Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Experience in foster care
Jewish people treated differently during the Holocaust
Non jewish victims during the holocaust
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Experience in foster care
Drawing Against Oblivion: Exhibition Reflection and Application to American Foster Care On September 26, our class had the opportunity to visit the Stockton Art Gallery to observe Manfred Bockelmann’s exhibit, Drawing Against Oblivion. This exhibit is composed of charcoal drawings depicting some of the youngest Jewish and non-Jewish victims of the Holocaust. These unsettling black and white portraits, ultimately serve a goal of remembering the lives that were lost and acknowledging the lack of basic humanity and dignity these children were denied of. This paper strives to analyze Bockelmann’s stylistic choices and how they affect viewers, and connect Holocaust victim, Sidonia Adlersburg (a foster child), to current foster care issues in America. …show more content…
Bocklemann chooses to present both Jewish and non-Jewish victims. This choice ultimately exposes viewers to how widespread the murders during the Holocaust were. Incorporating victims from various backgrounds demonstrates how the genocide of that time truly affected almost everyone. Consequently, the pain of those victims and their families becomes universal and graspable to viewers. Bockelmann expanded his approach of variation with the sources his drawings originated from. Bockelmann uses two different types of photographs to base his illustrations off of: those taken during intakes at the concentration camps and those recovered from family homes of the victims. While some of these victims are shown staring blankly in striped prison uniforms, others are portrayed in family photos unaware of their impending doom. This contrast emphasizes the differences in the demeanors of the children and the emotional, physical, and psychological journey they have been forced to …show more content…
Drawing Against Oblivion, serves as insight to the various people and issues the Holocaust affected. The manner in which Bockelmann presents these young victims ultimately serves his purpose of portraying the Holocaust as a universal issue and demonstrating the hardships these children endured. The various types of people Bockelmann included served as a way to make the victims more tangible to spectators of different backgrounds. This is what allowed the clear connection between foster care in Austria and foster care in America to be
A Lucky Child by Thomas Buergenthal is a memoir about his time as a Jewish child in multiple ghettos and death camps in and around Germany during World War II. The author shares about his reunions with family and acquaintances from the war in the years between then and now. Buergenthal wished to share his Holocaust story for a number of reasons: to prevent himself from just being another number, to contribute to history, to show the power and necessity of forgiveness, the will to not give up, and to question how people change in war allowing them to do unspeakable things. The memoir is not a cry for private attention, but a call to break the cycle of hatred and violence to end mass crimes.
"Nominated for a 1998 National Book Award for Young People's Literature, No Pretty Pictures: A Child of War is Anita Lobel's gripping memoir of surviving the Holocaust. A Caldecott-winning illustrator of such delightful picture books as On Market Street, it is difficult to believe Lobel endured the horrific childhood she did. From age 5 to age 10, Lobel spent what are supposed to be carefree years hiding from the Nazis, protecting her younger brother, being captured and marched from camp to camp, and surviving completely dehumanizing conditions. A terrifying story by any measure, Lobel's memoir is all the more haunting as told from the first-person, child's-eye view. Her girlhood voice tells it like it is, without irony or even complete understanding, but with matter-of-fact honesty and astonishing attention to detail. She carves vivid, enduring images into readers' minds. On hiding in the attic of the ghetto: "We were always told to be very quiet. The whispers of the trapped grown-ups sounded like the noise of insects rubbing their legs together." On being discovered while hiding in a convent: "They lined us up facing the wall. I looked at the dark red bricks in front of me and waited for the shots. When the shouting continued and the shots didn't come, I noticed my breath hanging in thin puffs in the air." On trying not to draw the attention of the Nazis: "I wanted to shrink away. To fold into a small invisible thing that had no detectable smell. No breath. No flesh. No sound."
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
World War I and II brought the worst of times for some people; loved ones were lost, families were separated, homes were destroyed, and innocent lives were taken during this time. There are many ways to deal with these hardships; Jewish poet, Avrom Sutzkever, used his hard times as inspiration for his writing and as a way to deal with the war and survive it (INSERT CITATION). This part of history also resulted in other great works of art as a way to deal with what the war brought, during and after the war was over. Avrom Sutzkever wrote his poem “Frozen Jews,” using such dark and depressing imagery, connotation, and diction because of his historical and biographical background.
Olere’s depiction of inmate-officer relationship dynamics provides a common enemy for all the inmates to focus upon: Instead of tearing each other apart for a piece of bread, they should instead stand united against this evil for their collective survival. Beyond enhancing the mood of the painting, the horrific, dark atmosphere of the painting also reveals the relationship between the Jewish people and the world at large: A mixture of ignorance and confusion, with the rest of the warring world unable to look into the suffering of the Jews (and vice versa). Wiesel’s comparison of his ordeal to the darkness of night also suggests this ignorance: All time itself would seem to slow in the face of isolation, the “hermetically sealed cattle car” becoming the world that he (and the rest of the inmates of the concentration camp) will know. Overall, Their Last Steps by David Olere encourages a sense of unity within the Jewish people, highlighting the cruelty of their true enemy, the guards, and creates a very real separation between the reality of the camps and the rest of the
A story of a young boy and his father as they are stolen from their home in Transylvania and taken through the most brutal event in human history describes the setting. This boy not only survived the tragedy, but went on to produce literature, in order to better educate society on the truth of the Holocaust. In Night, the author, Elie Wiesel, uses imagery, diction, and foreshadowing to describe and define the inhumanity he experienced during the Holocaust.
