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Theme of death in thomas gray elegy written in a country churchyard
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Analysis of "Do not go gentle into that goodnight" by Dylan Thomas
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Since the beginning of the world, every human being has questioned his or her place in the world and what he or she can be able to achieve. “Do Not Go Gentle into That Good Night” by Dylan Thomas and “Elegy Written in a Country Churchyard” by Thomas Gray are two poems that transmit the same message. The two poems convey the importance of life’s meaning and transience; however, the methods the authors use to convey this are distinctive.
The poem “Do Not Go Gentle into That Good Night” describes how one should fight death till the very end and live fully as long as one is alive. In the first stanza one can see that death is something that even the elderly should not take slightly. “Old age should burn and rave at close of day; Rage, rage against
Gray explains how after a man is dead his memory dies with him. “For them no more the blazing hearth shall burn, / Or busy housewife ply her evening care; / No children run to lisp their sire’s return, / Or climb his knees the envied kiss to share” (Gray 21-24). Gray is trying to say that these poor men in the graveyard are not going to enjoy the simple pleasures that they had when they were alive and that their families have moved on and forgotten them as the years have passed. No one expresses the importance that a person had or still has in his or her life after that person is dead and Gray expresses this as a rhetorical question. “For who to dumb forgetfulness a prey, / This pleasing anxious being e’er resigned, / Left the warm precincts of the cheerful day, / Nor cast one longing ling’ring look behind (Gray 85-88). What this is saying is that no one is going to look back or spent his or her time remembering and keeping alive the memory of those who are now resting in the graveyard. “They are largely forgotten, the speaker argues, but they should not be- for everyone deserves to be remembered and mourned by someone” (Elegy written in a Country
There is probably no one, among people, who has not considered death as a subject to think about or the events, people, and spirits that they would face after death. Also, since we were little kids, we were asking our parents what death is and what is going to happen after we die. People have always linked death with fear, darkness, depression, and other negative feelings, but not with Emily Dickinson, a reclusive poet from Massachusetts who was obsessed with death and dying in her tons of writings. She writes “Because I could not stop for Death” and in this particular poem she delivers a really different idea of death and the life after death. In the purpose of doing that, the speaker encounters death, which was personalized to be in the form of a gentleman suitor who comes to pick her up with his horse-drawn carriage for a unique death date that will last forever.
The first stanza of “Two Thoughts of Death” by Countee Cullen is pretty straight forward. The narrator explains that when he’s dead, he would not have much of a concern who takes care of his body or who cries for him, after he’s gone. The first impression that the narrator portraits to the reader is of not having compassion for the living or glad for leaving. The first stanza clearly portraits that the topic is death.
An unknown author once wrote “Never take life too seriously; after all, no one gets out of it alive”. When reading this quote, there can almost be an immediate connection between two very good works of writing: Macbeth’s “Tomorrow and Tomorrow and Tomorrow” speech from Shakespeare’s tragedy, Macbeth, and the poem “Out, Out --” by Robert Frost. Both allude to the idea that a single life, in its totality, denotes nothing, and eventually, everyone’s candle of life is blown out. However, each poet approaches this idea from opposite perspectives. Frost writes of a young, innocent boy whose life ends suddenly and unexpectedly. His poem is dry and lacks emotion from anyone except the young boy. Whereas the demise of Shakespeare’s character, Macbeth, an evil man, has been anticipated throughout the entire play. Through these writings, we are able gather a little more insight as to how these poets perhaps felt about dying and life itself.
In the poem "Do Not Go Gentle into That Good Night," written by Dylan Thomas, emphasizes resistance towards death as he repeats this exhortation in the last line in every stanza. Imagery is used by Thomas to create the theme of his poem and what it means. Although readers are unaware of the details behind the on coming death of Thomas father, the motives of the author for writing this poem are very obvious. Thomas intends to pursuit his father to resist against death and for him to fight for life. Through "Do Not Go Gentle into That Good Night," Thomas conveys resistance towards death with images of fury and fighting to symbolize the great anger and rage Thomas feels towards the thought of loosing his dying father, though upon first reading then seem banal.
