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Importance of relationship
Importance of relationship
The effects of adoption on a family
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All wise people will tell us that we must never let the sadness of our past and the fear of our future ruin the happiness of our present. However, what happens when this idea becomes an illusion restraining us from actually living in the present? What happens when the only condition to our happiness is that our present returns in the past? The book A long way home, written by Saroo Brierley and its film adaptation, Lion, directed by Garth Davis illustrates the fight of a young man who tries to appreciate his present by reconnecting with his past. Indeed, both literary and visual works present Saroo’s incredible, once thought impossible quest to find his biological family in the indian village he left 25 years ago. Through both narratives, it …show more content…
However, his relationships and his sense of acceptance in his families are delineated differently in the novel and in the film. In Saroo’s work, he focuses mainly on his relationship with his family in India ; his mother, Kamla, his brothers, Guddu and Kallu and his sister, Shekila. He portrays them as: “My mother was very beautiful. […] I remember her as the loveliest woman in the world. […] As well as my mother and my baby sister, Shekila, whose name was Muslim unlike ours, there were also my older brothers, Guddu and Kallu, whom I loved and looked up to.” (Brierley 15). This shows how the book insists more on his biological family and how much they meant to him. In fact, the book enhances Saroo’s dear connection with his family thanks to the love, protection, and sacrifices of his mother and brothers. Knowing that he was loved made his seperation not only abrupt and unexpected, but unbearable, leaving the reader unconsciously hoping that he will one day find his way home. A home in which money is not a source of comfort, but rather the love and appreciation they have for each other. On the other hand, the film focuses more on Saroo’s relationship with his adoptive family. For instance; in the movie, several passages describes his new family and his new life in Australia while there is almost no mention of the close relationship he had with his family in India. Although Saroo's relationship with his Indian family was dismissed in the film, his relationship with his adoptive family was very well described, revealing to the viewer a different perspective on the sense of belonging. In fact, it illustrated that even if Saroo lived in good financial circumstances, surrounded by people who loved him and took care of him, he still felt an internal obligation to solve the mysteries about his origins by linking his present to his past. This only increases his inner struggle between his loving adoptive
In conclusion, the experience of main characters, Norman and Vicente, from Cathy Jewison’s The Prospector’s Trail and Eva Lis Wuorio’s The Singing Silence respectively, prove that, in order for one to attain a fulfilled and content life, one needs to be open to new things and try a new way of living. At first, the main characters are both unsatisfied with their old lives; as the stories progress, they try to embrace new ways of living; finally, by experiencing what they have never done before, the main characters find their true interest and become contented with life. Both of the stories convey the idea that, one should not be afraid to try new things, because these attempts may help one find one’s true interest and bring one a gratified life.
Classic literature juxtaposes two ways of life that illustrate the poles of true happiness: a life of adventure, exemplified by Odysseus (The Odyssey), and the life at home, which poets and farmers represent. In The Iliad, Achilleus chooses to live a short, glorious life, even though he could have chosen to live a long life in anonymity. Arguments have been put forth that the life of adventure is a living hell, as Achilleus testifies from Hades after his death - in hindsight, he would have settled for the life of a slave and given up his glory, if only he could have lived longer. Alternately, the life of the (metaphorical) farmer has been despised as simple and ordinary, when true immortality is only attained with great accomplishments, such as sacking Troy or surviving heroic adventures which are then recorded. In a modern day autobiography of the 1996 ascent of Mt. Everest (Sagarmatha to the Nepalis, or “goddess of the sky”), Jon Krakauer reveals the human motivation behind adventure and tells the story of the men and women who lived and died on the expeditions to the summit during that spring (Into Thin Air). With epic literature and a recent epic, I will illuminate the values of a reflective life as well as the life of adventure, and delve into the necessary components of the ‘good life.’
Against the backdrop of a brand-new liberalized world, Kapur sketches out Shagun’s boredom, Raman’s hurt and the confusion of their children, Roohi and Arjun, who are batted back and forth between parents and across chapters. The two new partners in the equation, boss man Ashok and divorcee Ishita, struggle to woo their step kids while supporting
Looking back at the past and to see how portraying it at a later time can change someone’s perspective. Looking back at all the events that had happened Alison Bechdel’s graphic memoir, Fun Home, is where she expresses how her family had gone separately one by one and how it has made an effect on herself to become who she is now.
