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Renascence edna st vincent millay analysis
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Millay's View on Death as Depicted in Renascence
As Edna St. Vincent Millay begins her second paragraph of Renascence, she describes herself as joyous of her coming death. Millay has been telling the reader of her frustration and anguish as she lies on the ground burdened by the sin of her life. She cries out in sheer pain, "Ah, awful weight!" She actually describes herself as "craving" death. The dying experience was becoming so painful for Millay, that she just wanted the process to be finished. The second paragraph welcomes Millay into her eternity and in turn she becomes relaxed and satisfied about her passing from life. Millay takes on a very difficult task of not only describing the final stage of death as a joyous thing, but also attempting to persuade her audience into believing the same thing.
Millay is associating death with happiness. This unlikely comparison allows the reader to become relaxed about the hardships the author was facing in the earlier passages of the poem. As the earth gave way and Millay sank softly and perfectly six feet under the ground, the reader celebrates as if a runner was finally crossing the finish line. Comparing death to a successful situation is an unusual way of looking at the end of life. Yet, this view of death is a positive outlook and is quite wonderful as opposed to other literary views of death such as "death: the gatekeeper of hell who has conquered the Earth." Millay makes the reader believe that the sinking earth is more of a pair of open hands waiting to hold the weary soul of man. Death is a chance of catching up on that sleep that you never quite caught up on. Another image that Millay gives the reader is that of a mother embracing her child. Mother Earth welcomes home her tired child and allows him to rest his head upon her soft breast. She runs her hands through his hair and lays them on his brow as to cool him off. She whispers her tired child to sleep through the sweet and friendly sound of rain.
Through persuading the audience to believe that death is a wonderful and relaxing thing, she takes on a very difficult task. A common thought of the end of life is that it is a ceasing of all things good.
My initial response to the poem was a deep sense of empathy. This indicated to me the way the man’s body was treated after he had passed. I felt sorry for him as the poet created the strong feeling that he had a lonely life. It told us how his body became a part of the land and how he added something to the land around him after he died.
Overall, dwell on this process of changing throughout the poem, it can be understood that the poet is demonstrating a particular attitude towards life. Everyone declines and dies eventually, but it would be better to embrace an optimistic, opened mind than a pessimistic, giving-up attitude; face the approach of death unflinchingly, calmly.
Marijuana in America became a popular ingredient in many medicinal products and was openly sold in pharmacies in the late nineteenth century (“Busted-America’s War on Marijuana Timeline”). The National Institute of Drug Abuse defines marijuana as, “The dried leaves, flowers, stems, and seeds from the hemp plant Cannabis sativa, which contains the psychoactive (mind-altering) chemical delta-9-tetrahydrocannabinol (THC), as well as other related compounds” (“DrugFacts: Marijuana”). It was not until the Food and Drug act of 19...
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
The classic opener for any fairy tale, which is no different in the case of Beauty and the Beast. Fairy tales were meant to teach our children life lessons that society, at the time, deems important to learn. They teach us the difference between right and wrong, black and white, good and bad, light and dark, and beautiful and ugly. There are many different variations and names to Beauty and the Beast. This famous fable has been passed down and integrated into our culture time and time again, each time adding different lessons that were thought to be important in that day and age. What has changed over the years? How have the fairy tales of Beauty and the Beast affected the children of yesterday, today and tomorrow? I hope to show how fairy tales, more importantly Beauty and the Beast, is helpful to children in many ways, but mostly by teaching them the way that they should act in society. There are three very important lessons that Beauty and the Beast teaches us. First, and probably, the biggest one, is that beauty is only skin deep. It is what is on the inside that counts. Second, which ties in with the first lesson is, don't be too greedy because you will only be looking for the beauty on the out side. Finally, do unto others as you would have done to you, this will make you beautiful on the inside were it counts.
Lately it seems that drug policy and the war on drugs has been in the headlines quite a lot. It is becoming increasingly apparent that the policies that the United States government takes against illegal drugs are coming into question. The mainstream media is catching on to the message of organizations and individuals who have long been considered liberal "Counter Culture" supporters. The marijuana question seems to be the most prevalent and pressed of the drugs and issues that are currently being addressed. The messages of these organizations and individuals include everything from legalization of marijuana for medical purposes, to full-unrestricted legalization of the drug. Of course, the status quo of vote seeking politicians and conservative policy makers has put up a strong resistance to this "new" reform lobby. The reasons for the resistance to the changes in drug policies are multiple and complex. The issues of marijuana’s possible negative effects, its use as a medical remedy, the criminality of distribution and usage, and the disparity in the enforcement of current drug laws have all been brought to a head and must be addressed in the near future. It is apparent that it would be irresponsible and wrong for the government to not evaluate it’s current general drug policies and perhaps most important, their marijuana policy. With the facts of racial disparity in punishment, detrimental effects, fiscal strain and most importantly, the history of the drug, the government most certainly must come to the conclusion that they must, at the very least, decriminalize marijuana use and quite probably fully legalize it.
