In a modern day production of Lysistrata, a director’s role would involve the overseeing of the whole play making course and ensuring that all the cast members realize the vision of the production. This role covers all the steps of production from the interpretation of the script to the final performance. This means that the director has a say over a range of disciplines and has to have artistic vision. Lysistrata was produced in 411 B.C., at a time when Athens and Sparta had just concluded a two-decade
Aristophanes' Agathon in Women at the Thesmophoria Aristophanes and Agathon were peers in Ancient Greece. Aristophanes was the master of comedy, and Agathon was the master of tragedy. They traveled in the same circles and are present in the same works. In looking through the comic lens at Agathon in Aristophanes’ Women at the Thesmophoria, the reader is presented with a portrayal of an effeminate man with a flair for the dramatic and a queenly attitude. Aristophanes’ Agathon is a comic character
Aristophanes thought and believed. With so little evidence of Aristophanes himself, it is hard to prove a case either way. While taking into account the social climate at the time and what the main aims of the plays were, I will be looking into Thesmophoriazusae and whether Aristophanes was attempting to make any serious points through various styles of humour. In order to determine whether Aristophanes was putting forward a serious point, it helps to look at the back ground and context in which
Women in the Apology of Socrates The most striking thing about women in the Apology of Socrates is their absence from where we might expect them. Only two specific women are mentioned: 1) the Pythia, the priestess of Apollo, who answers Chaerephon's question that no one is wiser than Socrates (21a); and 2) Thetis, the mother of Achilles (who himself is not mentioned by name but only referred to as the "son of Thetis"), who warns him that he will die if he kills the Trojan hero Hector (28c). Only
Ancient Greek Costumes, Props and Masks: An overview of the identification, use, inspirations and devices in Greek Theatre Costuming Often overlooked elements of ancient Greek theatre are the costumes, props and use of masks in the productions. Costuming actors and actresses, in modern times, receives much attention - award shows, large contracts, and entire websites devoted to costume designers. Directors and producers specifically team up with costume designers to create a cohesive vision for