The ancient Trojan War would be hard to visualize without horses and chariots. In fact, in the Iliad, the most extensive account of the war, the word “horses” appears nearly 300 times, and “chariot” is not far behind. Homer features these chariots in many scenes, both on and off the battlefield, and, in the process, makes several points about warrior code and other values in ancient Greece. The uses of chariots in the Iliad illustrate some of the epic’s views of skill, sportsmanship, and honor. The primary use of chariots in the story is in battle. They are used to transport soldiers (living or dead), and characters are frequently seen fighting as they ride. In a battle preparation scene, Nestor gives orders to the troops to let the charioteers lead the charge, and thrust spears at the first enemies within reach (Homer 4.322-332). The rest of book 4 heavily features chariot-mounted combat, as do the next few battle scenes. Amusingly, although many of the warriors are mounted, the Trojan archer Pandarus, who has eleven brand-new chariots in his stable, is fighting rather unsuccessfully on foot because he was afraid his horses would not have …show more content…
He wants this to be his son’s chance to showcase the skills he has been developing and practicing throughout his life, and to earn a prize to show for it. Prizes in these ancient races were often highly valuable; in the chariot race of the Iliad, they include “[a] woman whose work was immaculate,” a pregnant mare, gold bars, and “a two-handled bowl” (Homer 23.284-291). Other sports prizes in this time period might have included “up to 140 amphorae of olive oil,” shields, or money, and the athletes also enjoyed benefits such as free food and tax exemptions (Bennett 43). Just like the attitude towards expert charioteers in battle, this treatment exemplifies the high value placed on skill in the
The Trojan War and its characters are detailed in the writings of Homer, Vergil, Dante and many others. It is a fantastical tale of a decade-long siege of a powerful city by a massive pan-hellenic force. However, even though it has proved to be such a rich source of inspiration for writers, poets and artists throughout history, it is debated whether it actually took place. Heinrich Schliemann famously said “I have gazed on the face of Agamemnon.” on discovering tombs with the bodies of Mycenaean chieftains in Turkey. The German businessman-turned-archaeologist claimed to have discovered the city of Troy at the hill now called Hisarlik – about three miles from the Dardanelles. However, his claims are still disputed today. Before tackling the question of whether the Trojan War actually occurred, we must ask in what form. What exactly do we mean by “the Trojan War”? There is no definitive version of the events in the war, as our knowledge of it comes from a myriad different sources. Then we should consider Schliemann’s discoveries, and the other archaeological evidence for the Trojan War. Finally, after we have defined “Trojan War” in context of archaeology and historical fact, we must then draw conclusions about the extent to which archaeology proves its historical authenticity.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as a cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counterpart The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and—importantly—man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men.
As Homer’s The Iliad begins, Achilleus, a god-like mortal and the greatest among all warriors, comes into light as a lead character; one whom brings about the complex issues within the poem. The poem forms while illustrating different overlying ideals such as anger, honor, greed, destruction, forgiveness, and others. Characters come and go, displaying the ideals and warlike lifestyle housed by the warrior-like men of ancient Greece throughout the text; however, Achilleus’ character develops portraying new and different values and beliefs of a soldier of his stature.
Homer’s Iliad has been a European myth for many millennia , the long poetic narrative written in the 8th century B.C. recounts a fearsome war fought over a beautiful woman. The reliability of Homers Iliad as a true historical document has been challenged for hundreds of years and only through archaeological studies can the truth be deciphered. The Iliad was written five centuries after the war, where the stories had been passed down through the oral tradition, therefore the type of society reflected within the poems resemble much more the time of Homer . The fact and fiction of the Iliad has been uncovered through archaeology. Archaeologist found a site in which they thought to have been ‘Troy’ destroyed by the powerful country of Mycenae in the late Bronze Age. They found large amount of material culture from where they could reconstruct the society, this included pottery, engravings, murals and clay tablets. A reason for the Trojan War has always inspired great controversy. The Trojan War according to Homer was fought over the abduction of a beautiful women but this theory appears improbable. Other causes which could have sparked a war is Troy’s geographical positioning. This made it extremely opulent, where other countries of the Aegean would trade there goods and use its harbour. The Mycenaean’s being an extremely imperial, violent and militaristic country would have seen Troy as a great opportunity to gain territory and wealth, on this motive the war took place.
In the Iliad we saw women as items of exchange and as markers of status for the men who possessed them (Chryseis and
Throughout the Iliad the warriors' dream of peace is projected over and over again in elaborate similes developed against a background of violence and death. Homer is able to balance the celebration of war's tragic, heroic values with scenes of battle and those creative values of civilized life that war destroys. The shield of Achilles symbolically represents the two poles of human condition, war and peace, with their corresponding aspects of human nature, the destructive and creative, which are implicit in every situation and statement of the poem and are put before us in something approaching abstract form; its emblem is an image of human life as a whole.