One of the biggest environmental impacts of a meat-eating diet is the depletion of natural resources, particularly the consumption of vast amounts of water for livestock production. Today, there are more than 17 billion livestock in the world; that’s about triple the number of people. Raising these animals requires huge amounts of water, most of it used to irrigate the grains and hay fed to the animals. According to the Water Education Foundation, it takes 2,464 gallons of water to produce one pound of beef in California. This is the same amount of water you would use if you took a seven-minute shower every day for six entire months. In contrast, only 25 gallons of water are needed to produce one pound of wheat. Present human water consumption drains aquifers around the world. Water tables
Millay is also capable of articulating the effect that knowledge of pain, suffering and death can cause on a child or young adult. And by the end of the poem Millay escapes, unharmed with her same thirst for knowledge. Most importantly Millay's readers feel as if they can sit down and live and learn from her poems without having to go through the agony of dissecting ancient language or multiple allusions to past works.
One thing that we often hear is that “death is just a part of life.” So often in our day and age do we hear people utter these words. However, death is far more significant and impactful than some would allege. True death is not merely a time when we cease to exist; it is an entombment, a mindset in which we are dead to this world. Throughout our lives, it is true that we can all be dead in one way or another, but it does not have to be that way. When we have our eyes opened to what death actually is, it is far easier to grasp what the true meaning of life is, and to embrace it. Often, we will come across individuals who are enveloped in death and others who are immersed in true life. The shadow of death and entombment lies upon some, encompassing
According to “Meat the Truth”, a 2007 documentary directed by Karen Soeters, the film exposes the consequences of meat and dairy. It influences people about increasing the consumption of a plant-based diet and decreasing the intake of meat. Marianne Thieme, the narrator of the documentary and a Dutch politician who is a Member of the Party for the Animals in the Dutch Parliament, states, “Eating meat is the number one most environmentally destructive behavior, not cars, planes and power plants”. A consumer can make a great impact by changing their diet and restricting the consumption of meat. The transition to a plant-based diet is strongly informed by the film. Consumers have fallen into the advertising and marketing of meat to trigger minds the satisfaction of meat. Statistics from the Food and Agriculture Organization prove that from 1950 to 2000, the population of the world went from 2.6 to 6 billion and from this meat production increased five times as great. It is possible it can keep doubling this amount every fifty years if there isn’t a change that occurs. From the People for the Ethical Treatment of Animals, they state, “The Environmental Protection Agency (EPA) reports that roughly 80 percent of ammonia emissions in the U.S. come from animal waste.” Raising animals to
The speaker’s language towards the woman’s death in “The Last Night that she lived” portrays a yearning attitude that leads to disappointment; which reiterates human discontent with the imperfections of life. The description of woman’s death creates an image of tranquility that causes the speaker to aspire towards death. Her death compares to a reed floating in water without any struggle. The simile paradoxically juxtaposes nature and death because nature’s connotation living things, while death refers to dead things, but death becomes a part of nature. She consents to death, so she quietly dies while those around her refuse to accept her imminent death. The speaker’s description of death sounds like a peaceful experience, like going to sleep, but for eternity. These lines describe her tranquil death, “We waited while She passed—It was a narrow time—Too jostled were Our Souls to speak. At length the notice came. She mentioned, and forgot—Then lightly as a Reed Bent to the water, struggled scarce- Consented, and was dead-“ .Alliteration in “We waited”, emphasizes their impatience of the arrival of her death because of their curiosity about death. The woman’s suffering will be over soon. This is exhibited through the employment of dashes figuratively that form a narrow sentence to show the narrowing time remaining in her life, which creates suspense for the speaker, and also foreshadows that she dies quickly. The line also includes a pun because “notice” refers to the information of her death, and also announcement, which parallels to the soul’s inability to speak. “She mentioned, and forgot—“, refers to her attempt to announce her farewell to everyone, which connects to the previous line’s announcement. The dashes fig...
...ck of culture on the fact that people were more focused on getting back to normal life than art and music and various other forms of culture. Eliot thought that this emptiness in culture gave way to immorality in society. However, he believed that there was still a chance for the renewal of society. Eliot thought that religion would be able to save England’s society. Eliot’s poem condemns England’s post WWI culture and offers a solution to the problem.
“Triple Whopper of Environmental Impact of Global Meat Production.” Science Time. N.p., n.d. Web. 3 Dec. 2015. .
As the turn of the twentieth century approached, the livestock industry became increasingly more powerful than ever before, and meat became much more affordable for working class families (Best). That was, until Francis Moore Lappé’s book, Diet for a Small Planet was published in 1971, and exposed the grave danger that the meat industry set upon the environment and specifically the earth’s land (Best). With a population that grows as rapidly as the human civilization does, it is imperative that changes are made to ensure habitat conservation for years to come, and it seems that a vegetarian diet is the way to help. Livestock farms and land to grow feed for those animals has taken the space of some of earth’s most wonderful resources, using up recreational land, wildlife habitat, and wilderness. The average American diet consists of 270 pounds of meat each year, and that rounds up to approximately 20 acres of land (Vidal). Livestock is said to take up 30% of dry land on earth, and 80% of the agrarian land within the United States. Becoming a vege...
Why do folk’s tales exist? To preach a moral to people? Or is it to simply entertain? Like the Disney animated classic Sleeping beauty and its predecessors did. This story of the sleeping beauty horrified children throughout the ages yet as time went by it became more sanitized and cleaned up. But ironically the more it became kid friendly the more popular it became. As society changed the morals and ideals that the folk tales were trying to explain changed as well, as a result the story changed. What changed the story but kept true to its lore at the same time can be attributed to combination of social, economic and historical factors.