My Mistress's Eyes Are Nothing Like The Sun Analysis

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“Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet 's health, sight, his anticipations, moods, fears, thoughts cannot be the same.” The power of a sonnet is endless and can produce a different message every time it has been analyzed. A sonnet is a one-stanza poem of a short fourteen lines. Sonnets are composed in two main forms: the English sonnet or the Italian sonnet. Renaissance lyric poetry is centered on the importance of English and Italian sonnets. A sonnet is a very specific work of art and has been successfully composed by only a handful of poets. In the simplest terms, sonnets are merely a fourteen-line poem, but they are …show more content…

Petrarch wrote his great sonnet sequence to his beloved, Laura (Miller). Many of Shakespeare 's sonnets are also about Love, but Shakespeare mocked the standard worshipful attitude of the Petrarchan sonnet in his famous "My Mistress 's eyes are nothing like the sun” (Sites). Development of the English sonnet led to consideration of other topics, including “mortality, mutability, politics, and writing” (Sites). John Donne turned from the secular subject of Love to consideration of sacred themes in a group of nineteen Holy Sonnets (Miller). Milton, instead of writing a sequence about Love, wrote individual sonnets about serious ideas, political themes, or public occasions (Miller). Discuss and explore the cultural significance of the Classical Greek poet, Sappho, and the significance of her unique lyric …show more content…

had little to say publicly about her fate or role in life (Sheehan). Sappho was born on the island of Lesbos and spent a brief amount of time in Sicily. She is said to have been of the aristocracy, due to varied reports of her brother’s business ventures in Egypt and the belief that, if she had not been, she would have been put to death for her outward voice about women’s sexuality (Meissner). Her days consisted of “public worship ceremonies, called Thesmophorias, to female Gods, such as Aphrodite, possibly attending religious choir settings, and of course typical female chores of the home” (Meissner). During these small group meetings, women were believed to have spoken freely about their feelings (“Sappho”). Once these meetings were over, they had to return home to their husbands or fathers and resume an extremely submissive role in society. Some scholars believe the island of Lesbos allowed women to have more of a free life than other Greeks (Sheehan). These sessions fostered the creations of Sappho and her label of being the first female

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