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The difference between gothic and romanesque architecture
The difference between gothic and romanesque architecture
The difference between gothic and romanesque architecture
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It’s the tenth of June in the year 1194. In a few hours’ time, the people of Chartres, France will awaken to the sound of crackling flames and the smell of thick, black smoke. This is the night that much of Chartres will burn to the ground, but the devastation will also include the destruction of the Notre-Dame de Chartres church. While some parts of the church have survived even to the present day, much of the original structure was consumed or severely damaged (Harriss). In this paper, I will be showing the key differences between the Romanesque and Gothic styles respectively, and how the existing Romanesque churches were converted to the new style. Nearly 400 miles south of Chartres is the charming town of Toulouse, France. Now home to one of the most well-known of the Romanesque churches, Toulouse was once an important site for pilgrims traveling across Europe on a journey down to Old Saint Peter’s. During the Middle Ages into the Gothic period, the pilgrimage to Rome was less about the end result than it was about the journey there. Europe was littered with dozens of pilgrimage churches, each housing precious relics that had once belonged to Christ, the Blessed Virgin, and the saints. The difficult trek made it the ultimate way to atone for one’s sins, particularly if one was determined and visited all of the correct churches in Europe. And yet, the pilgrims were all united as they attended Mass at each church; no matter where they were on the continent, the Eucharisst was celebrated in Greek, and then in Latin towards the end of the period (Fischer). In the case of Toulouse, it was home to Saint-Sernin. Like most churches on the pilgrim’s path, it was massive, capable of holding a large number of pilgrims. It’s q... ... middle of paper ... ... be commended. It was time for a change, as the people of France raced to create the tallest cathedrals, renewing their interest in their faith. And that is one of the reasons why these churches needed to be recreated at these intervals. Renewing one’s faith in God is a precious thing indeed. Works Cited Bishop, Philip E. Adventures in the Human Spirit. Upper Saddle River: Pearson Education Inc., 2011. Print. Fischer, Julia C. "Chartres Cathedral." Fischer Art History. N.p., n.d. Web. 4 Dec. 2013. Harrisss, Joseph A. "Monument To The Age Of Faith." American Spectator 41.8 (2008): 68-70. Academic Search Premier. EBSCO. Web. 2 Dec. 2013. Macaulay, David. Cathedral: The Story of Its Construction. New York: Houghton Mifflin Company, 1973. Print. "Stained Glass of Chartres Cathedral." Chartres Cathedral. Chartrescathedral.net, n.d. Web. 08 Dec. 2013.
During the Romanesque era, pilgrims were the most noticeable characteristic of public religious devotion, proclaiming their faith in the power of saints (Gardner 335). Pilgrims traveled all over Europe to reach the major shrines located in Jerusalem. The large quantity of pilgrims whom wished to visit the saints effected the Romanesque churches architecturally (Gardner 335). Changes in design and structure we being made in order to accommodate the growing crowds of pilgrims. Changes such as longer and wider naves and aisles, transepts and ambulatories with additional chapels and even second-story galleries (Gardner 335). The increase of the pilgrimage routes which allowed more pilgrims to travel in order to visit their saints, established many changes in architectural styles as well as the dissemination of the faith in saints.
Rome and the Statue of Liberty in New York are all proof of the extraordinary celebrated artwork human kind has been able to do throughout several years. Now, I want to discuss another celebrated work of art that was quite popular in the medieval period, Gothic architecture. During the medieval period Gothic architecture was considered to be luxurious because of its exaggerated height given to buildings. Not only did it give height, it also had plenty of other characteristics like the pointed arch, the vaulted ceiling, and of course, plenty of windows where light could pass right through. For statesman historian, Abbot Suger, light was important. He believed light was a connection from heaven to Earth. The more light, the better. It was because of Abbot Suger that the admired Gothic style began along with more of his art program from about 1125-1144 (Inventing the Exegetical Stained-Glass Window: Suger, Hugh, and a New Elite Art, par 1). However, not everyone agreed with this extravagant style. When Gothic cathedrals began being built, French abbot, Bernard de Clairvaux made a judgment of his own. He explained that he did not see the need to be so extravagant when the money going to those glittering churches can go to a better use, the poor. I agree with Bernard; there is no need to be stylish when adorning cathedrals if there are better uses for that money.
Papanicolaou, Linda Morey. “Stained Glass from the Cathedral of Tours: The Impact of the Sainte-Chapelle in the 1240’s.” Metropolitan Museum Journal, Vol. 15, (1980): pp. 53-66.
... beauty and light in the building, they realized that the church must really hold the key to salvation, for they were able to construct a place so similar to the afterlife that many people longed for. It seemed almost as if Abbot Suger had visited heaven and created a physical representation in the Basilica of St. Denis.
Papanicolaou, Linda Morey. “Stained Glass from the Cathedral of Tours: The Impact of the Sainte-Chapelle in the 1240’s.” Metropolitan Museum Journal, Vol. 15, (1980): pp. 53-66. Print.
You may think today “Hey, I totally wonder sometimes what the Middle Ages Churches and Gothic Medieval Cathedrals where like. What were they important for? Were they Churches like the ones today? How long did it take to build? “ Well that may be SOME of the questions you may have but you may have more. In this essay you're about to find out why the Medieval Gothic Cathedrals were so important for, and how much rule and and wide range of power they had over the people in the Middle Ages, and last but NOT least, the creative sublime (I’ll delete this comment later on if you see this but “sublime” is my own words not internet word) of the Gothic style windows of the Cathedral. First, the one I like most, the Gothic stain glass windows of the Gothic Cathedral. Stained glass is argued to an opinion or belief, one of the most important aspects of Gothic cathedrals. As its popularity rose, mainly during the mid 12th century, the increased existence of stained glass presented large changes to the way the general residents were learning about the religion. The windows became illuminated optic (“Optic” is my own wording) talk of biblical stories, which may have had an even greater impact than the spoken word of the priest. In this research paper, I will be primarily focusing on the stained glass windows and architectural styles employed in five Gothic buildings in France, each having their own unique and worthy attention and characteristics to the development of stained glass windows. By looking at the architectural improvements shown in these structures built during the Gothic time frame, we are able to see the impact all over the place to itch for increase...
The Gothic style evolved from that of Romanesque, building on concepts and ideas that led to the creation of larger and grander structures. Today, mankind looks in awe at the structures that were built hundreds of years ago without the assistance of modern technology and equipment. These architectural styles are indisputably different, but equally profound. They made use of differing techniques to become tangible structures that can still be seen
Wilson, Christopher. "Thirteenth-Century Gothic." The Gothic Cathedral: the Architecture of the Great Church 1130-1530. Reprinted ed. London: Thames & Hudson, 2008. 91-120. Print.
Gecser, Otto, Jozef Lazlovsky, Balázs Nagy, Marcell Sebők, and Katalin Szende. Promoting the Saints: Cults and Their Contexts from Late Antiquity until the Early Modern Period. New York: Central European University Press, 2011.
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
Passus VIII of William Langland's Piers Plowman presents a search--which becomes a journey within the journey of the entire text. Here the narrator, Will, describes an inner pilgrimage--one that takes its shape in a religious context, but plays itself out through everyday life and the notion of self. The medieval traditional notion of pilgrimage involves the physical journey to a religious shrine as a means of obtaining, through journey and arrival, a revelation of religious and sacred integrity. The connotations of pilgrimage, however, stretch far beyond the actual physical act--a pilgrimage is "the physical symbol of [an] eternal goal" (Davidson and Dunn-Wood 13). The expanse of pilgrimage in medieval terms also envelops the understanding that "within or alongside this spiritual journey...was an intellectual journey as well, a quest against error and folly for truth and wisdom, which ultimately amounted to the knowledge of God" (Bowman 5). But pilgrimage goes even beyond that, in that it requires an absolute journey into the self with the goal of discovering that which gives the individual a context in which to exist.
The influence of Romanesque architecture towards Gothic is very prevalent when studying the two side-by-side. For example,
Jacobsen, Aaron H. Art and Architecture of the Middle Ages. Barbarian Art of Christian Europe, Romanesque Art, Gothic Art.
...e Dame and the Chartres were amazing and ornate in their design. Their tall designs drew peoples' eyes to the heavens. Their extensive use of stained-glass is still used as a design feature in churches today. To think about it, a lot of work, money, and time were put into these two structures for strictly spiritual reasons. They were mainly dedicated to the Virgin Mary and several sections of them were dedicated to various saints. This definitely showed their ample faith and commitment to God. These two buildings were and are very important in French Gothic style cathedrals. The Notre Dame was the first cathedral that was built perfectly to scale. These techniques were used in construction of later cathedrals. Finally, later constructed cathedrals of French Gothic style were modeled after these two magnificent pieces of art known as Notre Dame and Chartres.
There is no doubt that the fundamental idea of Church, faith, and prayer lived by the early Christian, needs to be rediscovered among many contemporary Christians. The conviction that the apostles had to preach the Gospel of Jesus certainly was aided by their idea of Church, faith, and prayer. In his book “Catholicism: A Journey to the Heat of the Faith”, Father Robert Barron tries to revive the idea of Catholicism that seems to weaken and lose its real sense. With my understanding of Church, faith, and prayer, I argue that because of the lack of understanding about Catholicism that exist today in our midst, many people fall short about what Catholicism really means. However, it is not my intention to answer this question.