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Contrast between the outsider and the myth of Sisyphus according to absurdity
The stranger camus book analysis
The stranger camus book analysis
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The Absurd Heroes Of The Stranger (The Outsider) and The Myth of Sisyphus
In The Myth of Sisyphus, Sisyphus is an absurd hero because he realizes his situation, does not appeal, and yet continues the struggle. The purpose of this essay is to demonstrate that The Stranger is, in narrative style, also showing us an absurd hero, or the beginning of an absurd hero in Meursault.
In The Myth of Sisyphus Camus establishes the epistemology on which he bases all his works. Ant it's a very simple epistemology. He says: "This heart within me I feel and I judge that I exist. This world I can touch and likewise judge that it exists. There ends all my knowledge and the rest is construction. Between the certainty I have of my existence and the content I try to give to that assurance the gap will never be filled." So for Camus one finds that life has value but no meaning. Meaning implies some sort of goal, some teleological approach, and, for Camus, there is no goal. Life is not a pilgrimage, death is not an open door, but it is a closed and blank wall which functions finally, of course, to force us to concentrate on life.
In Camus there is a precise use of the word "absurd". "Absurd" comes from the Latin surdis and in surdis we have a dual definition: it means irrational, insensible (from that side of it we still use the word in mathematics; a 'surd' is an irrational number). But Camus concentrates on the other meaning which comes from the root. That is, "deaf, silent". There are many examples in literature of this particular kind of silence. I think of Romeo and Juliet when Juliet has been ordered by her parents to marry the County Paris, and in one of Shakespeare's best scenes in that play, he has Juliet's father talking...
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...e. But rather we are shown as small and mortal specks on a minor planet, in an ordinary solar system, located no place in particular, in infinite space, and subject to all sorts of dark irrational forces, over which we have little control. We must live and must die with the fear and anxiety, the meaninglessness, frustration and futility that people today know. One must live in the present moment and attempt to find out the actual, bare, given facts of human existence; to find them out, to face them and to live with them. Camus does this; no more and no less. He becomes, as it were, a saint without a God. One could do worse than recall the epigraph which Camus uses at the beginning of The Myth of Sisyphus. He quotes from the Greek poet, Pindar, writing in the 5th century B.C.; "O my soul, do not aspire to immortal live, but exhaust the limits of the possible".
As seen throughout The Odyssey, a hero is perceived as a person who achieves great success never before seen and whose legacy lives beyond their years. Since The Odyssey was written around the eighth century BCE, the people that we view as heros in present day tend to embody different traits than the heroes of that time. Even though the word, “hero” does not have one specific definition, a hero is generally categorized as someone who is idolized for their bravery and does anything necessary to defend their people. Although Odysseus embodies the Homeric ideals of heroism in that he accomplishes triumphs that others have not, his successes are the product of divine intervention and his actions were primarily selfish; therefore, he is not a true
Mark Twain, originally born as Samuel Langhorne Clemens, was the sixth child of a family of eight. Born to John and Jane Clemens on November 30, 1835, Twain was born in the small town of Florida, Missouri. At the age of four, Mark Twain and his family then relocated to Hannibal in the hope of drastically improving their living conditions. He later died of heart disease in Redding, Connecticut on April 21,1910. By lineage, Twain was of Southern decent, as both of his parents' birthplaces were that of Virginia. Slaveholding in the small community of Hannibal, with only a population of 2000 at the time, provided a variety of both a rugged lifestyle mixed with southern tradition. With a lifestyle previously mentioned, these played as a major influence in his major writings, including The Adventures of Tom Sawyer.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Camus addresses the consciousness of Meursault and Sisyphus through their fate. By the ability to recognize his past, Sisyphus shows how Meursault lacks unhappiness. Meursault has nothing with which to compare the pleasure he feels instantly, so he is at the least continually content and possibly perpetually happy. Conversely, Sisyphus understands his past yet chooses not to compare his past to the present or his known future. When the priest asks Meursault if he would prefer a different life to his own, he remarks he wants a life “where I could remember this one.
