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Cultural analysis of Disney's Frozen essay paper
Cultural analysis of Disney's Frozen essay paper
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Introduction Frozen is a musical fantasy animation created and produced at Walt Disney Animation Studios and distributed by Walt Disney Studios Motion Pictures on 2013. According to a report by Lynskey in 2014, “Frozen has grossed almost $1.2bn worldwide. It has won Oscars for best song and best animated feature. Disney’s official YouTube clip of Let It Go has racked up more than 223m views; cover versions, mash-ups and parodies amount to hundreds of millions more. The soundtrack has topped the Billboard charts for 13 weeks and counting. Disney’s second-quarter net profit is up 27%. ”Frozen has become a cultural phenomenon take over the world and capture the culture. At the following part, the popular reason of Frozen and how it influences …show more content…
When considering the history of Disney’s animation, it plays an important role in socialization process for constructing and shaping gender stereotype in society through different themes, storyline, and characters like Snow White and Sleeping Beauty, who always waiting for the prince to save her. Likewise Jeanne & Debra (1996) argued that “in most of the animated films, the male characters are usually projected as aggressive, full of action and violent whilst female characters are proved to be passive and useless as well as sub-ordinate to man” . In Frozen, on the contrary, the male characters Kristoff and Prince Hans are only supporting characters for the plot development. Elsa and Anna positioned as empowered against the traditional Disney setting of masculine heroes. They pursue their goals, they are leaders and exercise power, and they save each other and everyone else in their country. It can be seems that societal expectations of feminism and gender roles is becoming a significant issue and are continually improving for the …show more content…
It can be observed that Frozen is a cultural product due to its huge cultural influences through internet or other related commercial products. Its popularity is not only because it presents producer’s intensions to as a socializing agent and indoctrinating force and the unpredictability and changing of storyline. But also credit to the reaction of fandom and participatory culture, those actual actions has power to influence the individuals and society. Frozen tried to as a resistance of culture to against the cultural hegemony in some way, however, some concept of hegemony like the scandalized beauty of female is
Cinderella, Sleeping Beauty, Snow White, and many other Disney movies all have one thing in common, they feature a female lead who needs a male figure to save them. However, things started to change after the release of Mulan in 1988. Movies that were only representing female leads as weak and always needed to rely on someone, started to feature females who showed off their more masculine side. Mulan was one of the first animated films that had started to dive into that, not to mention it was based on a true story, making it even more powerful. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney”, authors Ken Gillam and Shannon R. Wooden explore Pixar movies show male characters who were not afraid to show their emotions
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
..." Post-Princess Models of Gender: The New Man in Disney/Pixar." Journal of Popular Film and Television 36: 2-8. Web.
This study intended to observe the behavior of characters in Disney movies in order to examine their potential influence on the development of gender roles in society’s youth. First, we were interested in determining whether or not, Disney products do in fact contain characters that portray gender stereotypical behaviors as has been discovered in previous studies. If we were able to determine that stereotypical gender behaviors are present in Disney tales, then we would like to build off of previous studies. Therefore, next we attempted to analyze whether the characters in these movies have any fluidity in their behavior in that is either gender more likely to cross over and exhibit
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
Merida is the tomboy archetype who refuses to be “princess-like.” She is skilled in combat and rejects all the normal conventions of being a “lady” and does not acknowledge her duty to the kingdom – marrying. She is strong-willed and wants to remain free of any constraints – whether it be a husband or a strict mother who forbids her to engage in the activities that she loves (archery and horseback riding). Anna is a happy-go-lucky upbeat girl who takes matters into her own hands without the need to heavily rely on princes. She bravely goes in search of her sister in dangerous conditions and does so of her own will to protect her sister. Elsa is an anti-hero who has no qualms in killing others in order to fulfill her heightened sense of self-preservation. It is constantly shown that she suffers from mental illnesses that stem from her seclusion and fear of her own powers instilled by her father. In these respects, one sees that Disney has presented viewers with a more progressive set of lead characters with their own agency that stray from the convention of submissive and seemingly flawless princesses who embody all the traditional female
