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Impact of the industrial revolution on society
Romantic period important
Industrial revolution social change
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The romantic period became a popular movement in the mid-eighteenth century and spread worldwide, until it fully developed by 1820 in America (Van Spanckeren, K. 2008). During this time, there happened revolutionary changes all over the world due to industrialisation and the French revolution. The industrial revolution became an undeniable factor for the society. Industrialisation and mechanisation influenced individual’s thoughts, working conditions and living conditions. (White, M, n.a.) More people moved away from farms because they started working for the factories and industrial companies. The “Population doubled in size” (CSUN, n.a.) in the cities, because of this. There were more cities build to accommodate this population size. Even …show more content…
This theme indicates that through the industrial revolution, mankind lost its “heart” (line 4) or feelings for nature. Wordsworth (1770-1850) is known for his undeniable love for nature and how he explored “the human minds by the way of stimulation nature gives him” (Gill, R., 2006: 261). In “The world is too much with us” (Wordsworth, 1807), the title suggests that the world is overwhelmed with us, in it. It also suggests that the world – in other words, life - is so full of man-made things, that humans cannot appreciate nature in the way the speaker does. In line 2 “getting and spending” can refer to the natural resources we receive from nature: nature gives humans resources and they are just “getting” it and “spending” it without being thankful. “Getting and spending” (line 2) can also refers to consumerism of the industrialisation. Therefore, humans are so busy with consumerism, that they are indirectly destroying themselves by means of losing their ability to appreciate the beauty nature provides. This connects to the theme of the heartless revolution against nature, because through industrialisation, mankind became heartless against nature. Furthermore, the speaker also refers to “Little we see in Nature that is ours” (line 3). This indicates that because of this revolutionary happenings, people became obsessed with ‘wanting’ and ‘owning’ things, for instance, money, employment and better work offerings and because of this constant need for ‘owning’ things, people appreciate nature less because they cannot own it. This line contributes to the characteristics of “individual feelings” (Record et al., 2016:11) and “human hearts” (Record et al., 2016:11), because this is an opinion of the speaker which is very personal and it is about what makes humans happy, which is
Despite nature’s capacity to exist without humanity, ‘orchards would never be planted’. The high modality of the metaphor of an orchard and its fruit unable to be formed reflects the absence of human drive for a set goal nor its deliberately planned path of growth– bearing no ‘fruits’ or rewards in the long run. In comparison, when humanity’s rapacious attempts strip the landscape of its resources (Flame Tree in a Quarry), nature ‘springs up this scarlet breath’ where the sibilance and personification of the earth emphasises the sharp pain and loss. Furthermore, the symbolism of ‘scarlet’ as blood from a wound also exemplifies humanity’s self endangerment upon damaging the land, in spite of their temporary materialistic gain. Therefore, although both the land and humans may, at least momentarily, survive with the absence of the other, both have their progress capped. Accordingly, the River of Dreams illustrates humanity and nature’s reliance on one another in the ship on the luminescent blue ocean in the background’s centre of the River of Dreams. The ocean symbolises nature’s patience and gentle nurturing power being the medium of support for the ship that represents humanity. This conveys humanity’s striving intention for an advance to a pinpointed destination, sanctioned by nature’s serenity and stability to prevent society’s total submergence in greed
Through this quote Ralph Waldo Emerson was trying to prove that the understanding of nature in human is very little, as all humans do is view nature as something that is materialistic. In the first chapter of his essay, "Nature", Emerson says that if humans were to let go of all the materialistic views they have and interact with nature and observe it beyond the items they would understand the true meaning of nature and its value. His theme through this passage is to show that every single object that humans see before their eyes is not nature. The objects that humans see is a piece of art that humans can easily change to become something different. When he describes the farms he sees, Emerson says that no one owns the farms because as a whole the farms are nothing but of the same, meaning they are a whole piece not individual pieces that are scattered. That is the theme that he is trying to portray through this quote and just like stars, though they are always there, everyone just views them as they are always there "for" the humans, but Emerson
Architects such as Louis Sullivan brought new principles of building: the skyscrapers, and allowed more space available on less land. Industrial jobs brought more rural people into factory thus increased population. Electricity, telephones, indoor plumbing and new inventions made life easier in the big cities. Walking city made it easier to for people to walk around.
For almost two centuries, from the late 1700s to the 1900s, Romanticism impacted the writings of countless people. This artistic movement originated in Europe and reached many continents by the 19th century, which was when it hit its peak. One reason why the movement started was because of the Age of Enlightenment, a time when people considered logical reasoning to be more important than feelings or emotions. Some people didn’t agree with this new idea so they started the movement. Another reason for the start of the movement was because of the French Revolution. People under the rule of Louis the XVI suffered lack of freedom in speech and expression. They faced unjust laws and had unequal distribution of resources, therefore, one major focus of romanticism was to emphasize on the injustices through their poems.
Romanticism acted as a distinct backbone of political and social rhetoric for theorists throughout the 19th and 20th century across Europe. Through artistic mediums, people created a cultural basis for nationalistic thought, and these literary, illustrated, and musical productions planted the seed of national and often ethnocentric pride of the people in various states. Simultaneously, rapid industrialization occurred, and cities grew immensely; to support the expansion, the developing industries assembled flocks of pe...