A person should live life without fearing death and think of death as a pleasant rest. In the poem Bryant says, "When thoughts/Of the last bitter hour come like a blight/Over thy spirit,"(8-15). This quote implies when a person fears death he should listen to nature. He also states, "So live, that when the thy summons come to join/The innumerable caravans, …Thou go not, like a quarry-slave at night, /Scourged to his dungeon."(73-78). He explains here that a person should live life without fearing death. In the following lines the poet states, "approach thy grave, /Like one who wraps the drapery of his couch/About him, and lies down to pleasant dreams."(79-81). By this quote the author is saying a person should think of death as a plea...
"'Carpe Diem'('seize the day') is a Latin phrase which has come to denote an important literary motif especially common in lyric poetry: the encouragement to make the most of present life while it lasts, or to 'live for the moment," (The UVic Writer's Guide). Both Robert Frost's "Stopping by Woods on a Snowy Evening" and Dylan Thomas's "Do Not Go Gentle" explore the idea that people should attempt to live life to its fullest. Thomas's poem, written to his father, employs a very emotional, pleading style that deeply appeals to the audience, while Frost's poem, a series of thoughts about his own eventual death, exhibits a more pensive, practical, subtle style that craftily forces the audience to think of their own eventual demise. The themes of the two poems are similar in that both explain that death is impending, that people should not take for granted the time they have left on earth, and that people need courage to face death and to realize when death can wait. Thomas, however, strongly believes that people should take an active role in what happens to them during their lives as evident in his fervent, cogent tone, while Frost believes that each person has an appropriate time to die, and that people should try to accomplish their obligations before they let themselves give in to death's temptation.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
Grey, Thomas. “Elegy Written in a Church Courtyard.” The Norton Anthology Of Poetry. shorter fifth edition. Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. New York, New York: W W Norton , 2005. 410-413. Print.
Dickinson’s “How many times these low feet staggered-” and “The Bustle in a House” both have the theme of death in common. However, each poem addresses a different perspective of death; one focuses on the deceased while the other focuses on those the dead leave behind. Each deals with death as a means to an end. In the case of the first poem, death is a way to escape life. In the case of the second, death is a force acting against the relationship of the speaker and the deceased.
Predominantly the poem offers a sense of comfort and wisdom, against the fear and pain associated with death. Bryant shows readers not to agonize over dying, in fact, he writes, "When thoughts of the last bitter hour come like a blight over thy spirit, and sad images of the stern agony, and shroud, and pall, and breathless darkness, and the narrow house, make thee to shudder, and grow sick at heart -- go forth under the open sky, and list to Nature 's teachings." With this it eludes each person face their own death, without fright, to feel isolated and alone in death but to find peace in knowing that every person before had died and all those after will join in death (Krupat and Levine
Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings
Herrick’s examination of death and decay is without gore or sadness rather he uses positive and beautiful imagery of writing and sun and “raine” (63). The optimistic, excited tone of the poem keeps it from sounding like a lesson rather than a love charm. In lines 65-66, the speaker is romanticizing death by using the infinity of writing to preserve their love in “a fable, song” for everyone to experience (65-66). He wants his love to realize that even though they can be immortalized in words, before that time comes they need to “goe a Maying” to make their story more significant when they are older and when they are gone (70).
Elegy in a Country Courtyard, by Thomas Gray, can be looked at through two different methods. First the Dialogical Approach, which covers the ability of the language of the text to address someone without the consciousness that the exchange of language between the speaker and addressee occurs. (HCAL, 349) The second method is the Formalistic Approach, which allows the reader to look at a literary piece, and critique it according to its form, point of view, style, imagery, atmosphere, theme, and word choice. The formalistic views on form, allow us to look at the essential structure of the poem.
When this was written, most poets were transitioning into the Age of Science and Reason, therefore they were becoming more thoughts and ideas about logic and reason; the way things work. Gray shows this through the messages that he portrays in his “Elegy Written in a Churchyard” which are: death affects everyone despite their lifestyle, that those who are in the lower class have less opportunities than others, and the virtue and purity of those who work and live as farmers.
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.