The Abruptness Of Death In Frost's 'Out, Out'

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No poet does a better job of stressing the abruptness of death as Frost in his poem, “Out, out –”. Death is the one of the more central themes among most works of art and normally befalls on the speaker’s loved one. In this case, “Out, out –” is about an innocent boy who accidentally severs his hand with a buzz saw; the entire scene and the family’s reactions described by an observer. Throughout the poem, Frost finds creative ways to intensify the boy’s death and readers may wonder why he focuses on such a heavy and distressing issue. Every verse builds up upon one another, sometimes enjambed together with a variety of figurative language, until the boy succumbs to his injury. By combining an irregular form of iambic pentameter with dark symbolism, Frost captures the inevitability of death and its cruel, unpredictable appearances. Life is imperfect and Frost relies mostly on his sporadic iambic pentameter pattern and enjambment of sentences in “Out, out –” to highlight that. Poets incorporate iambic pentameter in their works so that the tone, diction, and overall language flows nicely together. But Frost does not follow this exact closed form of poetry. Instead, his lines vary. The first verse of “Out, out” indeed follows five iambs but the second verse …show more content…

In the last two lines of the poem, the family does nothing after the boy dies. They do not grieve and merely “turned to their affairs”. A little understated, but simple to understand why. To readers, it seems disbelieving because we imagine the mother and sister breaking down into violent sobs and begging for the boy to come back to life. We also imagine the father blaming himself for allowing his son to handle such a dangerous tool at that age. But if we think about it, all of those things are meaningless. There is nothing the family could have done to save their boy. Therefore, Frost is straightforward with the fact that the family promptly moves

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