The characters that are in Beckett plays are seemingly unaffected by situations that should be life altering, to say the least. Hamm is a prime example of this indifference to events that should be major, as he considered his mother’s death to be an inconvenience to him almost causing it to going unnoticed. Certain events that someone in our world would consider to be important or life changing only temporarily interrupt the lives of the main characters, and are then rendered insignificant. Anything outside of a character’s main objective is not considered to be a factor for any Beckett character. Nell’s death didn’t satisfy any need Hamm had, in fact, it displeases him only because it interrupts his story telling. For Nell to be a mother and grandmother, her death is hardly mentioned in the story at all, it’s quite ignored exactly the opposite of how it would be treated in our everyday life. By making the reactions so strange to the audience, we get a sense of insignificant things can be.
We see this again in “Waiting for Godot” when Pozzo and Lucky go through their incredible changes but the characters quickly get over it. The main cha...
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...here, having the ability to change them, and choosing to remain in the current situation. Vladimir openly suffers with his decision, becoming even lonelier in a sense because of his new found knowledge. We can assume Clov suffers a similar fate of unhappiness seeing he has never known happiness before and chooses not to leave the house, remaining quiet on the sidelines, much like his actual presence in the house. The lives Beckett illustrates through his characters are going nowhere of importance and offer very little to the imagination.
Samuel Beckett clearly sends his philosophy to his audience with the works “Endgame” and “Waiting for Godot”. These two plays capture meaningless lives and insignificant events through character interactions alone. Nothing is precious, or special enough to change a life in the world of Beckett and it is very true for these character.
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