Wolfgang Amadeus Mozart Symphony No. 40

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Wolfgang Amadeus Mozart wrote his 40th symphony in the summer of 1788, one of three symphonies he wrote between June and August of that year. Louis Biancolli considers these three symphonies the greatest Mozart composed. In writing this amount of music in a relatively short period of time, should it be considered a masterpiece? Qualities in the first movement will be under consideration for this determination. David Dubal tells us that a true work of art should “not only add something new”, but “transmit and enrich the old”. He also states that a masterpiece would be appreciated in every generation. Carl Dahlhaus poses that an authentic masterpiece should be in line with the philosophy of the time it was written. Putting these two thoughts together then, a masterpiece should be in tune with the philosphy of its time while adding something new to the enrichment of familiar ideas, and would be appreciated and recognized as an important work of art by subsequent generations. In order to investigate if this symphony is attuned to its time, we must look at the society in which it was written. The eighteenth century encompassed a time of major change, initiated by scientific and philosophical discovery. Isaac Newton’s discoveries in the laws of motion and gravity lead to the belief that natural laws such as these dictated what happened in everyday life rather than direct, everyday involvement in mundane details from a supreme being. This is not to say there was a shift away from belief in, or worship of, a supreme being, only that society felt He did not often get involved in everyday affairs. These discoveries enabled society to have more faith in human reason, and historians label this as the ‘Enlightenment’ period, or the A... ... middle of paper ... ...fied as a masterpiece. Works Cited Biancolli, Louis Leopold. The Mozart Handbook; A Guide to the Man and His Music. Cleveland: World Pub. Co, 1954. Dahlhaus, Carl. Analysis and Value Judgment. New York: Pendragon Press, 1983. Dubal, David. Aspen Ideas Festival, The Aspen Institute. “What Makes A Musical Masterpiece?” video lecture. www.aspenideas.org/session/what-makes-musical-masterpiece (accessed February 7, 2014). Gutman, Robert W. Mozart: A Cultural Biography. London: Secker & Warburg, 2000. Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Viking Press, 1971. "W.A. Mozart Sinfonie in g." IMSLP/Petrucci Music Library. http://conquest.imslp.info/files/imglnks/usimg/a/ac/IMSLP273436-PMLP01572-III._Zweiter_Fassung.pdf (accessed February 18, 2014). Wright, Craig M. Music in Western Civilization. Belmont, CA: Thomson/Schirmer, 2006.

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