Society cements certain roles for children based on gender, and these roles, recognized during infancy with the assistance of consumerism, rarely allow for openness of definition. A study conducted by Witt (1997) observed that parents often expect certain behaviors based on gender as soon as twenty-four hours after the birth of a child. The gender socialization of infants appears most noticeably by the age of eighteen months, when children display sex-stereotyped toy preferences (Caldera, Huston, & O’Brian 1989). This socialization proves extremely influential on later notions and conceptions of gender. Children understand gender in very simple ways, one way being the notion of gender permanence—if one is born a girl or a boy, they will stay that way for life (Kohlberg 1966). “According to theories of gender constancy, until they’re about 6 or 7, children don’t realize that the sex they were born with is immutable” (Orenstein 2006). The Walt Disney Corporation creates childhood for children worldwide. “Because Disney are such a large media corporation and their products are so ubiquitous and wide spread globally, Disney’s stories, the stories that Disney tell, will be the stories that will form and help form a child’s imaginary world, all over the world, and that’s an incredible amount of power, enormous amount of power” (Sun). Because of the portrayal of women in Disney films, specifically the Disney Princess films, associations of homemaker, innocence, and dependence are emphasized as feminine qualities for young children. Thus, children begin to consider such qualities normal and proceed to form conceptions of gender identity based off of the movies that portray the very specific and limiting views of women (...
In the article Construction of the Female Self: Feminist Readings Of the Disney Heroine, Jill Birmie Henke, Diane Zimmerman Umble, and Nancy J. Smith are looking at the female self and how it was developed based on two theories: Standpoint by Parker Follet and the psychological development of girls by Gilligam. That by examines gender identity especially girls and how media exposure affects them through analyzing five of Disney movies: Cinderella, Sleeping Beauty, The little Mermaid, Beauty and the Beast, and Pocahontas. They segmented the article into three titles: The Oxymoron of Power and the Perfect Girl where they introduced the two theories in which they built their critic on, Construction of the Female Self where they talk about the evolution in the female character from Cinderella to Pocahontas, and Construction of Self in Relation to Others where they talk about the evolution of the self in relation to others from power-over to power-with until power-to. Finally they concluded that even if the female character in Disney’s movies was changing to become more
When putting the three articles together, you can see exactly how Disney is able to control popular culture and the media. Disney controls the media and uses propaganda in order to influence beliefs that shape society’s culture. Part 2. After going through the first semester of First Year Seminar Deconstructing Disney, my viewpoints on many things have changed and how I watch and perceive films has also changed. However, the way I perceive the film Wall-E has not changed much.
Disney has made it his life 's goal to create home entertainment for both young and old. From the creation of Mickey to his work in films, Disney had made it clear that happiness is something that everyone should have. Disney had also know that animations is not just for the imagination of the children. Early movies such as Snow White and Pinocchio have clear messages for the younger views. “In Snow White- the main characters are victims of injustice who are eventually restored to their rightful place. In Pinocchio, the characters Pinocchio, Jiminy Cricket and Geppetto are faced with dilemmas, and their own actions result in them becoming victims of ev...
Presently, Disney known for its mass media entertainment and amusement parks technically bring warm feelings to many children and some adults. Personally, Disney elicits magical fantasies that children enjoy and further encourages imagination and creativity. For decades Disney has exist as an unavoidable entity with its famous global sensation and reach. Furthermore, Disney is a multibillion dollar empire with an unlimited grasp on individuals and territories. An empire per se, since they own many media outlets, markets, shops, etc., you name it they got it. However, the film Mickey Mouse Monopoly presents an entirely new perspective on the presumed innocence projected in Disney films. This film exposes certain traits Disney employs and exclusively portrays through its media productions, specifically cartoons for directing and nurturing influence beginning with children. Mickey Mouse Monopoly points out camouflaged messages of class, race, and gender issues in Disney films that occur behind the scenes intended to sway viewers towards adopting Disney values.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
Critics have warned the public audience about Disney programming’s affect on the “invasion and control of children’s imagination” (Ross 5). These movies express the typical gender roles “such as males being physically strong, assertive, and athletic, and females being prone to overt emotion, inc...
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for