I decided to write a poem for my final project to analyze and provide my interpretation of the character Andrew Compton, from the novel Exquisite Corpse.
My poem is divided into 4 subtle sections to guide the reader through my understanding of Andrew’s changes and thoughts as a character. The first stanza explains Andrew’s confusion and isolation as a human being. His inability to control his emotions and thoughts brings him to a breaking point in his life where he completely losses himself. The cause of this may be his childhood, his upbringing, the personality he was born with, or an experience he had, but we as readers never know what the true cause is. This paragraph also reminded me of a similar quote made by Patrick Bateman, in American
I had Trang in mind, as I used the adjectives to describe his victims, which I generalized as “the youth” in my poem. I decided to use the contrasting terms of “wrap” and “trapped” to show both the victim and the killers conflicted feelings of wanting to be love and wanting to love, but not being capable of doing so. In the novel, we saw Jay’s affections towards Trang grow, but he decided to assist in killing him once he reconfirmed that he cannot love. I illustrated both the victim and killers sexual desires in the 4th line, by using the words “slip and slide” and “desire”. The last line is about Andrew’s power. His loss of affection and love has made him the ultimate killer, as well as the ultimate survivor in a cruel and corrupt
Chrysanthemum is a flower that’s symbolizes grief and lamentation in East Asia, and a flower only utilized during funeral services in many European countries to signify death. However, in the United States it has a positive meaning associated with truth and cheerfulness. I used the double meaning this flower holds to describe the death of Andrew’s child victims, specifically Tran, since they were often young, pure children. The last line of the poem again links to Andrew’s power and his ability to survive, which we discussed in class as well. Throughout the novel we are taken through the eyes of Andrew, as he “kills” himself to escape prison and has unprotected sex during multiple occasions. Although most characters end in death or with HIV/AIDS, Andrew appears to be the all-knowing human being who plays with fire, but never gets
Alan Shapiro is a poet whom uses the sorrowful tragedies that occurred in his lifetime and turns them into beautiful poems in which he greatly expresses through his poetry. Most of his poems symbolize either a type of sorrow or tragic death, and the expressions used throughout his poetry make it noticeable that Alan Shapiro endured a life of hardship and tragedy. While Shapiro was growing up he lost his brother and his sister in which the poem “Sleet” by Alan Shapiro beautifully encompasses his feeling of grief and sorrow due to the loss of his siblings.
In modern day America, we unknowingly take countless things for granted on a daily basis. For example, we blatantly assume that privileges such as clean hospital rooms, trash services, and preservation have always been provided. In reality, at the time of the civil war, medical and hygienic methods were primitive compared to today’s technology in medicine. A significant difference was the process after death. Modern day embalming was created, as an innovative way to preserve the bodies of fallen soldiers, but has developed into a customary practice that accompanies contemporary mortality.
...er inner desperation for happiness that many individuals seek. In the second and third line of the piece, Plath introduces the protagonist, “Percy bows, in his blue peajacket, among the narcissi” and his ailment, “He is recuperating from something on the lung.” She then says how he comes to the field of daffodils to be happy, and in lines seven and eight, why he has come. “There is a dignity to this; there is a formality-/The flowers vivid as bandages, and the man mending.” In this she says that it is respectful to come to the field to die, because there is where he is happy and that the flowers can heal him, as seen in the simile they are “vivid as bandages”. The last stanza ends the story of Percy with, “And the octogenarian loves the little flocks./He is quite blue; the terrible wind tries his breathing./The narcissi look up like children, quickly and whitely.”
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
word “art” which may imply something about the materialistic world that she tries to be a part of. Interestingly, and perhaps most symbolic, is the fact that the lily is the “flower of death”, an outcome that her whirlwind, uptight, unrealistic life inevitably led her to.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
Death is a reality that can be interpreted in many ways. Some people fear the possibility of no longer living and others welcome the opportunity for a new life in the afterlife. Many poets have been inspired by death, be it by the approaching death of loved ones or a battle for immortality. Just as each poet is inspired differently, each poem casts a different hue of light on the topic of death giving readers a unique way to look at death.
Although imagery and symbolism does little to help prepare an expected ending in “The Flowers” by Alice Walker, setting is the singular element that clearly reasons out an ending that correlates with the predominant theme of how innocence disappears as a result of facing a grim realism from the cruel world. Despite the joyous atmosphere of an apparently beautiful world of abundant corn and cotton, death and hatred lies on in the woods just beyond the sharecropper cabin. Myop’s flowers are laid down as she blooms into maturity in the face of her fallen kinsman, and the life of summer dies along with her innocence. Grim realism has never been so cruel to the innocent children.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.
In the short story by John Steinbeck, The Chrysanthemums, symbolism, allegory and foreshadowing flood the story from start to finish. Steinbeck’s chosen words to describe the setting, plot and conclusion allows readers to evaluate and analyze the story in many ways. The story begins by describing the setting as enclosed, gray and repressive. Elisa Allen is introduced as the central character of the story, onto which the symbolism and allegory mainly affect. As the story develops further, Elisa’s encounter with a Tinker, leads her to “explode those repressed desires,” (Shockett) which have been suppressed by the symbolically “closed pot” (Steinbeck) in which the story takes place. The use of literary techniques