Each of the two characters exit the works under different circumstances and it is this dissimilarity that causes the effects of the departures to be different. In the novel, Like Water for Chocolate, Gertrudis leaves the house under very silent manner. She does not discuss the fact that she is about to elope with anyone in the work. One of Gertrudis’ main intentions of leaving is to take up the role of a man. She wants to take up this role of a man as it the only role in which she will have authority and power in the Mexican society. She joins the revolutionary forces and hence she is likened to a man and given the authority and power she desires. She is so overcome by this desire that “she ran out of the little enclosure just as she was, completely naked.” (Esquival 51) Esquival uses magical realism to explain in great detail the scene of Gertrudis’ exit, she uses very vivid imagery to describe the scene. One of the main differences between the exit of Gertrudis and Nora, in A Doll’s House, is the fact that Gertrudis has a very silent exit and she talks to no one about it. However, in A Doll’s Hous...
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...t ditch effort, but the unwavering character Nora has evolved over the course of the play into a such strong character that not even the tears of her husband can prevent her from embarking on the journey of self-discovery.
The exodus of women from their houses has a profound impact on both other characters and the plot of the texts. Although the effect of this egression is not the same in both A Doll’s House and Like Water for Chocolate the techniques used to describe them are somewhat similar. This difference in opinion between Laura Esquival and Henrik Ibsen can easily be explained by the different eras and social backgrounds they lived in. But despite their differences both Ibsen and Esquival wish to deliver one fundamental message in their avant-garde pieces of world literature – that of the importance of women in not only a house but also society as a whole.
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