In the case of linear movement, Whitman brings forth a distinct perspective of time as he disregards the traditional idea of external reality. This loss is set off by a heightened presence within the realm of consciousness. Therefore, Whitman’s nonlinear form of movement is accompanied by a destruct...
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... lets the world file past him and assigns each object by its name. It is in this way he rediscover the idiosyncrasies of the world around him, which have been too long camouflaged by conventional attitudes. Unlike Adam, however, he is not merely a giver of names, but Whitman feels at one with what he creates. Hence, Whitman’s attempt to establish a new relationship with reality and contribute to the fundamental ideals of the American identity rests on two premises. On one hand, he wants to experience and appreciate each individual in its particularity, just as Emerson’s “centrality of things” (Emerson, Circles) and in celebration of the “sacredness” (Whitman, Leaves of Grass) held within the individual; on the other, his urge to identify himself with the objects makes him demand that everything has reference to the foundation of the world, and particularly America.
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