sick. Nora expresses her frustration when she says “Do you mean to tell me that a wife has no right to save her husband’s life?” (Ibsen) Nora thinks that it is ridiculous that the law doesn’t take into account saving someone’s life and their love for another person.
When he says this he is having a conversation with Gerald (sister’s husband) and Mr. Birling (his dad). The conversation is on women and their clothing, as Gerald agrees with Mr. Birling by saying “ That’s true”. Eric says, “Yes I remember…” but as... ... middle of paper ... ...ney. Sheila could stand for jealousy this is because she make the manager sack Eva Smith just because she thought that Eva was better looking than herself. Mrs. Birling could be a sign of pride, this is because she goes on boasting about who she is and the inspector can not do anything to her that will make her feel guilty about the death of Eva Smith.
Heathcliff was disliked because he had to grow up without a real family to love him. Finally, Hindley turned into a pitiful man because of the love that he lost. For some, affection can change people for the better, but for others love can be a poison for their souls. Being the only daughter, Catherine was endeared by all those around her. The unwavering love that her family and friends gave her soured her disposition.
The best title is definitely "A Doll's House" because Nora is the only character acting in a different manner in order to please her power hungry husband, Torvald. Even if she was conniving it was all in good intentions. It takes a very loving wife to go out of her way in order to make sure that her husband isn't burdened down with the expenses of a trip that saved his life. However, Torvald doesn't really see his Nora as his wife emotionally but as his little sex pet. This is what Nora finally realizes at the end of the play when Torvald is only worried about himself and what everyone else thinks about him.
He comments to Nora, “My sweet tooth really didn’t make a little detour through the confectio... ... middle of paper ... ...ment about how Torvald doesn’t like for her to eat them. Nora lies and says Kristine brought them too her. As Nora’s secret side is revealed, her life seems anything but perfect. As we look at the character change in Nora, we see two different sides to her. The beginning of the play reveals a woman totally dependent on her husband for everything,.
Nora’s Struggle For Freedom in A Doll's House In many cultures, a woman is expected to assume the role of the submissive, attentive wife. Often, a woman's role is limited by society to that of wife and mother. Henrik Ibsen, in his play A Doll's House examines the consequences of the stereotypical roles of women in marriage. Isben allows the reader to follow Nora, the main character, “along her difficult journey to regain her self-esteem and self worth”(Durbach 153). From the very first lines of the play, we notice the status quo between Torvald and Nora.