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Literary theme alienation
Literary theme alienation
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Alfred Hitchcock’s Rear Window and Marilynne Robinson’s Housekeeping both demonstrate isolation through interaction between neighbors, dialogue, setting or mise-en-scene, framing, close-ups, and camera cuts. People can be close to one another in a physical sense, but, on a deeper level, they are disconnected. They may interact and it will only be in passing. While the novel and film both demonstrate isolation, their methods in doing so differ as there are certain things each medium can do that the other cannot.
The neighbors in Rear Window rarely interact throughout most of the movie. Jeff surveys the courtyard and he sees the Sculptress leave her apartment to sit in a chair. Above her, the Bird Lady leans out of her window and says, “Good morning.” She must repeat herself before the Sculptress responds. The Bird Lady then takes her bird into her window and does not reappear. The Sculptress does not acknowledge the “good morning” the first time because she does not expect any of her neighbors to talk to her. Even though they exchange the ‘good morning’s there is no further interaction, it is only a superficial relationship that goes no further. The Sculptress takes her turn at interacting with her neighbors when she walks over to the staircase to talk to Thorwald. The Sculptress is separated from him physically as she must lean over the staircase and the fence. This boundary is a physical manifestation the emotional boundary between the two individuals. The interaction between the Sculptress and Thorwald emulates the interaction between her and Bird Lady but this time she has taken over the Bird Lady’s role. She is speaking from above to someone who does not expect interaction. Thorwald does not want the Sculptress’ help, as he ...
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...ter he has seen her in a context that is apart from himself that Jeff learns something about Lisa that he did not previously know. The two must have been intimate with each other, as the nightgown she brings insinuates, along with Doyle’s glances at the nightgown which suggest that he knows Jeff and Lisa engage in sexual activities with each other.
While the neighbors in Rear Window live next door to each other, they are not very familiar with one another. Sylvie and the girls live even closer together than the neighbors do, yet sometimes they too are nearly strangers to each other. Throughout the film as well as throughout the novel, certain instances show how individuals are not always connected to each other no matter how close they may be physically. Sometimes the people nearest to us are as unfamiliar as the ones we have only ever said hello to occasionally.
We may believe were not in no form of isolation from a single thing but we are all in isolation without notice. In the book “The Brief Wondrous Life of Oscar wao” by Junot Diaz, he shows isolation in every character in a very distinct way but still not noticeable. Throughout the Brief wondrous life of Oscar Wao, Diaz conveys that there is isolation in every person through his characters that are all different in personalization but are still isolated from something.
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
When reading ghost stories, a common occurrence or idea often takes place in all these stories. This occurrence is the repeated idea of the female character as either the victim of the supernatural occurrence or is the ghostly victim. The female characters are often the victim either in life, death, or both. This idea often coincides with the theme of isolation, as isolation is often a strong factor in the cause of the female character’s often untimely demise. Isolation in the ghost story genre is common as the mental isolation or physical isolation is from society and impacts emotional connection to others. The isolation mentally, physically and in some case both, causes the female character’s ultimate destruction in the end. Isolation is
As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...
An inner courtyard becomes a large stage that serves the director to show a portrait of human relationships. Angles and perspectives put the audience in a place where it is not normally found. Hitchcock with his camera can get in someone's personal life and invade their privacy. With Rear Window it makes the public more aware of itself as an observer. This displaces and transforms the public into a player into the action since across his look, the observer assumes the responsibility of the characters and believes an experience different from any other film of their
There is no hiding the provocative use of isolation in the novel Of Mice and Men by John Steinbeck. Isolationism can be defined as a policy of remaining apart from the affairs or interests of other groups. Steinbeck uses people of different race, sex, and mental capabilities to uncover the isolation and alienation society throws down upon people who are different. Lennie, a main character in the novel, is mentally handicapped and must obey George in order to make a living. Lenny is a large man and an excellent worker, but due to his mental deficiency, he is isolated from the rest of the workers on the ranch. The incorporation of isolation and alienation in the book Of Mice and Men by John Steinbeck is brilliantly used to open the eyes of the reader about the apathy shown towards people who are not lucky enough to be considered “normal” by society’s standards.
