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Moralism in the Victorian period
Victorian era moral values
Victorian sexual morality
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Recommended: Moralism in the Victorian period
Oftentimes in life, it seems easier to comply in nefarious acts than to uphold honorable standards. In “Au Lecteur” by Charles Baudelaire and The Picture of Dorian Gray by Oscar Wilde, the authors both convey their disappointment in humanity. By employing the themes of impulse, boredom, and hypocrisy during the Victorian era both Wilde and Baudelaire argue that a yearning desire for wickedness lies in all human beings and once evil becomes habit the only escape from consequence is death. Through the incorporation of symbolism, Baudelaire and Wilde both echo how sin innately drives human impulse. In “Au Lecteur” the author proclaims “There is one more ugly, more wicked, more filthy!... He would willingly make of the earth a shambles And, in …show more content…
During the Victorian Era, society was obsessed with appearing virtuous. The term “Victorian morality” describes the strict set of values from the era such as a low crime tolerance and sexual restraint. Everything revolved around outward appearance, thus creating a hypocritical society where sin was done behind closed doors. In The Picture of Dorian Gray, Basil Hallward states that “Every gentleman is interested in his good name,” (148). This assertion shows the obsession with the idea of becoming a mold of the perfect human being in order to appear worthy to others. Instead of stating “Every gentleman is interested in doing good” the emphasis on “name” shows that false representation is more important than reality. When Dorian Gray trades his soul for eternal youth and innocence, he is able to escape from punishment in regard to any sin he wishes to commit. For instance when Dorian murders Basil no one suspects him. Even when Dorian hypothetically asks Lord Henry if he thinks he killed Basil, Lord Henry does not even consider the possibility and laughs it off. Without the fear of society knowing the truth, appearing moral is no longer a concern of Dorian’s. In particular, when Dorian breaks Sibyl’s heart and she commits suicide, he feels no sense of responsibility because he knows no one will blame him. Wilde incorporates this element to stress the point that the only reason people choose to do righteous acts is because society is there to punish them and hold them accountable to their name. Therefore when humans have a free pass, iniquitous acts are done habitually. In “Au Lecteur”, Baudelaire accuses that human sorrow is artificial and that “repentances are vain.” Since the remorse is disloyal, the willpower to change is not sincerely there. Baudelaire goes on to address this human dishonesty with “You know him reader, that refined monster,— Hypocritish reader, — my fellow, —
Criticizing the cruelty of society, Baudelaire begins his book, Flowers of Evil, with a warning. To foreshadow the disturbing contents that his book focuses on, Baudelaire describes the unpleasant traits of men. Lured by the words of the Devil, people victimize others. Grotesque images of torture and swarming maggots exemplifies the horrors of our actions. Yes, our actions. Baudelaire puts shame to every human, including the reader, through the word “ours.” Humiliated, the reader dare not to allow himself to be guilty with the worst sin – boredom. Separated by dashes, the last sentence commands the reader to choose whether to fall to the worst or save himself a little bit of dignity. Accused and challenged, the reader is pressured to ponder
People in society live in a masquerade. Everyone wears a decoratively adorned mask that displays beauty, purity, and service. However, behind the mask lies on the inside of all society. One will stop at nothing in order to be well liked, thus becoming hypocrites. In Nathaniel Hawthorne’s novel, The House of the Seven Gables, the narrator uses intense diction, a vivid selection of detail, and a shocking tone to reveal that the character of Judge Pyncheon resembles perfection on the outside, yet “darker traits” sit latent on the inside.