Unfortunately, however not only do we rely on our environment for nourishment, but we take it for granted, despite the fact that “nature is the ministry of men”, tailored to our every need (Emerson). The ground provides a place to walk and sleep, the trees a source of shelter, and lakes sources of water. How do humans respond to this benevolence? With greed and insolence. Author Joy Williams, describes it accurately when explaining how humans just “want and want and want and want”, consumed with the need for “vanities and a quest of self-fulfillment”. Despite being aggressive in her tone, Williams has a point. Even society tells us to keep working harder and never be satisfied, and through this mentality our species has built massive cities and developed unthought of technologies. What is ignored, however, is the person forced to deal with the repercussions of these wants and vanities; Mother Nature. Releasing the billions, yes billions, tons of greenhouse gases into the atmosphere, is slowly suffocating her, whereas, putting pesticides on our crops to increase their yield is poisoning her and killing ingenious bugs in the process. Making the situation even worse, furthermore, is the fact that all of the pain and damage we have forced onto nature is avoidable. One example, highlighted by Williams in her essay, delves into the life of shrimpers. For every pound of
Beginning in late-eighteenth century Europe, Romanticism challenged the Enlightenment Age’s methodical and scientific ideas and encouraged the growth of imaginative and idiosyncratic philosophies. Russian-British philosopher Isaiah Berlin described Romanticism as “the greatest single shift in the consciousness of the West that has occurred, and all the other shifts which have occurred … [are] less important, and at any rate deeply influenced by it. (Berlin 2)”. Imagination, individualism, and pastoral life were predominant themes in the Romantic Movement, and the Industrial Revolution which had begun several decades before posed a threat to preservation of these features of Romanticism. Nature, particularly, was almost idolized by Romantic poets during this time.
Romanticism is used to describe the forces that have helped shape the modern world. So influential, Romanticism has been around since the late 18th century that one author called it "the profoundest cultural transformation in human history since the invention of the city." It was not a movement; it was a series of movements that had dynamic impacts on art, literature, science, religion, economics, politics, and the individuals understanding of self. Not all streams of Romanticism were the same; some were in fact almost completely opposite in their effect.
Romanticism started in the 18th century and was said to be influenced by the French and Industrial Revolution.
Environmental Crisis Exposed in The World Is Too Much With Us and God's Grandeur. In his poem, "The World Is Too Much With Us," William Wordsworth blames modern man for being too self-indulgent. Likewise, Gerard Manley Hopkins shows how the way we treat nature shows our loss of spirituality in his poem, "God's Grandeur. " We are ruthless by lacking proper appreciation for, being separated from, and abusing nature.
The expression Romantic gained currency during its own time, roughly 1780-1850. However, the Romantic era is to identify a period in which certain ideas and attitudes arose, gained the idea of intellectual achievement and became dominant. This is why , they became the dominant mode of expression. Which tells us something else about the Romantic era which expression was perhaps everything to do with them -- expression in art, music, poetry, drama, literature and philosophy. Romantic ideas arose both as implicit and explicit criticisms of 18th century Enlightenment thought. For the most part, these ideas were generated by a sense of being unable to deal with the dominant ideals of the Enlightenment and of the society that produced them. Which characterized Transendinlalism very differently from that of Romanticism. The difference of Transendinlalism was that it was a literary and philosophical movement, associated with Ralph Waldo Emerson and Margaret Fuller, asserting the existence of an ideal spiritual reality that transcends the empirical and scientific and is knowable through intuition. However, the Romantics thought differently because they that, that romanticism was an artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in nature, emphasis on the individual's expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions. The Romantics felt all the opinions of the Enlightment were fraught with dangerous errors and oversimplification. Romanticism may then be considered as a critique of the inadequacies of what it held to be Enlightened thought. The d...
Romanticism deals with the ability of only looking at the positives of life. A theme of which, pleased many Americans, in the 1800’s, as a result of being
Works of literature are proof that although there are differences in opinions and customs throughout the course of time, same concepts can still be incorporated in them. The Romantic Era is best known for the unwinding of the individual self. Prior to this Era, it was not common for a person, especially a man, to express emotions and thereupon compare those emotions to nature. The Victorian Era is centralized around the beliefs and customs of Queen Victoria and the takeoff of the Industrial Revolution. The Modernist Era, up until the twenty first century is generally focused on the impact of reality and a wake up from the illusion that everything would fall into place. The Romantic, Victorian, and Modernist Era, although centralized on rather
Romanticism is a movement in the arts that flourished in Europe and America throughout much of the 19th century from the period of the French revolution in 1789. Romantic artists’ glorified nature, idealized the past, and celebrated the divinity of creation. There is a fundamental emphasis on freedom of self expression, sincerity, spontaneity and originality. The movement rebelled against classicism, and artists turned to sources of inspiration for subject matter and artistic style. Their treatment of subject was emotional rather than reasonable, intuitive rather than analytical. Among other Romantics, the focus on the human being was manifested in a fascination with the eerie and exotic and with the effects of guilt, evil, isolation, and terror on the human psyche. Romanticism was seen as a revival of the essentially modern, spiritual and fantastic culture of the middle Ages. Romantics were involved in emotional directness of personal experience and individual imagination and aspiration. It was partly a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature, and was embodied most strongly in the visual arts, music, and literature.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.