Femininity And Motherhood In Kate Chopin's The Awakening

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Published in 1899, Kate Chopin’s novel, The Awakening, is centered around Edna Pontellier, a woman who undergoes an awakening which transforms her from a traditionally obedient, 19th century wife and mother into a sexually liberated and independent woman with unorthodox views on femininity and motherhood. In the novel, Edna falls in love with another man, Robert Lebrun, but has an affair with a different one, Alcée Arobin. In both instances she is defying the social norms of her period and casts aside her marriage with forty-year-old, wealthy New Orleans businessman, Léonce Pontellier. Towards the end of the novel, Edna Pontellier’s awakening and newly found independence leaves her in a state of overwhelming solitude. Reviewers of Chopin’s
In the opening of Chopin’s novel, “a green and red parrot, which hung in a cage outside the door kept repeating over and over: ‘Allez vous-en! Allez vous-en! Sapristi! That 's all right,” shrieking and swearing at Mr. Pontellier (Chopin 3). This caged bird personifies Edna’s entrapment in the role of a wife and a mother, forced to constantly think of others and is never expected to think for herself. Like the parrot, Edna is greatly limited by the rules of society and is confined to displaying the same behavior as those around her. Also, the parrot gives voice to Edna’s unspoken feelings and voices Edna’s desire for solitude. Hanging in a cage on the other side of the door from the parrot is a mockingbird, who portrays Madame Reisz. In the beginning of the novel, it is acknowledged that the mockingbird is the only one who is able to comprehend the parrot’s Spanish. The only character in the novel who truly understands Edna’s desire for independence is Madame Reisz. Despite being faced with her own limitations, Madame Reisz strays defiantly away from any conventions that may impede her pursuit of art. A imperative symbolic use of a bird is seen when Madame Reisz instructs Edna that she must have strong wings in order to subsist the predicaments she will face if she plans to pursue her love for Robert. She warns Eda by saying, “The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth” (Chopin 81). The bird that Madame Reisz is referring to in her warning, symbolizes Edna’s character. Edna, like other Victorian women, was expected to only use her wings to protect and shield, never to fly. If Edna dared to defy society, she needed a sufficient amount of courage to endure the cost of doing so. In the last scene of the novel,

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