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“With the writing of Jazz, Morrison takes on new tasks and new risks. Jazz, for example, doesn’t fit the classic novel format in terms of design, sentence structure, or narration. Just like the music this novel is named after, the work is improvisational.” -www.enotes.com/jazz/ “As rich in themes and poetic images as her Pulitzer Prize- winning Beloved…. Morrison conjures up hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.”-Glamour Toni Morrison’s Jazz is an eclectic reading based on elements of African American culture that produce, surround, and are an integral part of literary text. As we know, African American culture is distinguishable from other American cultures by its emphasis on music. This attention to music has produced two original forms, blues and jazz, and has developed distinctive traditions of others like gospel. Jazz is based mainly on one of these forms, namely –as the title infer- on jazz. This form pervades the whole book and provides not only subject and theme but also literary technique for the novel. Consequently, Jazz is not only the novel about the jazz era but also a novel that develops jazz “strategies” and creates a “jazz” of its own. Morrison uses music as both a structural and a symbolic element in her work. Music often carries information about community knowledge, aesthetics, or perspectives. Toni Morrison often discusses the power of music and the way it functions in culture in discussions of her craft. (…) Symbolic and structural elements of music appear throughout all of Toni Morrison’s fiction in one way or another. (Obadike) As it mentioned above, the title itself, draws attention to the world-renowned music created by African Americans in the 1920s’ as well as to the book’s jazz-like narrative structure and themes. Jazz is the best-known artistic creation of Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues In the formally standardized, instrumentally accompanied form of “city blues”(as opposed the formally unstandardized and earlier “country blues”), the blues was to become one of the two major foundations of 1920s jazz (the other being rags). City blues tended to be strophic songs with a text typically based on two-lin... ... middle of paper ... ...al idiosyncrasies perhaps as well as written prose can”(Pici). Morrison took on “new tasks and new risks” but it was worth doing so, as ”the result is a writing style that has a unique mix of the musical, the magical, and the historical.”(www.enotes.com/jazz/) Works Cited: Andrews, John. (1998). What bebop meant to jazz history. A review of Scott Deveux’ book “The Birth of the Bebop: A Social and musical history.” Breckenridge, Stan L. (2003). African American music for everyone. Second Edition. Iowa: Kendall-Hunt Publications. Enotes. The life and work of Toni Morrison. [Retrieved on December 16, 2005 at www.enotes.com/jazz. Glamour – Magazine review of Toni Morrison’s Jazz Hitchcock, H.W. (2000) Music in the USA: A historical introduction. NJ: Prentice House. Morrison, Toni. (1993). Jazz. NY: Penguin Books. Obadike, M.L. (01.01.2006) www.blackeneart.com/Morrison.html Ostendorf, Berndt. (1986). Anthropology, modernism, and jazz. NY: Harold Bloom. Pici, N.F. (1997-98) Trading meanings: The breath of music in Toni Morrison’s jazz. In Connotations 7:3 (1997-98) Rodriguez, Eusebio L. (1993). Experiencing jazz. Modern Fiction Studies, 39. 3-4.
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
Poverty is a complex and growing problem in the United States. As of right now there is no solution. There are proposals and acts, such as Obama Care, that were enacted in an attempt to help people in poverty, and there are so many organizations, such as Habitat for Humanity and The Hunger Project, that try to aid people when they start to lack the necessities, like food and shelter. College students are graduating college with a large amount of student loans and no way of paying them off, people are being evicted from their homes, and employees are being laid off. The unemployment rate in the United States in 2015 was five percent, that’s about fifteen million people. It’s becoming difficult for people to find jobs, therefore making it hard for people to get back on their feet and start living a comfortable lifestyle. Poverty in the
Fast. Risky. Intriguing. The upbeat tempo, clashing of high-hats, and randomness in the seduction of jazz draws in an audience during a performance. The musical art form of jazz uses key elements that mainstream music normally use to draw an audience in. However, the added emphasis of improvisation sets jazz apart from mainstream music. Improvisation calls for a musician to create new music on the spot. Musicians use elements like tempo changes, tone, riffs, and etc., to express improvisation. As jazz originates from the African American
The rapid development of jazz in both the United States and Europe generated a number of diverse musical expressions, including musics that most listeners today would not recognize as “jazz” music. In order to remedy this situation, jazz musicians and critics after 1930 began to codify what “real” jazz encompassed, and more importantly, what “real” jazz did not encompass. This construction of authenticity, often demarcated along racial lines, served to relegate several artists and styles (those outside a “mainstream” to the margins of historiography.
Samuels, Wilfred D., and Clenora Hudson- Weems. Toni Morrison. New York, NY: Twayne Publishers, 1990. 53-78. Print.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Work Cited PageCentury, Douglas. Toni Morrison: Author New York: Chelsea Publishing, 1994Childress, Alice. "Conversations with Toni Morrison" "Conversation with Alice Childress and Toni Morrison" Black Creation Annual. New York: Library of Congress, 1994. Pages 3-9Harris, Trudier. Fiction and Folklore: The Novels of Toni Morrison Knoxville: The university of Tennessee press, 1991Morrison, Toni. Sula. New York: Plume, 1973Morrison, Toni. The Bluest Eye. New York: Plume, 1970Stepto, Robert. "Conversations with Toni Morrison" Intimate Things in Place: A conversation with Toni Morrison. Massachusetts Review. New York: Library of Congress, 1991. Pages 10- 29.
Toni Morrison has been called America's national author and is often compared with great dominant culture authors such as William Faulkner. Morrison's fiction is valued not only for its entertainment, but through her works, she has presented African-Americans a literature in which their own heritage and history a...
By the end of World War I, Black Americans were facing their lowest point in history since slavery. Most of the blacks migrated to the northern states such as New York and Chicago. It was in New York where the “Harlem Renaissance” was born. This movement with jazz was used to rid of the restraints held against African Americans. One of the main reasons that jazz was so popular was that it allowed the performer to create the rhythm. With This in Mind performers realized that there could no...
Rice, Alan J. "Jazzing It Up A Storm: The Execution and Meaning of Toni Morrison's Jazzy Prose Style." The Journal of American Studies 28 (1994): 423-32.
Mobley, Marilyn Sanders. “ Toni Morrison.” The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith, and Trudier Harris. New York: Oxford UP, 1997.508-510.
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
Toni Morrison is one of the leading Afro-American writers who addressed the position of the African Americans in the pre-slavery and post slavery periods. She was concerned with the way Black individuals and communities were expressive or silenced within a dominant culture which has been intolerant of the racial difference. She knew fully well that everything was not well with America. She was aware of the identity crisis faced by the Blacks in America. Therefore, she tried her best to defend her race, protest against racial discrimination and glorify her culture and tradition.
In order to see the parallel between the novel and jazz, one must first see how Ellison incorporates jazz music in the prologue of the novel. He not only sets the scene with jazz music in the background but also gives the narrator a deep understanding of music. The music that the narrator listens to is Louis Armstrong’s “Black and Blue,” which is appropriate because Armstrong is a prominent African-American jazz musician who protests the treatment of African-Americans through his music. The narrator embraces every line of the song and gives an apt description of its message: