Black Hawk Down A Story Of Modern War
Mark Bowden is a teacher, columnist for Atlantic Monthly, playwright, and a writer. His book Black Hawk Down A Story of Modern War a world wide bestseller that spent more than a year in the New York Times bestseller list and was a finalist for the National Book Award. Bowden also worked on the script for Black Hawk Down, a film version of the book, directed by Ridley Scott. Bowden is also the writer of the bestseller Killing Pablo The Hunt for the World's Greatest Outlaw in 2001, which tells the story of the hunt for Colombian drug lord billionaire Pablo Escobar. He is the author of Doctor Dealer published in 1987, Bringing the Heat made in1994, Our Finest Day made in 2002, and also Finders Keepers 2002. Bowden writes for to major American magazines often. He is also an add-on professor at Loyola College, where he teaches creative writing and journalism. He was born In St. Louis, Missouri, in 1951 and Bowden grew up in Maryland where he attended Loyola College and graduated with a B.A in English.
Sources (http://en.wikipedia.org/wiki/Mark_B...
Joseph Conrad's novel Heart of Darkness uses character development and character analysis to really tell the story of European colonization. Within Conrad's characters one can find both racist and colonialist views, and it is the opinion, and the interpretation of the reader which decides what Conrad is really trying to say in his work.
The Novum presented in Starship Troopers is the rule of the Veterans and the resulting primacy of the military. This Novum sets the novel up as a utopic pandering to a readership demographic that the author himself is a member of. This is a normative sci-fi construction. Starship Troopers deviates in that the true target readership is the young man who has not yet been given a chance to join up. He is meant to gain a favorable understanding of the military man by sharing in his dream. The dream then - the world created – is the persuasive device.
The plot of the movie “Blade Runner” becomes unrevealed till the end of the movie. Many assumptions about the plot and the final of the movie appear in the spectator’s mind, but not one of these assumptions lasts long. Numerous deceptions in the plot grip the interest of the audience and contribute for the continuing interest to the movie eighteen years after its creation. The main character in the movie is Deckard- the Blade Runner. He is called for a special mission after his retirement, to “air up” four replicants who have shown flaws and have killed people. There are many arguments and deceptions in the plot that reveal the possibility Deckard to be a replicant. Roy is the other leading character of the movie. He appears to be the leader of the replicants- the strongest and the smartest. Roy kills his creator Tyrell. The effect of his actions fulfils the expectation of the spectator for a ruthless machine.
The Patriot is a movie based on the American Revolutionary War (1775-1783), the war fought between Great Britain and the thirteen colonies of the North American continent. In this war on American soil the colonists fought for independence from Europe and King George III’s criticized rule. The Patriot takes on this topic through the character Benjamin Martin, played by actor Mel Gibson, who is based on the Revolutionary War militia leader Francis “The Swamp Fox” Marion. The movie also features a few battles actually fought in the war and weapons used in the war. Although the movie displays actual events, people, and objects that occurred and existed during the war, there are historical points changed to satisfy the audience of the theater.
"I don't give a fuck what you know or don't know, but I'm gonna torture you anyway, regardless. Not to get information. It's so amusing for me to torture a cop. All you can do is pray for a quick death, which you aint gonna get."
When questioning whether or not Joseph Conrad was an imperialist, a racist or both for that matter, the answer should be quite obvious after reading some of his works, such as, Heart of Darkness. Everywhere you look in this book, there is both imperialism and racism illustrated. Through Kurtz, Conrad's imperialist side breaks through and likewise, through Marlow Conrad's racist views come to life.
1. The protagonist of Heart of Darkness is a person named Charlie Marlow. Oddly, his name only appears once in the novel. Marlow is philosophical, independent-minded, and generally skeptical of those around him. He is also a master storyteller, eloquent and able to draw his listeners into his tale. Although Marlow shares many of his fellow Europeans’ prejudices, he has seen enough of the world and enough debased white men to make him skeptical of imperialism. An example of Marlow being independent-minded and philosophical is when he takes a trip up a river, as a break from working on ships. Marlow describes the trip as a journey back in time, to a “prehistoric earth.” This remark on how he regards colonized people as primitive, which is his philosophical viewpoint.
The Kite Runner focuses on the relationship between two Afghan boys Amir and Hassan. Amir is a Pashtun and Sunni Muslim, while Hassan is a Hazara and a Shi’a. Despite their ethnic and religious differences, Amir and Hassan grow to be friends, although Amir is troubled by Hassan, and his relationship with his companion, one year his junior, is complex. Amir and Hassan seem to have a "best friend" type relationship. The two boys, Hassan and Amir, are main characters in the book titled, The Kite Runner. The two boys have a relationship that is significantly different compared to most. There are many different facets that distinguish the relationship the boys possess. The boys do write their names in a pomegranate tree as the "sultans of Kabul" (Kite Runner 27) but, their friendship is not strong and it is one sided. Hassan has love for Amir. He loves him like a brother. Hassan is exceedingly loyal to Amir. The relationship between the two boys is emotionally wearing and rather gloomy for the most part. The main reason for their complicated relationship is the fact that Amir is Pashtun, and Hassan is Hazara. The Afghan society places Hassan lower than Amir. Hassan is Amir's servant. The placement of Hassan in the Afghan society disenables Amir from becoming Hassan's true friend. Amir sees Hassan as lower than human. Amir ruins the chance for friendship between himself and Hassan because he is jealous of Hassan, he thinks of Hassan as a lower human, and because Amir possesses such extreme guilt for what he has done to Hassan. Amir is an unforgivable person overall.
“Raging Bull” (1980) is not a so much a film about boxing but more of a story about a psychotically jealous, sexually insecure borderline homosexual, caged animal of a man, who encourages pain and suffering in his life as almost a form of reparation. Martin Scorsese’s masterpiece of a film drags you down into the seedy filth stenched world of former middleweight boxing champion Jake “The Bronx Bull” LaMotta. Masterfully he paints the picture of a beast whose sole drive is not boxing but an insatiable obsessive jealously over his wife and his fear of his own underling sexuality. The movie broke new ground with its brutal unadulterated no-holds-bard look at the vicious sport of boxing by bringing the camera into the ring, giving the viewer the most realistic, primal, and brutal boxing scenes ever filmed. With blood and sweat spraying, flashbulbs’ bursting at every blow Scorsese gives the common man an invitation into the square circle where only the hardest trained gladiators dare to venture.
When I was young the only time I willingly woke up early was on Sunday mornings. I would throw on a robe over my pajamas and run down stairs with my brother to the living room and sit myself in the middle of the couch, which was directly in front of our television. To me the best part of the week was watching the morning cartoons with the family while eating breakfast. We always enjoyed good laughs watching the Coyote try to catch the Roadrunner, and I was jealous of the special powers and military devices in cartoons like ‘X-Men’ and ‘GI.Joe’. The habitual watching of cartoons eventually transformed as I reached my teen years. Instead of cartoons I watched music videos and movies. All of my life I have been growing up with the television, watching and learning from the characters and images on the screen. I realize now that the media greatly effects our lives and the lives of today’s youth, often in ways that we do not realize. In Natural Born Killers, a film written and directed by Oliver Stone he portrays what he believes are the negative effects from the media on America’s youth.
The Kite Runner, by Khaled Hosseini, follows the maturation of Amir, a boy from Afghanistan, as he discovers what it means to stand up for what he believes in. His quest to redeem himself after betraying his friend and brother, Hassan, makes up the heart of the novel. For most of the book, Amir attempts to deal with his guilt by avoiding it and refusing to own up to his mistakes. Because of his past, Amir is incapable of moving forward. His entire life is shaped by his disloyalty to Hassan and his desire to please his father over helping his friends. Throughout the novel, his attempts to atone for his sins end in failure, as neither physical punishment nor rescuing Hassan’s son, Sohrab, from Assef prove to be enough for Amir to redeem himself. Only when he decides to take Sohrab to the United States and provide his nephew with a chance at happiness and prosperity that was denied to his half-brother does Amir take the necessary steps toward atonement and redemption. Khaled Hosseini uses a series of symbols to reinforce the message that atoning for one’s sins means making up for past mistakes, rather than simply relying on forgiveness from either the person one betrays or from a higher power.
Guilt can do many things to a person; harm them, make them become a better person, or a person simply does not feel remorse for what they have done. Many things can cause a person to feel guilt, they could’ve lied to someone, stole something committed a sin, and much more; everyone experiences guilt at some point of their life. In the novel, guilt is portrayed throughout the course of the main characters journey to redemption. “That was a long time ago, but it’s wrong what they say about the past, I’ve learned, and how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.” In The Kite Runner, a key theme that was present was that your past will always haunt you unless you redeem yourself- Amir will always remember about Hassan, the death of his father, and the extremity of his lies, but in the movie version, the element that was missing was the thoughts of Amir, to help the viewer get a better take on his pain and guilt; in present time many people go through life changing events that can torment them for the rest of their lives, some people manage to break free from the chains of guilt by redeeming themselves, and go on to live a happy life, like Amir.
Full Metal Jacket and Platoon are clearly two of the biggest movies ever made about the
Menace II Society, a film about a young Black man who has lived the “hustler” lifestyle and is struggling to leave it, is a perfect example of deviance as the main character, Caine Lawson, and the characters around him violate many of society’s norms. Throughout the film, the characters swear incessantly, carry around guns and drugs as most people would carry around cell phones, commit street crimes, especially burglary and mugging, on a regular basis, and beat and kill people unscrupulously. The following quote captures just how deviant Caine and the other characters in this film were, “[Caine] went into the store just to get a beer. Came out an accessory to murder and armed robbery. It's funny like that in the hood sometimes. You never knew what was gonna happen, or when” (Albert Hughes). Why would Caine consider these crimes “funny”, or rather, so insignificant? What caused Caine to become so deviant? The answers to such questions were woven into the plot of the film and will be discussed in the following paragraphs.
In the anime, Attack on Titan, the director is able to create and blend different master plots: vengeance by visual editing that places flashbacks at important moments inside the story and camera angles; hero’s quest by visual cuts and transitions from different character points of view; underdog by changing camera angles. Finally, but not least temptation through the use of sound editing with actions scenery and coloring. Narrative elements used by the director inside a film can change the master plot at any critical moment inside a story, elaborating a different story that can vary depending on our way of interpreting and analyzing the world around us. The director may have a general message that he wants to convey through narrative elements as it was previously stated, but we as the audience have the last word in what the film represents even though we obtain the main idea through the manipulation of the narrative elements used by the director.