Disney’s Influence
Society cements certain roles for children based on gender, and these roles, recognized during infancy with the assistance of consumerism, rarely allow for openness of definition. A study conducted by Witt (1997) observed that parents often expect certain behaviors based on gender as soon as twenty-four hours after the birth of a child. The gender socialization of infants appears most noticeably by the age of eighteen months, when children display sex-stereotyped toy preferences (Caldera, Huston, & O’Brian 1989). This socialization proves extremely influential on later notions and conceptions of gender. Children understand gender in very simple ways, one way being the notion of gender permanence—if one is born a girl or a boy, they will stay that way for life (Kohlberg 1966). “According to theories of gender constancy, until they’re about 6 or 7, children don’t realize that the sex they were born with is immutable” (Orenstein 2006). The Walt Disney Corporation creates childhood for children worldwide. “Because Disney are such a large media corporation and their products are so ubiquitous and wide spread globally, Disney’s stories, the stories that Disney tell, will be the stories that will form and help form a child’s imaginary world, all over the world, and that’s an incredible amount of power, enormous amount of power” (Sun). Because of the portrayal of women in Disney films, specifically the Disney Princess films, associations of homemaker, innocence, and dependence are emphasized as feminine qualities for young children. Thus, children begin to consider such qualities normal and proceed to form conceptions of gender identity based off of the movies that portray the very specific and limiting views of women (...
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Cinderella, Sleeping Beauty, Snow White, and many other Disney movies all have one thing in common, they feature a female lead who needs a male figure to save them. However, things started to change after the release of Mulan in 1988. Movies that were only representing female leads as weak and always needed to rely on someone, started to feature females who showed off their more masculine side. Mulan was one of the first animated films that had started to dive into that, not to mention it was based on a true story, making it even more powerful. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney”, authors Ken Gillam and Shannon R. Wooden explore Pixar movies show male characters who were not afraid to show their emotions
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Boys are encouraged to be tough, and competition is also supported. While girls who demonstrate competitive or bold personality characteristics are often labeled as “bossy” or “pushy”. Children construct their own gender identity through their family, but also through school interactions and the consumption of media. “An update of the classic Weitzman study found that although the majority of female characters were portrayed as dependent and submissive, male characters were commonly portrayed as being independent and creative” (Eitzen et al. 2012:246). The impact of this gender inequality goes way further than just childhood play. When male and female stereotypes are deep rooted and taught so early, it is easy to see the connection between that type of socialization and the misrepresentation of women in science, technology, engineering, mathematics and politics. In “The Egg and the Sperm” Martin argues that even male and female reproductive processes are constructed using gendered stereotypes. The egg is described femininely and seen as passive, and the sperm is portrayed as active, behaving very masculine (Ferber, Holcomb, and Wentling 2013). The use of language perpetuates gendered stereotypes and normalizes the higher status of one gender over the
In order to fully comprehend the how gender stereotypes perpetuate children’s toys, one must understand gender socialization. According to Santrock, the term gender refers to the, “characteristics of people as males and females” (p.163). An individual is certainly not brought into the world with pre-existing knowledge of the world. However, what is certain is the belief that the individual has regarding him- or herself and life stems from socialization—the development of gender through social mechanisms. For instance, when a baby is brought into this world, his or her first encounter to gender socialization arises when the nurse places a blue or pink cap on the baby’s head. This act symbolizes the gender of the baby, whether it is a boy (blue cap) or a girl (pink cap). At the age of four, the child becomes acquai...
For this engagement essay the article Mean Ladies: Transgenders Villains in Disney Films by Amanda Putnam and the chapter “Someday My Prince Will Come”: Disney, the Heterosexual Imaginary and Animated Films by Carrie L. Cokely will summarized, analyzed, and engaged with using the Queer analytical framework.
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
In the article Construction of the Female Self: Feminist Readings Of the Disney Heroine, Jill Birmie Henke, Diane Zimmerman Umble, and Nancy J. Smith are looking at the female self and how it was developed based on two theories: Standpoint by Parker Follet and the psychological development of girls by Gilligam. That by examines gender identity especially girls and how media exposure affects them through analyzing five of Disney movies: Cinderella, Sleeping Beauty, The little Mermaid, Beauty and the Beast, and Pocahontas. They segmented the article into three titles: The Oxymoron of Power and the Perfect Girl where they introduced the two theories in which they built their critic on, Construction of the Female Self where they talk about the evolution in the female character from Cinderella to Pocahontas, and Construction of Self in Relation to Others where they talk about the evolution of the self in relation to others from power-over to power-with until power-to. Finally they concluded that even if the female character in Disney’s movies was changing to become more
In her “The truth about girls and boys, toys and TV” (2016), Naomi Riley claims that kids shouldn't be given the idea that dolls/pink toys are only for girls and trucks/blue toys are only for boys, each kid should get to choose what they want to play with. Riley supports her place by using scientific experiments by researchers and many pieces of evidence which illustrate the truth, young children are brought into the spotlight of popular culture showing that at a young age kids are given the toys that agree with their gender instead of choosing what they want. Using strong evidence Riley hopes to point out the ways people often choose what they want based on their gender in order to spark awareness in the readers about kids wanting the gender
Buckingham, D. (2000) After the Death of Childhood: Growing up in the age of electronic media. Great Britain, Polity Press.
The issue behind traditional gender roles and stereotyping has been around for hundreds of years, but true discussion and scrutiny of the Walt Disney Company and its widely popular Disney Princess franchise came to fruition only just recently, with a focus on how ideas exposed to both girls and boys can possibly affect them as they grow older. It is important for the young, working adults of the UTA community to pay attention to what is being taught to the youth of today because not only is the topic of gender equality on going, but it directly relates to the gender wage gap and sexism that some might argue runs rampant on campuses and workplaces they frequent. In this paper I will discuss three recurring positions, the “Pro Princess” movement, the “Anti Princess” movement, and the movement that sees the princess narrative as a positive effect on
Toy stores are perfect places for a sociologist to use their sociological imagination. Gendering and racism is thought to be something that is socially constructed as opposed to biologically constructed. Gendering starts during infancy, and around 2 years old children start to internalize these gender differences. I argue that children’s toys help socialize children into gender specific roles. Toy stores, like Target and Toys R Us help us understand what types of toys help to gender children. I will explain how the toys in the toy aisles differ and compare. Not all toys are either male or female, some toys are gender neutral.
With this in mind, in an article “Gender Stereotypes in Children’s Books: Their Prevalence and Influence on Cognitive and Affective Development” by Sharyl Peterson, they discuss the effects of gender stereotypes on affective development and cognitive development that are present in children. In fact, Peterson mentions in his work that “picture-books provide children with role models and clear images that prescribe for the children what they can and should be like when they grow up” (Weitzman et al., 19). Comparatively, Berenstain Bears picture books give children the image that females should only contain feminine traits such was managing the household, wearing dresses, and gardening. Whereas, males should only carry masculine traits such as doing manual labor, wearing primary colors, and fishing. In addition, “Pictures of characters in a story enable children to establish feelings, emotions, and reactions…” (Narahara 7). Displaying gender stereotypes through images and having children view them at a young age when they have not yet developed a strong identity for themselves can affect children’s self-esteem. In result, some children will ultimately be too scared to be themselves because of how books are articulating cultural and social
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
Critics have warned the public audience about Disney programming’s affect on the “invasion and control of children’s imagination” (Ross 5). These movies express the typical gender roles “such as males being physically strong, assertive, and athletic, and females being prone to overt emotion, inc...
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for