Dizzy Gillespie Thesis

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Dizzy Gillespie Summary
John Birks Gillespie also known as Dizzy was born on October 21, 1917, in
Cheraw, South Carolina. Dizzy without question is one of the best to have picked up a Trumpet and make music that would change the landscape of Jazz. The musical genies of Dizzy also extended to Piano as he stared playing on the ivory keys at age four and the Trombone, which he was self taught at age 12. Dizzy grew up in poverty and he used his musical talent to win a scholarship to an agricultural school (Laurinburg Institute in North Carolina) for two years, where he played in the band and took music classes. In 1935 at (add age) Gillespie dropped out of school to look for work as a musician. Gillespie’s …show more content…

With eagerness they played a couple of gigs, in order to see if they had come upon a style that would be as well received as swing music.
Gillespie and Charlie Parker are known as the co-founders of the bebop movement; the two worked together in the 1940’s and early 50’s. Gillespie and his friends was trying to make the music of bebop more of a classy style, something different from the sound of swing music from the tone and rhythm of the music. “Bebop was an extreme, it was the only kind of idea that could have restored any amount of excitement and beauty to contemporary”.(Blues People pg 199) . Gillespie and Parker were in the mindset that trying different ways to maneuver music notes, from that a more stylish sound could be obtained. With dedication to their craft and a bit by accident, like with all whom have been branded geniuses something’s are created when least expected, and that could be said of Dizzy. In the brilliance that was Dizzy Gillespie he fashioned great and timeless bebop classics such as "Groovin' High," "Salt Peanuts" and "A Night in
Tunisia". Dizzy stayed true to bebop all of his life in whatever group of …show more content…

“The bebop costume which become the rage for hip or hep (then) young
American was merely an adaptation of the dress Dizzy Gillespie one of the pioneers of bebop, wore. (And Dizzy’s dress merely a personal version of a kind of fashionable Negro city dress).”(Blues People pg 190). A long with the music aspect of bebop, Gillespie helped create the next thing that came along with the bebop movement, style and appearance. His late 1940’s look would include a beret, horn-rim glasses, and goatee. That 1940’s swagger became the unofficial
“bebop uniform” and a precursor to the beatnik styles of the 1950’s which became Gillespie signature chic, that he made popular. Gillespie helped create the beboppers signature looks for the next generation of musicians, which Dizzy inspired to greatness.
Gillespie is one of the first musicians to combined Afro-Cuban sound, Caribbean and Brazilian rhythms with jazz. Gillespie differed from other musicians by being a masterful showman who could make his music seem both accessible and a fun ride for the listening audience’s ear. Around the late 1940s, Gillespie formed his own orchestra it was considered to be one of the finest large jazz

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