Mark Twain was an amazing writer who left an impact in American Literature forever. He was a very creative and out of the box thinker. His books were some of the most interesting and influential books in the United States. Not many writers have the capability of connecting with people like he did, Mark Twain was an amazing writer who left an impact in American Literature forever. Mark Twain was born to John and Jane Lampton in November 1835 in Florida, Missouri. He was their sixth child and they originally named him Samuel Langhorne Clemens. They later decided to move to Hannibal, Missouri. Where he received no actual education, but he loved to learn. At only eleven years old he took his first job as a typer in order to help his family because they had lost their father and needed more income.
The Allegory of the Cave, and The Myth of Sisyphus, are both attempts at explaining some aspect of the way people think or why humans do as observed. Both stories illustrate the same idea: without necessary and proper exposure to change, thinking is limited and ignorance is the direct product.
In “the Myth of sisyphus” Albert Camus addresses the connected notions of happiness in the face of the absurd. Through the use of parallel structure, utilizing personification in order to clarify their connected nature, Camus asserts that happiness and the absurd are formed in conjunction with one another through lived existence. Absurdity is the concept of passionately struggling against the toil of existence despite the inevitability of death and the futility of actions. Although happiness and the absurd exist in the objective realm of reality, the personal experience of these simultaneous ideas are inherently subjective.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
In many works of literature a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediment, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him giving him a type of feeling even if Meursault doesn’t care. Meursault contains occasion of his emotional indifference between his friends and social indifference. This essay will be about the character’s struggle contributes to the meaning of the work as a whole.
From those actions stems the character of Meursault. In writing, Meursault is painted as an indifferent, honest, and very strange man. He completely embodies the absurd and in many ways he can be considered a reflection of the absurd artist in the Myth of Sisyphus. Meursault expresses all of the absurd characteristics outlined in the book : revolt, freedom, and passion. Revolt- By not partaking in social customs or following c...
Mark Twain, the famous American author, known as the “Father of American Literature” and best known for The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer was born on the 30th of November in 1835. Born with the name Samuel Langhorne Clemens, he chose to be called under the pen name of Mark Twain. Clemens worked along the Mississippi River early in his life. “Mark Twain” was a measuring term used to describe how deep the water was along the river. After years of work at the Mississippi River, he turned to working as a journalist. He became known nationally when his humorous tall tale, “The Celebrated Jumping Frog of Calaveras County”, was published in November of 1865, in a New York Weekly, The Saturday Press. Later he became famous for more works such as Innocents Abroad, Roughing IT, The Prince and the Pauper, Life on the Mississippi, A Connecticut Yankee in King Arthur’s Court, Pudd’nhead Wilson,
In Camus’s book The Outsider, one of the major themes is religion, and the protagonist, Meursault, has unwavering views on religion; he refuses to acknowledge the existence of God even before his death. According to Camus, religion is a failed attempt at giving life meaning. As soon as you know that death waits, you start living to the fullest so as not to waste another day doing something you dislike. But there is no fear of death having an effect on Meursault because he is already doing what he wants to do. Through the book, Camus strives to test the efficiency of religion as an antidote for human mortality.
An absurd hero is developed by the six tenets of existentialism: anxiety, death, the void, existence precedes essence, absurdity, and alienation. These six tenets explain the overwhelming question, “Why do we exist?”. To understand why we exist, one must first question why the absurd happens. Camus did such. Camus develops the plot of his existential novel through a plethora of absurd events that boosts the overall theme of the novel. One example of this is how the town of Oran turns it back on the sea at random moments of time. This is very strange, why would a town that is isolated between the sea and a mountain range want to turn away from the one source of its salvation and one of the few ways it could connec...
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
Therefore, this reality must be random. I believe that Camus wants us to see this and begin questioning our existence. So he wants us to see the Absurdity and to cope with the Absurdity. If there is no point to living, why do we continue to live? If this reality is absurd, why don’t we recognize that and commit suicide?