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The abnormal behavior of Victor Frankenstein simply could not be explained by anyone. He was obsessed with building his monster, no matter what the morality or the outcome of his actions were. Consequences wreaked havoc on the creator when the monster turned on him and took his anger out on Victor’s family. He was so focused on building his perfection that he overlooked some factors. After further research, it is concluded that Victor suffered from Obsessive Compulsive Personality Disorder during the creation of his monster, which resulted in a rigid following of the ethics and morals of science and technology. Obsessive Compulsive Personality disorder is often confused with Obsessive Compulsive Disorder which is an almost less severe …show more content…
They often put these qualities at the expense of their flexibility, openness, and efficiency. It is more important in the sufferer’s mind to be conscientious and orderly. These can be great qualities to have, yet they are also morally rigid, fussy about details, and indecisive. This obviously describes Victor Frankenstein to the T and could help explain his reasonings to building the monster and his abnormal behavior. The first evidence that he did, in fact, have OCPD is that this disorder is developed during the adult life. Before Victor went off to college, he seemed just as any other man in love would be. Once he arrived; however, there was no stopping his vision of creating a living being. He forgets everything except his one and only current goal in life. Victor obviously shows the value of perfectionism when building his monster. This creation takes many years to create and he thinks long and hard about every decision he makes for it. He treats this almost as he would a child. Perfectionism is not always a great aspect as it can and will interfere with the completion of tasks of people with OCPD. Victor thinks long and hard about every decision for his fiend and this makes his …show more content…
There is a fine line between a person 's morals and what they believe is right or wrong. First off, does one think that building a whole new life form would be ethical? Victor almost plays God when he builds his creation. He does not take into consideration the ethics or morals of science and technology. In order to build his creation, he also robs many graves to get certain body parts. That is just simply not right. It is not respectful to the families of the dead nor is it the norm in our society. However, Victor does not even think twice when he makes the decision to use these body parts. Just as many OCPD victims, he throws his moral and ethical codes out the window. He is only focused on building his precious monster. In today’s society, people take a second look in these situations, but for science’s sake some experiments are being performed that go against the moral values of many and could cause death. For instance, many are questioning if we should seek to treat incurable diseases or extend human life by using organs of genetically modified pigs or cells derived from human embryos. It is not moral to attempt to change the outcome of ones life by taking another. Humans are letting their selfish aspect get the best of them. This is along the same lines as what Victor tried to do. His method of making a life form could also be used to
A new species would bless [him] as its creator and source, many happy and excellent natures would owe their being to [him]” (Shelley 55). Life and death are natural things, but Victor thinks that he can “break through” them and create life. He alone would be the person to “pour a torrent of light into their dark world,” as if he was God, ruling over all of the world. This shows Victor’s lack of respect towards life and how he intends to overcome the boundaries set by nature.
Victor Frankenstein, once a promising scientist, descends into madness. This happens because he goes too far and creates a monster. Victor slowly became obsessed with his creation until his goal in life was hunting the monster and destroying it. This change from ambitious to obsessed is scary because it happened to such a normal man.
Victor Frankenstein is originally a happy character that loves to learn and read a large variety of books. He was a fiery individual who sought to understand all knowledge; regardless of how practical the information was. Evidence of this is when his father tells him not to worry about fictional writers like Cornelius Agrippa. Yet, Frankenstein states, “But here were books, and here were men who had penetrated deeper and knew more. I took their word for all that they averred, and I became their disciple” (21). Frankenstein embodies the movement in science to understand everything, and that is not necessarily a good thing (Storment 2). Frankenstein only understands that this train of thought is bad when he reaches the pinnacle of knowledge and produces the creature. The fruits of Frankenstein’s labor end up costing him the lives of his friends and family, as well as his own sanity. The feeling of guilt thrives in Frankenstein because he knows his work was the direct cause of the chaos in his life. In Frankenstein’s case, his goal of total enlightenment led to his pitiful demise. Frankenstein’s creature was not originally a monster. He is born with good intentions and is a gentle- although atrocious looking- being until he learns of the sins of the human race. The ultimate factor in the creature’s progression from harmless to
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
He created a life, and then spontaneously he quickly decided to run away from his creation. Victor’s actions after creating what he created were really irresponsible, and did not correctly took care of the circumstance’s he put himself in. The creation was never actually evil, but he felt abandoned by what could had been called his father. Frankenstein, the monster, was only a seeker for companionship. He strongly desired to feel loved, rather than abandoned. Society’s evil behavior toward the monster is what altered the monster’s conduct and followed to how he acted.