By means of comic illustration and parody, Art Spiegelman wrote a graphic novel about the lives of his parents, Vladek and Anja, before and during the Holocaust. Spiegelman’s Maus Volumes I and II delves into the emotional struggle he faced as a result of his father’s failure to recover from the trauma he suffered during the Holocaust. In the novel, Vladek’s inability to cope with the horrors he faced while imprisoned, along with his wife’s tragic death, causes him to become emotionally detached from his son, Art. Consequently, Vladek hinders Art’s emotional growth. However, Art overcomes the emotional trauma his father instilled in him through his writing.
This film portrays one of humanity’s greatest modern tragedies, through heartache and transgression, reflecting various themes throughout the movie. Beyond the minor themes some seem to argue as more important in the film, the theme of friendship and love is widely signified and found to be fundamental in understanding the true meaning behind The Boy in the Striped Pajamas. Director Mark Herman presents a narrative film that attests to the brutal, thought-provoking Nazi regime, in war-torn Europe. It is obvious that with Herman’s relatively clean representation of this era, he felt it was most important to resonate with the audience in a profound and philosophical manner rather than in a ruthlessly infuriating way. Despite scenes that are more graphic than others, the film's objective was not to recap on the awful brutality that took place in camps such as the one in the movie.
Using lines and basic shapes to emphasize shading and detail and then teamed with such a complex theme, Art’s story and graphics join together in a complimentary marriage. With the nearly childlike drawings and the intense mature storyline, there is a message that this is being written by the child telling the story of the parent. The story emphasizes his father’s inability to grow and repair from his past but even without the words you can almost see that Art has never truly be able to move past his the trauma of growing up with his parents. Using his frustrations and the need to explore the history of his father’s idiosyncrasies, Art creates a poignant story not only about the tragedy of the holocaust, but of the realities of being a child growing up with survivor parents.
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
"A Teacher's Guide to the Holocaust-Victims." A Teacher's Guide to the Holocaust-Victims. University of South Florida. Web. 19 May 2014.
Childhood is a powerful and important time for all humans. As a child, the things one sees and hears influences the choices and decisions they make in the future. “How a child develops during early and middle childhood years affects future cognitive, social, emotional, language, and physical development, which in turn influences their trust and confidence for later success in life” (Early and Middle Childhood). Yehuda Nir’s, The Lost Childhood is a first person memoir based on the life of a youthful Jewish child who survived the Holocaust. Taking place from pre-World War II 1939, to post-World War II 1945, this memoir highlights the despicable things done during one of the darkest times in modern history. Prior to being published in October
Post-mortem photography was, and still is, seen as a psychologically unhealthy practice, even when such photographs are historical documentations. Photographs taken during the liberation of concentration camps in the 1940's happen to be some of the most controversial, yet they are crucial to remembering the great tradgedy. Some opponents against post-mortem photography believe that atrocity photographs taken from the Holocaust should be hidden from view as they do nothing to honor the memory of the victims. The photographs by these opponents are seen only as morbid, without any historical value. But despite post-mortem photography's unpopularity in the 20th century—and still today—it was an essential tool in the documentation of the Holocaust and its victims. Therefore, post-mortem photography is not only vital to remembering and educating about the disaster, but also to remembering the individuals which memorial photography attempts to preserve.
The Boy in the Striped Pyjamas, by John Boyne, significantly distorts the truth of the Holocaust in order to evoke the empathy of the audience. This response is accomplished by the author through hyperbolizing the innocence of the nine-year old protagonist, Bruno. Through the use of dramatic irony, Boyne is able to both engage and involve the audience in the events of the novel. Although it is highly improbable that a son of a German high-ranking Schutzstaffel (SS) officer would not know what a Jew is and would be unable to pronounce both Fuhrer and Auschwitz, (which he instead mispronounces as ‘Fury’ and ‘Out-with’ respectively, both of which are intentional emotive puns placed by the author to emphasize the atrocity of the events), the attribution of such information demonstrates the exaggerated innocence of Bruno and allows the audience to know and understand more than him. This permits the readers to perceive a sense of involvement, thus, allowing the audience to be subjected towards feeling more dynamic and vigorous evocation of emotions and empathy towards the characters. Fu...
Imagine waking up on a normal day, in your normal house, in your normal room. Imagine if you knew that that day, you would be taken away from your normal life, and forced to a life of death, sickness, and violence. Imagine seeing your parents taken away from you. Imagine watching your family walk into their certain death. Imagine being a survivor. Just think of the nightmares that linger in your mind. You are stuck with emotional pain gnawing at your sanity. These scenerios are just some of the horrific things that went on between 1933-1945, the time of the Holocaust. This tragic and terrifying event has been written about many times. However, this is about one particularly fascinating story called The Boy in the Striped Pajamas by John Boyne.