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The yellow wallpaper literary analysis
The yellow wallpaper literary analysis
The yellow wallpaper literary analysis
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In The Yellow Wallpaper Charlotte Perkins Gilman uses setting as the basis for the resolution and actions of the narrator and main character. The Yellow Wallpaper is a short story of a sick woman, with details of the building, weather, smell, and objects in the story allowing for an effective vision of the story. Along with Charlotte Gilman’s advanced diction setting is used as an effective expression of the intended atmosphere. The expansion of setting can be seen in details about mansion the family moves to and the environment surrounding them. Being part of setting, the location in which the family moved to is made very important and an evident focal point for how the story results. Charlotte Gilman uses the man character, who is also …show more content…
Charlotte Gilman uses objects in the room to help with the setting and the picture of this creepy mansion. The use of the bolted down bed and the torn up wallpaper give us a more in-depth detail of the setting. Near the middle of the story the narrator says “I lie here on this immovable bed—it is nailed down, I believe—and follow that pattern about by hour” (Gilman 383). Through this description we are shown that, symbolically, just as she is to stay in the room and mansion the bed is also nailed down. Charlotte Gilman uses this description of setting to show irony and slip an image into the readers mind. The narrator also states in the middle of the story “The wallpaper, as I said before, is torn off in spots, and it sticketh closer than a brother—they must have had perseverance as well as hatred” (Gilman 382). The torn up wallpaper, just as the bolted down bed, shows how strange and creepy the mansion really is and how it may drive someone crazy. Charlotte Gilman adding these specific descriptions brings a physical image to the bedroom in the mansion. Charlotte Gilman uses setting as the main description theme in The Yellow Wallpaper to give the most in-depth description possible. As a result of Charlotte Gilman using these setting descriptions they are the backbone of the story allowing the reader to intemperate the story as intended. The many details give an expansion to the setting and allow a foreshadow of the resolution at the end of the story. The diverse use of setting in The Yellow Wallpaper creates an captivating
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
The two common threads that connect Charlotte Perkins Gilman and the narrator in her story are depression/postpartum depression, and entrapment within their roles as of women. Specifically, Gilman and the narrator are trying to escape the function society has placed on them. First, after fulfilling their expected duties as wife and mother, both Gilman and the narrator become depressed after the birth of their child. It is this depression that leads them to the infamous rest cure...
The Room itself represents the author’s unconscious protective cell that has encased her mind, represented by the woman, for a very long time. This cell is slowly deteriorating and losing control of her thoughts. I believe that this room is set up as a self-defense mechanism when the author herself is put into the asylum. She sets this false wall up to protect her from actually becoming insane and the longer she is in there the more the wall paper begins to deteriorate. This finally leads to her defense weakening until she is left with just madness and insanity. All of the characters throughout the story represent real life people with altered roles in her mind. While she is in the mental institute she blends reality with her subconscious, forming this story from events that are happening all around here in the real world.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
...ary devices covered in this paper cannot even begin to cover the entirety of a great short story. The point of view, the symbolism, and the setting are just a few things that make these stories so memorable. The ability of Shirley Jackson to make a reader question the way society allows as normal with its traditions, families, and customs causes the reader to think that this can happen anywhere. Charlotte Perkins Gilman makes the reader wonder throughout the story is she crazy or is she possessed. The ability to make the reader sit white knuckled holding the book is amazing and the writing styles of Charlotte Perkins Gilman and Shirley Jackson will forever go down in literary history.
Gilman, Charlotte. Perkins. The “Yellow Wallpaper” is a new feature. The Story and Its Writer. Ann Charters.
The Yellow Wallpaper The story, ‘The Yellow Wallpaper,’ is one of intrigue and wonder. The story was written by Charlotte Perkins Gilman, and it happens to be the story under analytical scrutiny, hence the title as well as the first sentence. The characters in the story consist of the narrator, Jennie, the wet nurse, the narrator's husband John, and the women in the wallpaper. In the story, the narrator and her husband, as well as her newly born daughter and the nanny for the daughter, take a summer trip to a house away from the city.
The Yellow Wallpaper by Charlotte Perkins Gilman can be perceived in a few different ways. Greg Johnson wrote an article describing his own perception of what he believed the short story meant. In doing so, it can be noticed that his writing aligns well with what can be perceived from Charlotte Perkins Gilman’s story. The narrator Jane, experiences many things throughout Gilman’s story, which Johnson describes thoroughly. It is because of these descriptive points that allow Johnsons article to be a convincing argument. The main ideas that Johnson depicts that are supported and I agree with from the story include Janes developing imaginative insight, her husband and sister-in-law’s belief on domestic control, and her gained power through unconsciousness.
In "The Yellow Wallpaper" the setting helps define the action as well as to explain characters behaviors. The setting is which the story takes place is in the narrators room, where she is severally ill, and she is "locked up" in the room which served as her cage. The room in which the narrator is caged in is a nursery, "it is a big, airy room, the whole floor nearly, with windows that look all ways. The paint and paper look as if a boys' school had used it." The narrator describes the color of the walls as repellent, almost revolting, it is an unclear yellow with a dull orange. The condition that the narrator is in, the repulsiveness of the room, and the room haunting her, drives her into insanity.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Gilman, Charlotte P. "The Yellow Wallpaper." The story and its writer: An introduction to short fiction. Ed. Ann Charters. Compact 8th ed. Boston: Bedford/St. Martins, 2011. 340-351.