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
Victor Frankenstein, the main character in Mary Shelley’s novel, is the creator of the monster. When Victor created the monster, he believed he created the monster for the betterment of humankind, but he actually created the monster because he desired to prove to the world that an average human can do Godly acts. The desire to create the monster goes back to Victor’s childhood. As a young kid, Victor’s passions always lied in science and chemistry and in college; he became obsessed with the idea of creating life out of inanimate objects. He then decided to specialize in Alchemy. Within Shelley’s book Frankenstein, Victor said:
Although some critics say that the monster Victor has created is to blame for the destruction and violence that follow the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being. This is obviously something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and finding out what he is doing. At the end of Mary Shelley's Frankenstein, Victor says:
However, throughout the story, the monster becomes self aware, and begins to murder close relatives of Victor’s. It seems as though the monster has been created to a similar build as Dr. Frankenstein himself. It acts out, and has no sense of morality, which makes you wonder whether the doctor second guessed himself when deciding if bringing the creation into the world, was such a great idea. Anthropomorphic existence is programmed with the ability to make decisions, however not to distinctify whether one is morally right, or wrong. Other sides may argue that humans know the decisions that they are making, and are fully aware of the adverse side effects that can become a common occurrence when selecting a genuinely negative outcome, even after possessing the knowledge of knowing that it is bad. Conscious but conditioned decisions are influenced by the subconscious mind. These decisions are based on past experiences, our culture, peer pressuring, and media
Gothic literature, such as Mary Shelley’s Frankenstein, was written to oppose the romantic literature that was popular during the time it was written. The romantic literature is centered around idealism and perfection in society, whereas gothic literature is focused on what is imperfect and supernatural. In Frankenstein, the main character, Victor Frankenstein, has anything but an ideal life. A series of misguided events lead to the immoral creation of an eight foot tall superhuman that destroys Victor’s family. Through her use of spur of the moment, rage filled actions, Mary Shelley’s Frankenstein displays the effects of mental illness on a person’s morality. The cause of these actions and those ensuing include bouts of hysteria, narcissism,
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
Victor Frankenstein's upbringing in a perfect society ultimately led to the destruction of his life which coincided with the lives of those emotionally close to him. Victor was raised in an atmosphere where beauty and physical appearance define one's quality of life. This superficial way of life results in a lost sense of morals and selfishness, which in turn produces a lost sense of personal identity. This can cause a feeling of failure and resentment in the later stages of life which, in Victor's case, can be externalized into a form of hatred directed toward himself.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Mental illness, today we are surround by a broad array of types of mental illnesses and new discoveries in this field every day. Up till the mid 1800’s there was no speak of personality disorder, in fact there was only two type of mental illness recognized. Those two illnesses as defined by Dr. Sam Vaknin (2010), “”delirium” or “manial”- were depression (melancholy), psychoses, and delusions.” It was later in 1835 when J. C. Pritchard the British Physician working at Bristol Infirmary Hospital published his work titled “Treatise on Insanity and Other Disorder of the Mind” this opened the door to the world of personality disorder. There were many story and changes to his theories and mental illness and it was then when Henry Maudsley in 1885 put theses theories to work and applied to a patient. This form of mental illness has since grown into the many different types of personality disorder that we know today. Like the evolution of the illness itself there has been a significant change in the way this illness is diagnosed and treated.