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Interpretation from romeo und juliet
Overall message in romeo and juliet
Symbolisms in romeo and juliet essay
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At times, ”Dawn”, can be a metaphor for a time of clarity. It is also called an “epiphany”. When a person has an epiphany, it may cause them to realize that there is a bigger problem the whole time. Similarly, as Romeo and Juliet were completing their final conversation before Romeo is banished, Juliet exclaims, “‘ As one dead in the bottom of a tomb’” (Romeo and Juliet 3.5.56). In Shakespeare's famous play, Romeo and Juliet, Juliet realizes that there is bigger problem because she has the epiphany of Romeo dead in a tomb. Likewise, while saying that there is too much pain and suffering, the narrator explains that, ‘“At sunrise …Too much pain, too much pressure’’”(doc.1). This quote from Campbell’s song, ”Sunrise”, demonstrates that epiphanies
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
Millay is associating death with happiness. This unlikely comparison allows the reader to become relaxed about the hardships the author was facing in the earlier passages of the poem. As the earth gave way and Millay sank softly and perfectly six feet under the ground, the reader celebrates as if a runner was finally crossing the finish line. Comparing death to a successful situation is an unusual way of looking at the end of life. Yet, this view of death is a positive outlook and is quite wonderful as opposed to other literary views of death such as "death: the gatekeeper of hell who has conquered the Earth." Millay makes the reader believe that the sinking earth is more of a pair of open hands waiting to hold the weary soul of man. Death is a chance of catching up on that sleep that you never quite caught up on. Another image that Millay gives the reader is that of a mother embracing her child. Mother Earth welcomes home her tired child and allows him to rest his head upon her soft breast. She runs her hands through his hair and lays them on his brow as to cool him off. She whispers her tired child to sleep through the sweet and friendly sound of rain.
For many people, the early hours of the morning can hold numerous possibilities from time for quiet reflections to beginning of the day observations to waking up and taking in the fresh air. In the instance of the poems “Five A.M.” and “Five Flights Up,” respective poets William Stafford and Elizabeth Bishop write of experiences similar to these. However, what lies different in their styles is the state of mind of the speakers. While Stafford’s speaker silently reflects on his walk at dawn from a philosophical view of facing the troubles that lie ahead in his day, Bishop’s speaker observes nature’s creations and their blissful well-being after the bad day had before and the impact these negative thoughts have on her psychological state in terms
Before misfortune had tainted my mind, and changed its bright visions of extensive usefulness into gloomy and narrow reflections upon self. […] by insensible steps to my after tale of misery: for when I would account to myself for the birth of that passion, which afterwards ruled my destiny. (Shelly 21)
Dickinson’s poem has no life after death; her poem speaks of the finality of death. Compared to Whitman’s poem there is no recycling of life, only the blinding dark and loss of self. Dickinson’s poem ends with the line, “And then the Windows failed-and then I could not see-“(Dickinson 1248). This line emphasizes Dickinson’s point of there being no afterlife. Her grim tone is well defined throughout her poem as the speaker of the poem lies in their death bed, while others wait with breaths held in for the speaker to die. The tone of Dickinson’s poem carries a gruesome burden of weight in how death is inescapable and leaves the reader with a dark cloud over their heads of the inevitability of it all. The speaker of the poem awaits their death as “The Eyes around-had wrung them dry-And Breaths were gathering firm” (Dickinson 1248). Her poem steadily maintains her morbid tone throughout her writing, emphasizing her points and interpretation of death. Dickinson views death as the finale of life. She believes there is nothing left to be fulfilled
‘’For life and death are one, even as the river and the sea are one,’’ ~ Khalil Gibran. The poems “Birdfoot’s Grampa” by Joseph Bruchac and ‘’Traveling Through the Dark’’ by William Stafford, both explore the dilemma of deciding life and death. While these poems both have the same general idea and situation, a closer examination reveals differences in conflict and the writers opinions.
In "the story of an hour" Chopin discuss how getting married can lead you to live a life of anguish. In the beginning of the short story Mrs. Mallard revives terrible news that her husband has been recently killed, she "Wept at once, with sudden, wild abandonment." This intense reaction is how society would expect her to act if your husband dies. Mrs. Mallard then goes into her bedroom to grieve alone: "She could see in the open square before her house the tops of the trees that were all aquiver with the new spring life." Seeing the open square makes her crave freedom, something she doesn't remembering having. The new spring life will eventually represent her new-found freedom and happiness. As she stares outside the window she thinks, but "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." She is critically thinking of what will come and what has just happened, she has not ever has to think for herself, her husband always did that for her. This is the first time her feelings start to stir, she tries to process the information more to figure out what they mean.
“We met, we woo'd and made exchange of vow, I'll tell thee as we pass; but this I pray, That thou consent to marry us to-day.” (Shakespeare II.III. 60). Romeo’s impulsiveness is clearly shown through this quote that he states. The reason for Romeo’s impulsiveness is because he just recently met Juliet and he decides to marry her very quickly. Also this quote reveals to the audience Romeo’s hamartia. Since he is too quick and rash it will inevitably lead him to his fatal death; and through this quote you could see where Romeo went wrong and how it will greatly affect him. Furthermore Romeo leads the audience to believe that he is just infatuated by Juliet’s looks; due to the fact he was strongly in love with Rosaline and then all of sudden falls in love with Juliet and forgets about Rosaline which he claimed to be his one and only love. “Young men’s love then lies Not truly in their hearts, but in their eyes.”(II.III.65). This quote that Friar Lawrence states planted into the readers mind that Romeo might not be truly in love but rather infatuated. This tragic play takes place in fair Verona where a quarrel between two families takes place due to an ancient grudge. Both families, Montague and Capulet hate each other with a great passion. Two lovers named Romeo and Juliet are both from the two opposing families and they love and marry each other in secret without their families knowing. Because of their impulsiveness and rash decisions it causes them to lead themselves to die a tragic death. Foil characters aid to heighten or highlight an attribute in another character which furthers the plot. Romeo is heightened and influenced by secondary characters that eventually brings out his hamartia, peripeteia, and anagnorisis. These chara...
The theme of Time to Come presents the mystery of life after death and calls attention to how vulnerable it’s victims are. Whitman begins his poem with the strong metaphor “ O, Death! a black and pierceless pall” (1). This bold statement allows the reader quickly realize that the work will somehow be connected to death, but in an insightful manner. The alliteration of “pierceless pall” emphasizes death’s ruthless approach. Whitman then describes death as a “mystery of fate” that " No eye may see, no mind may grasp” (3-4). This points out that death lingers in the future, essentially waiting to seize lives and nobody can know when th...
Romeo and Juliet plays on the idea of duality. Friar Laurence says, “In man as well as herbs, grace and rude will;” (2.3). He uses the example of a plant which can be used for medicine, but it can also be used as a poison. The art piece is inspired by a tarot card. Specifically, the lovers tarot which is translated in Italian. Tarot cards are seen as a system of fortune telling, a prediction of one’s fate. Fate in this play is a dominating force in the lives of these young lovers. The Prologue states that Romeo and Juliet have fate against them, a "death-marked,"love. The mechanism of fate works in all of the events surrounding them: the series of accidents that ruin Friar’s plans and the tragic timing of Romeo’s suicide and Juliet’s awakening. These events aren't coincidental but manifestations of fate to the unavoidable outcome.
...e will be lost as sudden lightning or as wind. And yet the ghost of her remains reflected with the metal gone, a shadow as of shifting leaves at moonrise or at early dawn. A kind of rapture never quite possessed again, however long the heart lays siege upon a ghost recaptured in a web of song – Tennessee Williams” (Hoare).
Romeo and Juliet’s true love is being mistaken for infatuation because they are in lust and are not emotionally stable enough to be in true love.
“This is the Hour of Lead –/Remembered, if outlived,” ( 10-11) in this the speaker tells us about the “Hours of Lead” one goes through before the point of realization. The “Hours of Lead” is the time of darkness or the endless abyss someone have been walking around carelessly about. However, they’re not dead yet. Although it may seems the earth stood still, life continues to move forward as they’re still scrambling about trying to catch their feelings. They come to the realization that this indeed has happened to them, but will not forget it has happened. Even though it brought them pain and smothered them in misery, they will not let this take anymore from them than it already had. The pain of the event will always be there. There’s still that sense of numbness as one recollects warmth. Dickinson writes this series of grievances as “First – Chill – then Stupor – then the letting go –” (13). There’s that chill or sudden feeling of despair and emptiness as they realize what has happened. The “stupor” is showing the shock one will go through over time until they can get to “the letting go” process. Life will go on. It may take time for one to fully submit to the idea of the tragedy, but they will recover and continue to reshape their being either back to the way it was or
“He went like one that hath been stunned/ And is of sense forlorn/ A sadder and a wiser man/ He rose the morrow morn.” Life is full of many luxuries that are matched with equal miseries. When discovering the rhythm of life, and adding experience to your voyages the harsh realities of existence are uncovered. The young boy, who skips the party to re-examine his life, finds that life is a sorrowful place filled with countless miseries. He recalls the events in his life that produced guilt, and suffers from the agony all over again. Guilt and remorse cannot be eliminated, and they live with you every day throughout life. The young boy leaves the conversation, and dodges the wedding, because the remorse of these past experiences flushed through
Such descriptions change, however, as the last lines change in tone, bringing forth a harsh reality, even to those submerged in the unified joys of love with a strategically placed ‘narrow grave’ to emphasise the loneliness of death.