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Corruption in the police force
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City of God
The movie, “City of God”, presents a bleak picture of the realities of life in ghetto cities in the Caribbean, a place generally associated with beaches and glamour. The truth of the cities, such as Rio are harsh, and the corruption that enables them to maintain their criminal lifestyles is even bleaker. According to Mehta, (2013) in her article about Brazil, where she vacationed, it was one of the most violent places in the world at the time. She was robbed by a young boy there, who stole her phone and asked for money. The incident prompted her to research Brazil and fine out why the crime was so bad, and the criminals were so young. She discovered, “More people are murdered in Brazil than in almost any other country. In 2010,
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Mehta (2013), writes, “. In the past, the police would raid individual favelas, capture or kill the biggest drug dealers, and leave. They would soon be replaced by other dealers, and the violence would continue. “The new strategy is not to target individual drug dealers. It is to take back territory,” a high police official told me”, she writes. (Mehta, 2013). What has happened is that many officers and those in power have been paid enormous amounts in drug money and bribes to allow gang activity to continue. This has created a need for Brazil to come up with options and money for officers that prevents them from the temptation of taking money from the streets. Mehta explains, “The government attempts to peacefully enter and reestablish state control over the most violent enclaves of the city, those dominated by drug gangs called traficantes, or by syndicates of corrupt police called militias. Until 2008, when the pacification program started, the traficantes controlled roughly half of the favelas, and the militias the other half,” (Mehta, 2013). The new system provides officers with financial incentive to help them as they
In Samba, Alma Guillermoprieto describes the Carnival celebrated every year in Rio de Janeiro, Brazil and explores the black cultural roots from which it takes its traditions as well as its social, economic, and political context in the 1980s. From her firsthand experience and investigation into favela life and the role of samba schools, specifically of Manguiera, Guillermoprieto illustrates a complex image of race relations in Brazil. The hegemonic character of samba culture in Brazil stands as a prevalent theme in numerous facets of favela life, samba schools, and racial interactions like the increasing involvement of white Brazilians in Carnival preparation and the popularity of mulatas with white Brazilians and tourists. Rio de Janeiro’s early development as a city was largely segregated after the practice of slavery ended. The centralization of Afro-Brazilians in favelas in the hills of the city strengthened their ties to black
After watching the movie "Even the Rain", I was impressed how deeply it was thought out. With this film, I realized that people are ambiguous, and in different situations may not act the same way, showing the character from an unexpected side for others, and for himself. Also that history always repeats. Are hundreds of years old and forgotten, Read in dusty books suddenly is played at you through the window.
Having grown increasingly frustrated with these rampant displays of impunity by gangs, the Salvadoran public pressured its government to prioritize public security above all else. In response, the Salvadoran government has attempted to tackle the gang phenomenon using several strategies and methods which have evolved, due to the political and economic dynamics of the country and region, over time.
In the story “Flavio’s Home” by Gordon Parks, he draws you into a world that is very descriptive and allows yourself to imagine what it would be like if you were standing there with him. Gordon was there with Life reporter Jose Gallo to find a father with a family to examine the poverty of that particular family in Rio de Janeiro. Instead they came across a boy named Flavio, they followed Flavio up the mountain to a leaning shack. Flavio was only twelve but had worked so hard from the time he could stand that his body had taken the toll. Gordon describes the favela of Catacumba, pale by comparison to New York’s Harlem and Chicago’s south side. In so doing this gives the readers in those populated city’s an idea of how much greater the poverty
The Devil in the White City by Erik Larson contains extremely detailed information of the happenings during the Chicago World’s Fair in 1893 between two men whom had never met. This #1 National Bestseller includes the years of building before and during the Fair and the challenges that came with the famous architect, Daniel H. Burnham. The pages also contain disturbing information about the urban serial killer, Dr. H. H. Holmes, who brutally murdered at least nine individuals throughout the years while construction went on before and during the Chicago World’s Fair. Those who are interested in murder trials and history of the United States would enjoy this book.
In Burgess’ A Clockwork Orange, the effects of the marginalization of socioeconomically underprivileged people are depicted through behavior and psychological tendencies. These effects on the marginalized youth portrayed in Burgess’ fictional work draw a parallel to modern-day Brazilian shantytowns, commonly known as favelas. The psychology of behavior and the conflict between the government and the people are two clear-cut examples that illustrate the parallels between both worlds regardless, of the time period they exist in. As the doctors attempt in A Clockwork Orange, what can the Brazilian government do to stop or at least diminish violence and drug abuse among the youth in favelas?