...come of everything. They determine which warriors will succeed, and which will die and the fate of every single person. It is hugely important to praise and glorify the Gods, and if one does not do this or if one gives himself too much credit and glory, disaster will surely strike him. Achilles feels like his honor has been taken away from him, and wants the Greeks to learn their lesson and respect him. This war between the Trojans and the Greeks is not fought just over Paris taking Helen from her home but, the fact that the pride and honor that Menelaus feels has been taken away from him.
As the ancient civilizations of the west grew their empires, they encountered something so powerful, beastly, and strong that no man could hold down with his own two bare hands, nor could they be tamed. As centuries go on, men learned the ways of the horse and learned to ride upon their backs. They found them to be a key component in transportation, carrying goods, and warfare. As time went on, for every footprint of a human left behind in the wet mud, there was a hoof print not far from the footprint. Ancient Greeks believe that the horse was a gift from the gods, and they were greatly valued in their society. During that whole time men were only written about riding and taming these creatures, not women. Ancient Greece was a civilization where men did all the rough tasks while women stayed home caring for kids and cleaning. In that world characterized by male dominance, one woman stood out. Kyniska of Sparta was the most important visionary for woman’s’ rights because of her understanding of class structure through participating in the Olympic Games. She became the first woman ever to win the four-horse chariot race with her own bred and tamed horses.
This epic poem by the ancient Greek poet Homer, recounts some of the significant events of the final weeks of the Trojan War and the Greek siege of the city of Troy. All of the places where Homer’s stories took place were in areas that had been significant in the Bronze Age of Ancient Greece. Excavations at Troy and Mycenae have revealed that affluent kingdoms did indeed exist there. The Iliad provides examples of the culture and traditions that took place in Ancient Greece. The warrior culture that is presented in The Iliad is based on honor and bravery, a good example of this is when Diomedes is trying to rally his fellow warriors in says, “I know only cowards depart from battle. A real warrior stands his ground. Whether he is hit or hits another.” This society was strongly against cowardice; bravery was the only option in these times. The Iliad preserves the Ancient Greek’s views on masculinity and what it meant to be a “real warrior” in their times. The evolution of what people consider honorable and brave is evident, for The Iliad has conserved past views that can be juxtaposed with more modern
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
The Trojan War veterans of The Odyssey succeeded in defeating their enemies on the battlefield. The end of combat did not mean relief from burdens for them. War is cruel, but in it these men see a glory they cannot find outside. Achilleus’ death in war is treated with ceremony and respect. Agamemnon, having survived that same war, dies a pitiful death and Klytaimestra “was so hard that her hands would not/ press shut [his] eyes and mouth though [he] was going to Hades” (XI, 425-426). Dying at home meant being denied even simple acts of dignity. Reflecting back on it Hades, Agamemnon characterizes the veteran’s struggles when he asks, “What pleasure was there for me when I had wound up the fighting?” (XXIV, 95).
In Greek mythology, Chiron was held to be the superlative centaur amongst his brethren. Chiron was notable throughout Greek mythology for his youth-nurturing nature. His personal skills tend to match those of Apollo, his foster father ; medicine, music, archery, hunting, prophecy. His parents were Cronus and Philyra.
The Iliad is not only a story of war, but a story of relationships and family connections through respect and honor. Sons don’t seem to question their duties to their family. They go to battle and fight until the end, maybe even until their death. They do not search for love from their fathers, but for the respect and desire to follow just as their fathers did, to be dignified warriors and proud of their ancestral accomplishments.
Book Four of The Iliad demonstrates the importance of the gods in the events of the Trojan War, during the quarrel between Hera and Zeus and the aftermath of this argument. The importance of this scene, approximately lines 60 through 90 of Book Four, is that it clearly establishes the fact that the gods influence and meddle with the events and the course of the war. This particular passage illustrates the consequences which the plotting of the gods causes both the Greeks and the Trojans, as Hera’s plotting and hatred of the Trojans results in the violation of an oath, in order to ensure the destruction of the Trojans.
Simone Weil argues that the way Homer presents war and the use of force in the Iliad, in all of its brutality, violence, and bitterness bathes the work in the light of love and justice (pg 25). The point Weil is making is that by depicting the suffering of all of these men regardless of their side, or strength Homer equalizes them in a “condition common to all men”(pg 25). Because Homer equalizes them the reader can feel empathy, or at least compassion for all of the men. However while Weil is correct about how Homer’s descriptions of war and force reveal justice and love, she is wrong in thinking that justice and love are mere “accents” to the Iliad, and progress through the story “without ever becoming noticeable”(pg 25). Homer not only reveals this underlying idea to the reader through his tone and even handedness, but also through Achilles’ journey. By the end of the Iliad Achilles understands justice and love in much the same way that the reader does.