“This is what the past is for! Every experience God gives us, every person He puts in our lives is the perfect preparation for the future that only He can see” (p. x). Not a single person on the earth can honestly and surely declare that they have never failed or suffered. During these moments, especially during these moments, people question why they are hurting and what purpose their pain serves. In The Hiding Place, a chilling autobiography written by Corrie Ten Boom, these emotions are shown in their rawest form as World War II stopped the world.
Saroo Brierley is suffering from trauma, depression, and anxiety to due to the separation from his family when he was five years old. Not only in getting lost, but spending months on the streets of Calcutta until he was rescued. He mentions adopting Australian culture and how he forgot not only how to speak Hindi, but his childhood memories, which he is slowly recovering from. His girlfriend referred him who, noticed how his behavior has changed in the last couple of months, which includes: exhaustion, confusion, sadness, anxiety and staying up late on Facebook and a long, slow search with Google Earth. The obsession with finding his biological mother has impacted his relationship, not only with his girlfriend and friends, but keeping secrets
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
The main message of not loosing hope touches each person that watches the film. Not to mention that, the parallel narrative, lets us understand his search for his cultural identity, by going back and forth from Australia to India (Valentini 1). When Saroo finally finds his mother, there is no dialogue between these two but it is still a very sentimental and relatable scene. The audience can understand the feeling of finally seeing someone you love and miss, which makes it is easy to imagine ourselves at his place and feeling the joy and the sadness, all at once. The lack of dialogue in this scene does not stop it from being very emotional, as a result of the physical contact between the two. Seeing them touching, looking at each other, embracing, crying showed us the sense of belonging that he was searching for throughout the film. He was raised as an Austrian and could no longer communicate with his mother, but the connection was still present and felt through the
A physical journey occurs as a direct result of travelling from one place to another over land, sea or even space. The physical journey can occur individually or collectively, but always involves more than mere movement. Instead physical journeys are accompanied by inner growth and development, catalysed by the experiences and the decisions that impact the outcome of the journey. These journey concepts and the interrelationship between physical and emotional journeys is exemplified in the text; The Adventures of Huckleberry Finn by Mark Twain, The Road Not Taken by Robert Frost, the children’s book Lost and Found by Oliver Jeffers and the film Stand By Me directed by Rob Reiner.
Identity is what makes people who they are. A spirit, individuality, and reminiscence are something that belongs to every individual. Someone might become different; however, profoundly we continue to be the same. “Wakefield” expounds the concept of the story in the shape of an ordinary imaginary- to leave his wife and his home and to realize the consequence that his nonappearance has in the loveliest person’s that he left without any knowledge about him.
(“But I'm just a traveler in time / Trying so hard to pay for my crime,” … “I've tried for so long to find / Some way of helping mankind,”) As the narrator desperately tries to find a way home, he recounts the hardships of being trapped in unspecified destinations in time, with no clue as to when his ‘punishment’ will come to an end.
“It was the spring before I turned twenty-nine, I think,” the old man muttered as he stared down the length of the Seine river, “The song had just come out and I should've been a young man hopeless in love with my fiance, exploring all these alleys and streets in the city of lights and love, or whatever you wish to call it, without a care in the world. Back in my younger years I was the furthest anyone could be from worry free. Times before then made all of us different.”
In Jo Ann Beard’s “The Fourth State of Matter” and Jay McInerey’s “It’s Six A.M. Do You Know Where You Are?”, two completely different main characters find themselves recently separated from their spouse and alone. Throughout both of these stories, we see the struggles that these individuals face as they cope with their grief after separating from their significant other and accepting their new realities. The narrator in “The Fourth State of Matter” consumes her time in caring for her ailing dog and working as a physics magazine editor; the main character in “It’s Six A.M. Do You Know Where You Are?” spends his time abusing cocaine and looking for another companion. While the two characters handle their situation in two completely different ways, they do, however, possess some similar qualities. Ultimately, they have both come to find themselves in a reality that is stuck between the past and the future. In the end, both characters are able to accept their divorces probably because they have felt so lonely for far too long; they can finally move on with their lives. “The Fourth State of Matter” and “It’s Six A.M. Do You Know Where You Are?” both depict how misfortune can leave the characters in each story in inertia between reminiscing on the past and moving forward into the future and how difficult moving on can actually be for these characters who fear the feeling of being abandonment so much.
The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation Kofi in disgrace shoots himself whiles Anowa too drowns herself.
When I think back to the days when I was a child, I think about all of my wonderful childhood memories. Often I wish to go back, back to that point in life when everything seemed simpler. Sometimes I think about it too much, knowing I cannot return. Yet there is still one place I can count on to take me back to that state of mind, my grandparent’s house and the land I love so much.