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Henrik Ibsen's works Dollhouse and An Enemy of the People can be shown to have both been written by Ibsen not only through characteristic technique such as blocking and character exposition, but also the similarity in the decay of the social persona of characters from the norm and the main character's heightening stalwart. The later of that statement proves the works to be Ibsen's writing more effectively because such a commonality is a more direct link between works than such subtlies as character exposition.
Yet why does one care if they can prove if a work is by Henrik Ibsen or not? It is simply so that one can better analyze his writing. If the similarities between dramas by Ibsen can be proven, then it is legitimate to say that one could not only explore why those threads are common between the works, but also to discover other play writes that were influenced by Ibsen and picked up this commonality and implemented it similarly in their own works. This is adequate reason to examine what makes an Ibsen drama unique, or at least similar to his other works, and to expound upon such.
Throughout both plays, each main character exhibits a decay from the norm in their social persona. In Dollhouse, Nora who at first seems a silly, childish woman, is revealed to be intelligent and motivated though the play, and, by the play's conclusion, can be seen to be a strong-willed, independent thinker. She develops an awareness for the truth about her life as Torvald's devotion to an image at the expense of the creation of true happiness becomes more and more evident to her. When Nora calls him petty and swears about the house, and when Krogstad calls him by his first name it angers Torvald notably, and this anger at what he sees to be insubordination and improper etiquette heightens her awareness of the falsities being put in place by Mr. Helmer. When it is revealed to Torvald that their life-saving trip to Italy was funded by his wife borrowing money underneath his very nose and across his authority, he becomes very angry, as he very well should if everything is to abide by the social standard of the time By the end of the play, we see that Torvald's obsession with controlling his home's appearance and his repeated suppression and denial of reality have harmed his family and his happiness irreparably and escalates Nora's need for rebellion, which inevitably results in her walking out on her husband and children to find her own independence at the conclusion of the play.
5. Ford, Karen. "Social contrains and painful growth in A Doll's House". Expanded Academic ASAP. Methodist College , Fayetteville , NC . 30 Octuber 2005
Investigation of Power in Ibsen’s ‘A Doll’s House’. Nora Helmer is introduced in Act I as a character subjugated to the wills and desires of her husband; she is merely an object. Torvald, he possesses a. At the conclusion of Act III however, she has. become sufficiently independent to arrive at her decision to leave.
Sahin, Abdur Rahman, and Rizwan-ul Huq. "The identity in-between: the enquiry of apathy and existential anguish in Henrik Ibsen 's A Doll 's House." Language in India 2012: 287. Literature Resource Center. Web. 2 May 2016.
At the beginning of A Doll’s House, Nora Helmer seems stable in her marriage and the way that her life has panned out. She doesn’t seem to mind the her husband, Torvald, speaks to her, even if the audience can blatantly see that he is degrading her with the names he chooses to call her. “Hm, if only you knew what expenses we larks and squirrels have, Torvald” (Ibsen, 1192). Nora is notorious throughout Act I to play into the nicknames that Torvald calls her. She portrays that she is this doll-like creature that needs to be taken care of. Furthermore, we see that Nora is excited for her husband’s new job that will increase their income substantially. This is the first mask that the audience is presented with. As the play continues, Nora reveals yet another mask, this is a mask of a woman who so desperately wants to be taken seriously. The audience learns that Nora had previously taken out a loan to save her husband’s life. She proves that ...
Comparing Edna of Kate Chopin's The Awakening and Nora of Henrik Ibsen's A Doll's House
A Doll’s House by Henrik Ibsen is a realistic drama that explores how the imbalanced treatment of women can dictate who they become. Nora Helmer embodies the need for evolution in regards to women and their roles within the family. The importance of this play, which was written in 1879, is still relevant in the modern world. This play helps to bring attention to the characters people play as a result of their circumstances.
Lastly, the amount of deception and dishonesty between Nora and Torvald would have broken the marriage even without Krogstad’s extortion plot. Both Nora and Torvald are living in a world of lies, and both of them are not honest with each other and themselves. In the beginning of the play, Torvald and Nora are portrayed to be a perfect couple with a perfect life. Nora is seen returning home after a day of shopping and is greeted lovingly by her husband. Even though they seemed to have had some financial troubles in the past, Torvald just received a new job as a bank manager and everything seemed to be alright, but behind the scenes nothing was alright.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
Henrik Ibsen writing style was inspired by his family and his childhood experiences. Ibsen’s style was considered modern. Like most writers, Ibsen related most of his written work to his life. They were considered as parts of his early life and maintaining a job and wealth. The stories may have related to some struggles with himself and disagreements with his family.
Ibsen writes his play A Doll House to explain the life of a housewife and her struggles with her own actions. Ibsen examines the emptiness in the lives of Nora and Torvald as they lived a dream in a Doll House. Both awaken and realize this emptiness and so now Torvald struggles to make amends as he hopes to get Nora back possibly and then to restore a new happiness in their lives. Ibsen examines this conflict as a rock that breaks the image of this perfect life and reveals all the imperfections in the lives of those around.
In his play, A Doll 's House, Henrik Ibsen develops the character of Torvald’s wife, named Nora. Nora struggles to define her individuality as she seems to play two different characters. Partly living as Torvald 's perfect wife, while also living day by day to attempting to conceal a big secret from her husband that could potentially destroy his business. While trapped within Nora 's degrading marriage that consists of many animal names, secretly, her character develops into determined and intelligent women. It is in this secret, that Nora recognizes she must break away from her marriage and follow her dreams of being a strong independent woman.
Ibsen, Henrik. A Doll House. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1564-1612.
Ibsen, Henrik. Ghosts in Ibsen: Four Major Plays: Ghosts, An Enemy of the People, The Lady from
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...
Although Ibsen portrays A Doll House as a Realistic play due to the societal problems, which include women, illnesses, and laws; he attempts to address society and cause change within the Norwegian society without openly talking about these issues. The actions of characters, such as Nora, represent the fact that an individual can make progress in societal reform. Therefore, Ibsen’s identification and attempt to change society symbolizes a Realistic desire of finding solutions to problems. The ultimate goal of Realism is to better everyday life for the majority of people, while trying to deepen the understanding of society’s problems.