Octavia Butler wrote Kindred in order “to make others feel the history: the pain and fear that black people have had to live through in order to endure” (Fox). She drew on her mother’s experiences as a maid to tell the story that belonged to many Black Americans. Butler frequently wrote novels with strong, independent black woman protagonists. Kindred tells the story of a 1967 black woman, Dana, who travels back in time to antebellum Maryland to, time and time again, save the life of her white, slaveholding ancestor while also preserving her own. Butler’s usage of Dana as a modern woman travelling back in time where black folk were considered subhuman—black women considered even less so—was a powerful choice and examining the novel through …show more content…
Butler’s usage of Dana, a modern-day woman, and Alice, her enslaved ancestor, provides a clear contrast of what agency of one’s own sexuality looks like. Butler uses Dana as a counterpart to Alice, displaying her as an empowered agent, acting on her own volition. She marries a white man, whose family doesn’t approve of him marrying a black woman, and engages in a relationship very different from Alice’s relationship with Rufus. Dana and Kevin’s relationship is one of emotional, mental, and physical equality. Butler demonstrates Dana reclaiming her sexuality when Dana and Kevin reunite after Kevin is in the past for five years. The intercourse was a way for Dana to ground herself in her present-day reality where she is free to enjoy sex and have control of her self and her body. While in antebellum Maryland, Dana’s agency is ripped away from her by the hegemony of slavery. Butler uses this theft of agency as a commentary about the sexual experience of enslaved black women—the vulnerability and victimization. “The institution of slavery commodifies black …show more content…
As a freewoman, Alice tries to take possession of her life by choosing her lover and marrying a slave, which results in her getting raped, running away, and getting dragged back, now under slave status. She doesn’t see her body as her own, “Not mine…Not mine, his. He paid for it, didn’t he?” (167). As her rebellion, Alice submits her body, but not her spirit—she never fully accepts her sexual enslavement, continuing to plot her escape as the years go on. She fears that she will lose her sense of self and “turn into just what people call” her—saying she enjoys being Rufus’ (235) girl. Her motherhood is one of opposing feelings—to have kin, but for that kin to also be enslaved and a constant reminder of her loss of agency. Butler shows how black motherhood during enslavement was a complex thing. Alice has no voice about what happens to her children, and they become objects that Rufus uses to control Alice’s affection and sexual behavior toward him (Mitchell 63). Alice loves her children, but the institution of slavery constricts that love due to her inability to own herself or her children. This usage of children as a bargaining chip and a weapon against the mother is also seen from Butler’s employment of Sarah. Sarah’s three sons were sold to pay for material things, leaving her with Carrie, who she protected and loved with her entire being. Tom Weylin uses
Initially, because she underestimates her own courage, which has never been properly tested, Dana doubts that she has sufficient fortitude to survive in the nineteenth century. As Kindred unfolds, it becomes clear that she does, indeed, have abundant courage and stamina. Butler effectively utilizes a common technique in fiction whereby an individual becomes heroic by transcending his or her base humanity by drawing on hidden inner resources. Dana is tested in her second trip to the past when she is nearly raped by a white man who is part of a patrol—the forerunner to the Ku Klux Klan. Never before having experienced physical abuse, initially Dana is reluctant to act. She fails to disable him by gouging his eyes, thereby losing her only chance
As far as Julia Dickson, the information contained in Kent’s book presents the picture of a young girl and young woman who did not have the conventional life of a slave. Julia herself apparently explained that she worked making beds, sweeping, and tending to chores in the house and garden. She had other children after Amanda, a son by a slave and a daughter by a white man named “Doc Eubanks.”4 Julia was treated by the Dickson family doctor regularly for many years. David and Julia Dickson maintained an apparently intimate relationship. Slaves and whites both reported that the two had an intimate and affectionate
The Author of this book (On our own terms: race, class, and gender in the lives of African American Women) Leith Mullings seeks to explore the modern and historical lives of African American women on the issues of race, class and gender. Mullings does this in a very analytical way using a collection of essays written and collected over a twenty five year period. The author’s systematic format best explains her point of view. The book explores issues such as family, work and health comparing and contrasting between white and black women as well as between men and women of both races.
In conclusion, readers identify with the human form and use it as a vehicle for defamiliarization to show the mechanical functions they serve themselves and others. The characters in “Bloodchild” behave as part of a process and show a lack of respect for their human qualities. As they desensitize their bodies, they allow the Tlic to engage with them in an unbalanced power relationship. Then, the Tlic interact with them in a sheltering way and inhibit their thought process. Through this interaction chain, Butler effectively conveys that the way humans treat themselves will dictate how others treat them. As the afterword said, “Bloodchild” is not about slavery; it’s about the relationships humans take on because they allow themselves to be
Many plantation owners were men that wanted their plantation ran in a particular manner. They strove to have control over all aspects of their slaves’ lives. Stephanie Camp said, “Slave holders strove to create controlled and controlling landscapes that would determine the uses to which enslaved people put their bodies.” Mary Reynolds was not a house slave, but her master’s daughter had a sisterly love towards her, which made the master uncomfortable. After he sold Mary he had to buy her back for the health of his daughter. The two girls grew apart after the daughter had white siblings of her own. Mary wa...