Margaret Laurence 's novel A Bird in the House is a collection of independent and intertwined short stories written from Vanessa MacLeod 's point of view. As an adult looking back on her childhood, the protagonist examines how she, and essentially everyone in her life, experiences a sense of entrapment and a need to escape. Because the author begins and concludes the novel with the Brick House, the major theme of escape is shown to have developed in Vanessa as she matures through childhood and adolescence and becomes an adult.
Stam, Robert & Pearson, Robertson., ‘Hitchcock’s Rear Window: Refluxivity and the Critique of Voyeurism’ in Deutelbaum, Marshall & Poague, Leland A. ed., A Hitchcock Reader (John Wiley & Sons: 2009).
The director Roman Polanski likes to make a lot of scenes in his movies through doorways and windows, and the reason of that is simply because in that way, he creates a bigger sympathy with the audience, they get to see the films from the main characters o...
Elements of mise-en-scene in Wendy and Lucy help to convey aspects of the story that are never explicitly expressed in the narrative of the film. Wendy and Lucy does not present a large amount of background story information, for instance, the scene where Wendy calls her brother may cause some viewers to wonder about their strained relationship and his role in Wendy’s current financial situation. Moreover, Wendy’s financial situation is never truly discussed in the film, only implied, yet the viewer is still aware of it. Facets of mise-en-scene helps to convey the information that fills the gaps left in the story. Kolker defines the concept of mise-en-scene as a way to “explain how images, through composition, camera movement, lighting, focus and colour, generate narrative event and guide our perception through a film” (Kolker 1998, p.17). An essential element of mise-en-scene is setting and sets. Wendy and Lucy is presented in an entirely naturalistic setting. The small town Wendy is passing through gives the fi...
This left Hitchcock films as some of her mother’s favorites. Pemberton, went to a Hitchcock festival as an adult, this time watching Rear Window, which she had not seen since she was a child with an objective examination, she found a scene that would shift both her and her mother’s perspective of this movie. As Jimmy Stewart’s character, Jefferies, realizes he is in danger, telephones his friend Wendell Corey, who was not at home, but he spoke with the baby-sitter who did not appear on screen, but was portrayed in a voice that would convey imagery of a “familiar black image.” Asking the inspiration for this essay “Do he have your number, Mr.
Though unbeknownst to many, the experience of being an outsider is a sensation that everyone can go through. In the world, it is entirely possible for a person to be judged on physical appearance, opinions, and status among other things. It is simply how humans have adapted; they experience society by forming social groups that they are comfortable in. Generally, this group is seen to those involved with it as the “inside group”, and those not directly related to it are seen as “outsiders.” Even in literature, it is clear that the feeling of being one of these outsiders is universal. Julius Caesar by William Shakespeare, Fences by Pat Mora, and The Doll’s House by Katherine Mansfield all properly display how anyone can be an outsider.
...m plays a considerable role in this film. Jeffries, the films protagonist is bound to his apartment, so for entertainment he watches people through his window without them knowing. From the very beginning these characters seem to so interesting, so no wonder Jeffries decides to watch them. While watching the film, we become witnesses of their private lives, making us voyeurists too. In this film windows are not used in a traditional sense, they expose people, they symbolize confinement, and they allude to suspenseful plot devices. Hitchcock’s aesthetic configuration of the film manipulates the audience into questioning several aspects of the film and in life in general. Hitchcock’s originality in Rear Window was not only successful during the golden age of Hollywood, but it continues to be creatively adapted and consistently influential in today’s cinema as well.
Explore the presentation of loneliness and isolation in “The Great Gatsby”. In the course of your writing, make connections to “The Perks of Being a Wallflower”.
"…Races condemned to 100 years of solitude did not have a second opportunity on earth." These powerful last words of the novel One Hundred Years of Solitude ring true. The book demonstrates through many examples that human beings cannot exist in isolation. People must be interdependent in order for the race to survive.