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Chapter 4 ancient chinese civilization
Chapter 4 ancient chinese civilization
Chapter 4 ancient chinese civilization
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In early China existed three very powerful dynasties, two being the Shang and the Zhou. Despite the Shang existing on the eastern coast of China and the Zhou existing inland, in 1050 BCE the Zhou lead a revolt that crowned Cheng king and led to the demise of the Shang dynasty. Both dynasties upheld a pseudo-feudal society with the king remaining in the capital and his male family members residing in smaller cities to enforce the king’s rule. The rule of the king was closely watched, as he was the person whose rule reflected his Mandate of Heaven. This idea of the importance of remaining in the favor of Heaven as well as the stress on the continuation of the human soul in the afterlife serve as two of the most important aspects in the Shang and Zhou societies. As a result of existing socially accepted principles, a large amount of bronze vessels arose in China, such as the jia vessel. The two jia vessels, one from the 13th century BCE Shang period and the other from the 10th century BCE Western Zhou period, have similar features that slightly differ in style due to evolving artistic taste, political philosophies, and social conventions of the time. The two jia vessels from the Shang and Zhou dynasties were both created through the bronze piece-mold casting method. The first step of this method is for the artisan to make a clay model, which, after it hardens, will be used to place another layer of clay on top of it in order for the design to be transferred. Once the mold is fired it is then carved down to the appropriate thickness and the bronze in poured in to cool. Finally, once the bronze has cooled, the mold is then broken with the bronze piece remaining. Before the mold is fired, however, the artisan has the opportunity to inc... ... middle of paper ... ...were buried with everyday objects and personal possessions to aid the deceased in their afterlife. A large amount of artifacts found buried in the tombs of these people were bronze vessels much like those of the Shang jia and the Zhou jia. The Shang jia of the 13th century BCE and the Western Zhou jia of the 10th century BCE are similar in their basic characteristics but differ in the artistic techniques used to make them as well as their decorations. The functionality of the two vessels can be attributed to the idea of a Mandate of Heaven, requiring a ruler to uphold special ceremonies in order to remain in control as well as the notion of the continuation of the earthly life into the afterlife. Furthermore, the comparison between the two jia vessels serve as a model for the ever-changing artistic style, political philosophies, social conventions of early China.
Each dynasty had plenty of unique aspects they created. Although many are more well-known than others, not all of them were considered the most effective or beneficial, so not all aspects were continuities. Although many of the changed systems worked at the time, they were not compatible at the time, hence why they had to be altered or defected from. Even though it may not be as apparent as the use of the continued aspects, the abandoned aspects had their uses too. Obviously, the continued features are important because they were used throughout later time periods of China, and some ideas even spread outside of the civilization. However, the less superficial and less easily-recognized importance of the changed features is that they teach why or why not something works. Failure teaches more than any success can, so that is why the trial-and-error of cast-aside ideas is so important. Between the dynasties of the Zhou, the Qin, and the Han, there have been many continuities and changes that have developed across the timeline of
The Shang Dynasty invented and, over the years, perfected the technique of casting a bronze vessel from a clay mold assembly, which this wine vessel has also been made from using those techniques (Cantor). This mold was formed around a model of the vessel and was then cut into sections that were carved or impressed in the desired design, in this case the braided or grid design, on the inner or outer surfaces. The decorated clay piece-mold was then fired and reassembled around a clay core. Small bronze spacers were used to hold the piece-mold and the clay core apart. Then, molten bronze was poured into the mold. Using this piece-mold casting technique helped the bronze worker to achieve greater sharpness and definition in any intricate design
The site of Emperor Haung’s tomb is located in Lintong, Shaanxi province, near the city of Xi’an in China (Kesner 1995). After its completion in 210 BCE, it was covered by earth mined from an area near the Wei River, sealing it away from the outside world for over two thousand years (Swart 1984). While ancient historians wrote of the unbelievable tomb, hidden under a massive pile of earth, many modern historians simply did not believe it to be true. However, between 1932 and 1970, five figures of kneeling servants were found near where the tomb mound was thought to be (Swart 1984). The mausoleum itself was eventually unearthed in 1974 by farmers who were digging wells and accidentally broke into a vast pit containing life-sized statues of about 6,000 soldiers and horses. A group of Chinese archaeologists were assigned to excavate the site and dig up its ancient treasures. In 1976, two more underground pits were found with about 1,500 more soldiers and horses (Swart 1984). Other than the clay soldiers and horses, brass figures were discovered...
First, an aspect that remained constant throughout Zhou, Qin, and Han dynasties includes family systems. Respect towards elders and ancestors was demanded at all times. According to Confucius, “there are no wrongdoing parents,” meaning that no matter how abusive or irritating a parent may be, there is no circumstance in which respect can wane. In addition, there was a constant cycle of patriarchal hierarchy, passed through sons before daughters, and the eldest son having the chief privileges. Another aspect that remained constant throughout the pre-classical
The first segment, Winter, archives the earliest years of the Ming dynasty between 1368 and 1450. The social hierarchy of early Ming was based upon the ownership of land (Brook, p. 79). One way to describe the increasing power ...
Edward L. Dreyer. Zheng He: China and the Oceans in the Early Ming Dynasty, 1405-1433.
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurred in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment.
Bronzes are made by making two molds (one larger than the other), pouring melted bronze in...
According to Art in China by Craig Clunas, the Wei Dynasty, which started in 386 and ended in 535, was an era in which Buddhism was central to the culture of both the noble and common people. For much of the Wei dynasty the artists and sculptors were slaves to the state. Different styles of Buddhist art were popular during this period. At first, the artists copied some elements from Indian Buddhist sculpture, but then they developed their own style.
Chang, Kwang-chih 1968 The Archeology of Ancient China Yale University Press, New Haven & London
The Song Dynasty (960-1279) was a ruling dynasty in China. This dynasty is divided into two periods: Northern Song and Southern Song. Social life was vibrant in the Song dynasty. Literature and knowledge were enhanced by wood block printing and movable type printing. Confucianism infused with Buddhist ideals emphasized a new organization of classic texts brought out the core doctrine of Neo-Confucianism. The civil service examinations became more prominent in the Song period. Administrative sophistication and complex organization was during this era. Song Dynasty was prosperous in many respects of the society. Even though this dynasty was technologically and culturally advanced, Song people were not militarily powerful.
Ancient china was a dynasty, a dynasty is a family that rules a civilization for years. I am choosing to compare the shang and tang dynasties in the period of decline. First off the similarities, my first similarity is that both ignored the needs of the poor. you might be asking why is the poor so important? Well without the poor they would have a very bad economy and a bad economy causes chaos and eventually leads to a rebellion by the chinese citizens. Another similarity between the shang and the tang is that they both had a very bad economy is because of the poor not being taken care of because in china there were mostly poor and merchants so since the poor being most of the population they lost a lot of the people. Now the differences,
When comparing different societies in ancient history you may not think that Han China and Ancient Rome had a lot in common. These two great societies had many similarities and differences, especially in their social structures. These similarities and differences are all due to Han China’s and Ancient Rome’s governments, family structures and religions. Both of these wonderful empires lasted for approximately 400 years and had lasting effects on the lands they conquered.
The Tang and Song Dynasties are both pertinent to China’s development. During the Tang period, which is also considered the “Golden Age”, art and literature was embraced and thrived. During the Song Dynasties, many technical inventions allowed China to grow as a nation, and emerge as one of the greatest nations in the medieval world. Both dynasties played a key role in the history of China.
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.