Because this woman is a slave, she has no right to her own child, therefore she cannot claim him as her own. No matter how much she loves him or how much joy that he brings into her dreary life, he can never be hers, and her heart breaks when he is taken away from her. Mothers have a very special bond with their children; they feel a love that can be described as much stronger than any other kind of love in the world. This love that is felt by the slave mother in this poem literally changes the tone of the poem when the narrator speaks about the mother and her son. Despite the anguish and despair that she feels, the thought of her child can lift her spirits, only for the child to be taken away from her. Because of her race, she cannot claim any right to love her own child. As a woman, her right to be a mother and raise and love her child was taken away from her. The slave mother had no rights to herself or her own children, and her race and gender are the main causes for
Kindred by Octavia Butler is an incredible book that leaves the reader hypnotized. This story educates people on the first hand abuse of slavery. Butler took a woman of the modern era and transferred her back into a period
In Octavia Butler’s novel, Parable of the Sower, a common theme carried throughout the story is the differentiating people based on their race. In this story, society views white people as wealthier, safer, and the owners of colored people and are seen treating them horribly, where as people of color are poorer, more commonly used as slaves, not as trusted, and over all have it harder in Butler’s dystopian setting. Butler thinks this topic of racism is common, and society is more prejudice to black people rather then white. I can deduce this by the financial and social status she depicts white people to be versus people of color. After Lauren’s neighborhood is destroyed and has to flee with Zahra and Harry, Lauren pretends to be a boy so her and Zahra can pretend to be a couple rather than Zahra and Harry, which would be a mixed race couple. A couple of white and African-American did not mix because “…[he’ll] piss of all the blacks and [she’ll] piss off all the whites” (pg. 172). Butler does not let these two races mix
Butler alludes to the significance of the problem by choosing the adjective kindred as a title for her work. Throughout this novel, familial bonds are built up, and at the very end get a perverse form because of gender and racial mistreatments. Throughout time, Dana witnesses families clinging to each other while they are treated unjustly. The veracity of this assertion is confirmed by examining scenes where the heroes stick together with their family because they are put in circumstances where it is impossible to escape racial violation. An example of such a case is the incident between the slave called Tess and Dana. After Weilyn sells the man for attempting to flirt with Dana, other slaves try their best to not displease their masters because they do not want to be separated from their family. This scene suggests that racial violation was so horrifying that African Americans could not even choose to live with their family, and it made them even more dependent on each
Butler teaches the importance of freedom by having Dana fight to try to free or help the other slaves in the 1800s. Rufus falls out of a tree and breaks his leg when Dana is sent back to him but this time with her husband (Kevin). Rufus asks Dana to come to the manor with him so she goes to help his leg heal. Dana is living in Rufus's house in 1819 pretending to be her husband’s slave. Dana chooses she will fight to help all of the slaves of the plantation get their freedom or write their own way to freedom, so she starts secretly teaching a young slave boy by the name of Nigel to read and write. Kevin responds to this by saying “‘Do a good job with Nigel… Maybe when you’re gone, he’ll be able to teach others.”’ (Butler, 101). This shows her dedication to freeing the other slaves by risking her life to teach Nigel to read and write. A mute slave girl by the name of Carrie, sees Dana teaching Nigel and she points to the book, Dana sees that Carrie wants to read and write as well. She sees this as another oppurtinity of them writing their own freedom. Dana will risk anything to help the slaves learn to
Sexism is still a prevailing problem in the world today. Unfortunately, this contributes to other forms of discrimination. In the article, Black Girls Matter, the author, Kimberlé Crenshaw, brings this to light. Young girls of color are often ignored by national initiatives in regards to both racism and sexism combined. The author supports her criticism with the use of personal stories of young girls of color, namely, Salecia, Pleajhai, Mikia, and Tanisha along with numerical data as examples.
Alice and Kevin have an interesting start to their relationship. Initially, it appears that Dana is not interested in Kevin, as she tries to reject communication and his advances through buying her lunch. This distance on Dana’s part allows readers to contemplate whether Dana is put off by Kevin’s obtrusive attitude because he is a man, because he is white, or a combination of the two. As the novel advances, Butler continues to focus Kevin’s faults in his marriage because of his identity as a white man.
In fact, women had to carry with the pain of having their children wrenched from them. Women were forced to be “breeders” they were meant to bear children to add to their master’s “stock”, but they were denied the right to care for them. It was not something unusual to happen to these women it was considered normal. The master didn’t believe the female slaves had feelings, or the right to ruin their merchandise. It was also not unusual for the plantation master to satisfy his sexual lust with his female slaves and force them to have his children. Children that were born from these unions were often sold to protect the honor and dignity of the slave owner’s wife, who would be forced to face the undeniable proof of her husband’s lust for “black women.”
The antagonist, Sethe, is not keen to let her kids end up in such a miserable lifestyle that she lives. Defending that she would rather see them away from the wretchedness of Earth and instead dead in Heaven. Slavery is an exceedingly cruel and nasty way of life, and as many see it, living without freedom is not living. Slavery dishonored African Americans from being individuals and treated them just as well as animals: no respect and no proper care. For example, Sethe recalls the memory of her being nursed as baby by saying, "The little white babies got it first
In this Alice Walker story, the reader meets a girl named Celie. In this novel, Walker takes the reader on a journey through much of Celie’s life. While taking the reader through this tale, Walker draws attention to a number of social aspects during this time period. Through Cilie’s life, Walker brings to light the abuse and mistreatment of African American women from 1910 through the 1940’s. “Women were also regarded as less important than men – both Black and white Black women double disadvantage.