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
This lachrymal image, so delicately wrought, is the key to interpreting the young Puritan 's failure to achieve moral and spiritual maturity. Brown cannot reconcile the conflict caused by his legalistic evaluation of others, nor can he transcend this moral dilemma by showing compassion and remorse. In final irony, Hawthorne tells us that the man who sheds no tears lives the rest of his life a "sad" man, whose "dying hour was gloom"
In this novel, Oscar Wilde displays Dorian’s moral corrosion negatively in order to convince his audience of the detrimental effects of aestheticism. As Dorian descends deeper into the depths of his depravity, the audience loses faith in him. His innocent, childlike and charitable qualities, seen in his philanthropy and petulance when he is first introduced, are lost, and he acts cruelly and selfishly. For example, when his lover, Sibyl Vane, performs on stage and fails to meet Dorian’s expectations, Wilde fashions Dorian’s reaction to be callous and bitter to her so that the reader sympathizes with Sibyl.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Innocence may be easily corrupted by a malignant outside influence. The novel The Picture of Dorian Gray shows that corruption and bad influence may be easy to pursue. Author Oscar Wilde attempts to highlight that corruption may not come in the form of materials, but also in the forms of friends, society, etc. Dorian’s youth is easily corrupted by the influence of not only Lord Henry but also by the society and the substances which he chooses to use and abuse now and then. The corruption takes a toll on Dorian’s behavior significantly, and the readers notice that it ultimately leads to his demise. In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources.
Beauty isn’t subjective. It’s one of the only things in the world that cannot be denied. Things are either beautiful or they are not. Art is beautiful. Art is not always meant to be interpreted, sometimes you just need to admire it for its beauty, not for what it means. Oscar Wilde, an Irish writer best known for his book The Picture of Dorian Gray and for writing plays like The Importance of Being Earnest, wrote this and almost based the book earlier mentioned on the whole ideal that beauty doesn’t have to mean more than just beauty. I feel like Oscar Wilde’s greatest strength is his play on words and often use of caricature that really livens up what he writes. He lived during the Victorian era, when art was meant to be used to teach and to influence the minds of society, so as he wrote the book The Picture of Dorian Gray, he strived to prove a great point and contradiction to the era he was living in, as well as the way he uses Dorian’s two best friends to show the hideousness of the bigotry he was living in, as he was arrested and imprisoned for being gay. Oscar Wilde’s use of irony, foil, and symbolism really portray his total disgust towards the age he was living in by rebelling and contradicting the use of art as a tool and the intolerance he was surrounded with during this Victorian age.
The Picture of Dorian Gray is an excellent novel that talks about morality and many intrapersonal situations. The events and the exposition begins while Basil Hollward paints an amazing picture of Dorian Gray. Later in the story, at the climax of the novel, Dorian Gray, the main protagonist of the story, kills Basil due to Gray’s uncontrollable anger. This is the climax of the novel because it shows how corrupt Dorian Gray has truly become and how he has changed from being a beautiful, kind, lovely man to an angry monster that nobody recognizes anymore. The events that lead up to the climax are as followed, Dorian leaving Sibyl just because he thinks she is not attractive anymore because she can not act, Dorian following the book of the frenchman
He becomes an echo of someone else’s music, an actor of a part that has not been written for him. The aim of life is self-development. ”(Wilde 13). The words of an honored role model can easily persuade even the purest of hearts into the darkness of crime and evil, such as Dorian Gray. At this moment, Gray falls victim to the flourishing words of Lord Henry, who manipulates Gray from a timid and shining boy to nothing but a shallow man who commits capital crimes to conceal his secret.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In Oscar Wilde’s The Picture of Dorian Gray, Dorian Gray reads a yellow book given to him by mentor-friend, Sir Henry Wotton. In the years after reading the book, Dorian Gray transforms from the pure and innocent young man he was into a two-faced immoral man. The reason behind the Dorian's degradation is never explicitly mentioned in Wilde's novel, which begs the question of whether literature has the ability to degrade a person. The influence of literature has the potential to corrupt one’s mind, but whether it does is dependant on the state of the reader.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).
"It was his beauty that had ruined him, his beauty and the youth that he had prayed for" (Wilde 242). In contrast with his preface which stated, “there is no such thing as a moral or immoral book” (vii), this novel did have moral, least in our view of world morals. The moral of it being that it is our faith, our hope to make the future a better place and our regard for human life is what supports us from become like the wicked, loathsome monster that Dorian became. The Picture of Dorian Gray is a modern novel which tells tale of the fight between one’s moral consciences and one’s immoral temptation and the agonizing outcome if one gives too much into temptation. As Wilde questions, “to what extent are we shaped by our actions” (26). Though Wilde is a firm believer of aestheticism the story really drives home the idea that aestheticism is like sweets, all things in