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Music in popular culture
Music in popular culture
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Photographer Elliot Erwitt once stated, “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.” This quote has deeply guided me in my analysis of what I call a cycle of art creation. When one pays close attention to the artwork of a particular artist, one is able to distinguish certain details that prove it is the artist's work. To me, it is significant to be able to establish an artist as their own rather than just another person following the trend. Each artist, whether they notice it or not, has a series of repercussions in their art; there are details that continue to reappear in their work that makes it their own signature style. When creating art, everything is drawn from this sea of experience that the artist may not realize that they are continually using, making it this cycle of art creation. It is about the minute details one can establish that truly makes it a work of art. By exploring the video works of director and filmmaker Todd Cole, I was able to analyze characteristics which establish his signature style. He has a particular rhythm just like music, dance, and movement have a particular rhythm. In his fashion film "Honor," the model is present in a landscape creating a perfect mood. It is about noticing that one, little movement that the she does, holding that one beat, causing tension, and from here, the film seems completely and naturally orchestrated. I have always been fascinated by the simple beauty that surrounds us. As I grew, I learned that art was not only beautiful, but was an influential way to show others the beauty that I saw in the world. Since... ... middle of paper ... ...W." . http://www.grandlifehotels.com/culture/photography-todd-cole-exclusive-interview/ (accessed May 14, 2014).3 "HONOR - Todd Cole Photography." HONOR - Todd Cole Photography. http://toddcolephoto.com/honor-fw11 (accessed May 15, 2014).4 "RODARTE The Curve of Forgotten Things." "The Curve of Forgotten Things". http://toddcolephoto.com/rodarte-the-curve-of-forgotten-things (accessed May 15, 2014).5 Parrott, Skye. "Dossier Journal » In Conversation with Todd Cole." Dossier Journal » In Conversation with Todd Cole. http://dossierjournal.com/blog/photography/in-conversation-with-todd-cole/ (accessed May 10, 2014).6 "Rassa Montaser." Todd Cole. http://www.rassamontaser.com/artist/todd-cole (accessed May 12, 2014).7 "The dA-Zed guide to fashion film." Dazed. http://www.dazeddigital.com/fashion/article/17977/1/the-da-zed-guide-to-fashion-film (accessed May 12, 2014).
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
Bell, Clive. The Aesthetic Hypothesis. Aesthetics. Edited by Susan Feagin and Patrick Maynard. New York: Oxford University Press, 2010.
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
“The aim of art is to represent not the outward appearance of things, but their inward significance,” –Aristotle
Rabiger, Michael, Mick Hurbis-Cherrier, and Gustavo Mercado. Directing Film Techniques and Aesthetics. Burlington (MA): Focal, 2013. Print.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 5th ed. New York: The McGraw-Hill Companies, 1997.
While attending Hailsham the students try vigorously to strive for their best art in order to have their artwork selected for “the gallery,” which is a wide-ranging collection of their best works that is shown to the outside world. In response this changes the students view of their o...
Art matters. It plays an important role in the lives of many, and exists for a reason. Some believe art to exist for the sole purpose of appealing to the eyes of society. However, while it is true that art is often intended to appeal to people in visual, auditory, or literary ways, a deeper meaning lies beneath the paint strokes, music notes, and words. Art is not only appealing in those ways; it is also beneficial. Because it fosters innovation, allows for expression that builds cultures and foundations, and is academically important, it is essential to society and humanity as a whole.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 5th ed. New York: McGraw-Hill, 1997.
Bordwell, David, and Kristen Thompson. Film Art an Introduction. 6th ed. New York: McGraw-Hill Companies, Inc., 2001.
Aesthetics is the theoretical study of the arts and related types of behavior and experience. It is traditionally regarded as a branch of philosophy, concerned with the understanding of beauty and its manifestations in art and nature. However, in the latter 20th century there developed a tendency to treat it as an independent science, concerned with investigating the phenomena of art and its place in human life. Yet, what in a field with a hazy line in between being classified as a science or study of beliefs is considered data for determining what can be studied? It can simply be drawn to the only three things involved in the process of art : The creator, the person experiencing, and the art itself.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.
All throughout time people have used their imaginative minds to express some form of art, whether it be painting, drawing, sculpture, and dance, theatre, music or technology, this has happened all around the world. Furthermore, I think that the youth of the world have the biggest imagination because everything to them is new and they can’t help but imagine “what if” or “how”. Therefor that’s the power of imagination, and preferably for me I use it for art. Art to me is almost like an escape from everything negative in my life. Many say that art is beauty, and we say beauty ...
Personally, my culture did not play a big role when I was in the midst