In the favela of São Paulo, Brazil, 1958, Carolina Maria de Jesus rewrote the words of a famous poet, “In this era it is necessary to say: ‘Cry, child. Life is bitter,’” (de Jesus 27). Her sentiments reflected the cruel truth of the favelas, the location where the city’s impoverished inhabited small shacks. Because of housing developments, poor families were pushed to the outskirts of the city into shanty towns. Within the favelas, the infant mortality rate was high, there was no indoor plumbing or electricity, drug lords were governing forces, drug addiction was rampant, and people were starving to death. Child of the Dark, a diary written by Carolina Maria de Jesus from 1955 to 1960, provides a unique view from inside Brazil’s favelas, discussing the perceptions of good
Large street gangs rapidly employ violence to control and expand drug distribution activities, targeting rival gangs and dealers who neglect or refuse to pay extortion ...
Look at the whole picture, Damian Platt, researcher, activist and author, Rio de Janeiro, Brazil states that more official and unofficial social structure, political and poverty areas should be addressed. Focus on prevention, focus on hotspots, treat violence as a public health concern, avoid repressive policies, be proactive, focus on gun control, understand that violence is going virtual, intervene early, find the balance between repression and prevention, keep in mind the impact of drugs, intervene early, and address economic inequality which is central to reducing crime and violence in the long run. Be aware of the link between organized crime and terrorism, be smart and remember all the details when it comes to organized crime. 24 ways to reduce crime in the world’s most violent cities
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.
Corruption in policing is viewed as the misuse of authority by a police officer acting officially to fulfill his/her personal needs or wants. There are two distinct elements of corruption; 1) misuse of authority, 2) personal attainment. The occupational subculture of policing is a major factor in both creating police corruption, by initiating officers into corrupt activities, and sustaining it, by covering up corrupt activities by other officers. Police corruption is a complex phenomenon, which does not readily submit to simple analysis. It is a problem that has and will continue to affect us all, whether we are civilians or law enforcement officers. Since its beginnings, many aspects of policing have changed; however, one aspect that has remained relatively unchanged is the existence of corruption. Police corruption has increased dramatically with the illegal cocaine trade, and the officer acting alone or in-groups to steal money from dealer and/or distribute cocaine themselves. Large groups of corrupt police officers have been caught in New York, New Orleans, Washington, Dc, and Los Angeles. Corruption within police departments falls into two basic categories; internal corruption, involving relationships among the police within the works of the police department (ex: promotions or favored assignments, usually purchased with bribes) and external corruption, which involves police contact with the public. There are many different forms of corruption; gratuity, involving free meals, free dry cleaning and discounts; bribery, involving the exchange of money or something of value between the police and wrong doer (this is very common among narcotics officers); theft and Burglary, involving office...
The Monuments Men was released in 2014, is rated PG-13, and was directed by George Clooney. The movie begins with Frank Stokes convincing President Roosevelt that even when they win the war, if the artwork from throughout history is lost, the victory would not mean much. Roosevelt gives his approval, and Stokes begins to gather a team. He puts together a ragtag team of middle-aged art enthusiasts and curators to help save artwork from the Nazis. The film focuses on 7 Monuments Men and their journey throughout Europe to recover the essence of Western civilization.
To watch City of God is to be forced to enter, from a safe distance, the ruthless and merciless hoods of Rio de Janeiro. The captivating and poignant film guides viewers through the realistic aspects of slum life experienced by young, underprivileged youth in the favelas of Rio de Janeiro, some aspects that not even most middle class Brazilians get to see. In a city where police are fraudulent, opportunities are scarce and crime is widespread, many youths believe there is no alternative to gang activity. In City of God, director Fernando Meirelles puts to the forefront of Brazilian cinema the real issues that favelas in Brazil face like poverty, extreme violence and stereotypical gender roles in a male dominated society. City of God encapsulates the hope of Rio’s impoverished blacks for social and economic ascension.
...tem. These traits are typical of what has happened throughout history when normal people become subordinate to new and oppressive bureaucracies. It seems that all a treacherous government needs in order to normalize the most disgusting violations of basic human rights is a convincing façade of efficiency. It could be said that the American Dream plays that role in current American society, that it is purely a façade to blind our eyes to the larger system. If the system succeeds in preventing people from gaining awareness of the larger picture, and indeed further compartmentalizes every aspect of life, the line between just and false laws become blurred. Gilliam uses “Brazil” to bring these often overlooked problems with government to the forefront of his viewer’s mind, making apparent that no element of human life is safe from this type of unconscious degeneration.
Bourgois’ ethnography tries to look at both agency and structure, both free will and social constraints, and he does so by looking at the crimes and violence of men like Primo and Caesar in the macro context of political economy, or structurally, all the way down to individual choices, or how these men exercise their agency within the constraints they confront. What is fascinating about this portrayal of violence is how it incorporates culture to understand the practices of selling crack in the social world of el barrio. Bourgois does not want to “blame the victim,” does not want to present his readers with a “pornography of violence,” but also does not want to reduce the crimes of these men. Relying on culture, then, helps him to avoid these possible problems when studying street culture. Crime and violence are very real.